I had the pleasure of seeing two fantastic films recently, each with its own unique appeal.
The first was “Of An Age,” a movie that almost lost me during the opening sequence with its frenetic pace and my lack of sympathy for the characters.
However, I’m so glad I stuck with it because the rest of the film unfolds at a much more leisurely pace and captures the heart of a young man who’s finally accepting his sexuality. The central character, Ari, struggles with his identity in a culturally diverse environment, and the story reminded me of other great films like “Loaded” and “Head On.”
Overall, I highly recommend “Of An Age,” but be patient with the first fifteen minutes.
The second film I saw was “Allelujah,” and I was expecting a light-hearted English comedy with a star-studded cast that included Judi Dench, Derek Jacobi, Russell Tovey, and Jennifer Saunders.
However, the film surprised me with a plot twist that, in hindsight, should have been more apparent given that it’s based on a play by the renowned playwright Alan Bennett.
“Allelujah” explores themes of aged care and is filled with memorable performances, including Saunders in a role that’s a departure from her usual comedic roles.
Despite the audience being mostly composed of seniors, the film’s themes are universal, and I’d highly recommend it to anyone who appreciates thoughtful storytelling.
With all this Copenhagen stuff going on, I thought this was an interesting contribution to the discussion.
It’s a song by Frida from ABBA (of course) which is a “prayer” about peace, the environment and everything.
English Translation (courtesy of Matt):
“Dear God”
Tell me, dear God,
do you hear me?
This prayer is for you
Oh, do not let the world go down
Let us be responsible for each other
Why do we have to be at war with one another?
Why is it so hard for us to give love?
Why are we so full of hatred and envy
and never have time for others?
(Why do we have to?)
How many people still have to die without reason?
How many hearts still have to be broken?
How much do we still have to suffer?
Tell me, what sense does it all make?
Promise
I will not be alone
Tell me, dear God,
do you hear me?
This prayer is for you
Oh, do not let the world go down
Let us be responsible for each other
Who are we passing judgement on justice
while we destroy the world?
Who on earth are we?
We are killing nature, our native soil.
(Why do we have to?)
Frida speaks the Lords Prayer in swedish …
Fader vår som är i himmelen.
Helgat varde ditt namn.
Tillkomme ditt rike.
Ske din vilja, såsom i himmelen så ock på jorden.
Vårt dagliga bröd giv oss idag,
och förlåt oss våra skulder, såsom ock vi förlåta dem oss skyldiga äro,
och inled oss icke i frestelse utan fräls oss ifrån ondo.
Ty riket är ditt och makten och härligheten i evighet.
Amen
Tell me, dear God,
do you hear me?
This prayer is for you ..
Thematically, the notion of Christianity and the environment also fits in with an interesting discussion I listened back to via a Radio National podcast the other day.
Damo and I arrived right on the dot of seven, as we were keen to maximise our drinking and schmoozing time with the other “very important people”. Damien said he was particularly impressed by the white wine, declaring it “the best Rosemount I’ve ever tasted”. While he was, at first, more polite when it came to gulping down food – I had no such qualms – he was eventually grabbing two pieces of food, just to be sure. We became best friends with the short Irish girl and the bleach-blonde-tips gay boy who looked after us all night. Unfortunately, they didn’t provide ice-creams, but they did open up another bottle of wine so we could sip wine during the movie.
And what a movie it was. It was called Standing In The Shadows Of Motown. According to the publicity blurb from the website, Fourteen years in the making, this film is based upon a book of the same title that won the 1989 Rolling Stone / BMl “Ralph J. Gleason Music Book Award”, STANDING IN THE SHADOWS OF MOTOWN was shot in 35mm film, on location in Detroit and elsewhere. This one hour and forty-eight minute documentary and performance film tells the Funk Brothers’ saga through archival footage and still photos, narration, interviews, re-creation scenes, 20 Motown master tracks, and twelve new live performances of Motown classics with the Funk Brothers backing up Chaka Khan, Ben Harper, Bootsy Collins, Montell Jordan, Meshell Ndegeocello, Joan Osborne, and Gerald Levert.
There were some wonderful anecdotes, some fantastic insights into the construction of the “Motown sound”, and some great performances. One of the real surprises was Joan “What If God Was One Of Us” Osbourne. Although she seemed like a bit of a “try hard”, her vocal performances were truly remarkable, especially one of my favourite songs, “What Becomes Of The Broken Hearted”.
“It’s such a long way to Australia”, people kept telling me as I travelled around Europe over the last two months. “It’s only twenty-four hours in the plane, and I made it”, I kept telling them. Having now arrived back in Sydney after what seems like days of travelling, I’m beginning to see their point.
After the excitement of the ABBA Museum Opening on Monday night, the morning after headlines were very much about the non-appearance of Agnetha Fältskog. On the red/pink carpet, Frida took a swipe at Agnetha’s record company, Universal Music. As reported in Expressen, Frida says she thinks they (Universal) missed a real opportunity in organising Agnetha’s schedule. She could have been in Sweden with the others, but instead she’s in London promoting her new album, appearing on radio, television, and in newspapers. There was even a nightclub appearance (though she didn’t sing) at legendary nightclub, G-A-Y.
ABBA Museum Headline
– Jag tycker Universal har gjort en miss som inte såg till att hennes schema blev så att hon kunde vara här. Men det är ju som det är, det är inte så mycket att göra.
Universal är Agnetha Fältskogs skivbolag och hon släpper om en dryg vecka sitt nya album “A” genom dem och är i London för att marknadsföra albumet. Anni-Frid Lyngstad önskar dock sin före detta bandkollega lycka till innan hon avslutar intervjun. Jag bara önskar att allt går bra för henne i England och att hon har en stor succé.
Despite her sadness Agnetha wasn’t there, Frida wishes her all the best in England, and hope that it will be a big success. A spokesperson for Universal Music says the promotional tour was organised before details of the museum opening were confirmed.
Det är synd att hon inte är här så klart. Vi skulle vilja att hon var här, men Agnethas promotion var bestämt långt innan det här datumet var bestämt, säger Mia Segolsson, marknadschef på Polar music till Expressen.se.
I actually don’t buy that argument at all. The May 7 opening was confirmed in November last year. It’s about three hours between London and Stockholm. It could have been twenty-four hours of travelling at most, with a few extra hours of travel either side. If I was one of the media people who’d organised an interview with her, I would have gladly agreed to a trip to Stockholm instead. The bottom line is, that aside from their appearance together at the Swedish opening of the “Mamma Mia” movie, there seems to be an agreement all four of them will never appear in public again. It’s only ever two or three at a time.
Hanging with Gustav in Stockholm
I spent my final hours in Stockholm hanging out with Gustav. I joked with him about my idea all four members of ABBA have a Grindr-like app on their phones which tell them whenever an ABBA fan is close-by. Profiles of well-known fans appear on the screen and it tells them exactly where they are, so they can be avoided. Gustav laughed and added, the same app also probably prevents them from being in the same spot at the same time.
Hanging out with Gustav was a really lovely way to spend my last few hours. We enjoyed a bite to eat at Cafe Sirap, which is just across the road from where I first stayed when I moved to Stockholm. It’s a really terrific cafe, with good food, and lovely company. After a lengthy walk and a chat, we had a drink together in Gamla Stan. After picking up my luggage, we bid each other farewell.
The final day’s weather in Stockholm was absolutely gorgeous. Even though I’d started the day wearing a hoodie, I’d pretty much ditched it by lunchtime. As I made my way to airport, I was both happy to be returning home (my own house, my own bed) but also a little sad.
These sleeping chairs at Beijing Airport are awesome.
It’s been a really wonderful trip. I loved travelling with my friend Sue. Although we’ve known each other for over thirty years, she lives in Melbourne and I live in Sydney. I felt this trip brought us closer together again in many ways. I also felt I made a really genuine friendship with Sandra and Robert on this trip. Even though we’ve met before, and have maintained an internet friendship, I’ve had a period of time where I’ve got to hang out with them, and to get to know them better also. And guess what? I really like them. Sandra sent me a farewell text, as I waited in line at Arlanda Airport.
The next thirty-six hours were a combination of flying and travel time. Nine hours from Stockholm to Beijing. Six hours in Beijing. Eleven hours back from Beijng to Sydney. As always, I slept pretty much all the way. When I arrived back in Sydney this morning, I felt pretty good. The house was left in a beautiful condition by Sarah (thankyou sincerely), and I even popped down to the supermarket tonight to get some food.
I couldn’t wait, though, to ditch the clothes I’ve been wearing far too regularly over the last few months. Nonetheless I’ve had a couple of hours of napping throughout the day, and so I’m feeling quite normal in terms of my body’s timezone and travel adjustment.
I don’t have to go back to work until May 20, and so I’m looking forward to hanging out around Sydney over the next week or so.
I’ve had a wonderful time travelling. The big challenge I’ve set myself, which I wrote down on the note-taker on my phone is this: “Can I take the enthusiasm and excitement I feel about my life when I travel, and bring it back to the way I live my life when I’m in Sydney?”. Here’s hoping.
As we caught the ferry back from an afternoon at Manly’s 16ft Skiff Club, we headed straight to the front of the vessel. I NEVER get sick of catching the Manly Ferry, though I’d imagine if I had to do it every day, it might get tiresome.
But today there was another reason to find a spot at the front: we had an overseas visitor. Or rather, a former Sydney-sider who has been living in Ireland for about a decade. Coming back for him must seem both familiar (family and friends) and unfamiliar (so different from his day to day life in Dublin).
Many photographs were taken, but this is actually my favourite. As we made our way to the quay I looked back towards the Opera House, and all of a sudden I saw it: the perfect opportunity to snap two Sydney “icons”.
Though there’s still no apparent “winner” for me in this year’s Melodifestivalen (the Swedish heats which lead to the final where Sweden’s song for Eurovision is chosen) I thought there were some pretty good songs in the third heat. Once again, I woke early, turned on my laptop and television, and settled back to enjoy the tunes from the other side of the world. Gosh, I remember the days when you waited for the DVD release to come through the mail. It’s all so different now. Although there are online previews, and lots of pre-contest online commentary, as with Eurovision, I still like to listen/watch with a fresh set of ears/eyes to Melodifestivalen.
Melodifestivalen always has a few surprises. And this year, it was the re-appearance of drag act, “After Dark”. The creative project of Christer Lindarw, “After Dark” has previously appeared in Melodifestivalen with “La dolce vita” (which actually did pretty well in the competition, finishing third in 2004) and “(Åh) När ni tar saken i egna händer” (“When You Take Things In Your Own Hands” – widely seen as a song about wanking) in 2007. Although I really like “After Dark”, I wasn’t prepared for just how good “Kom ut som en stjärna” (“Come Out Like A Star”) would be. It’s a really great tune, and the performance was excellent. Unfortunately, the song never made it through to the final, reflecting I guess the influence of a younger voting profile, and the increasing presence of those who’ve come up through TV talent competitions. I guess it was just seen as a little “dated”, though I really liked it.
On paper, I really should have liked “You Carved Your Name”. First, it was co-written by Kleerup, and second it was performed by Swingfly feat. Helena Gutarra. But unfortunately it never really did it for me. Instead, I was drawn to “Weight Of The World” by Smilo and “Put Your Love On Me” by Boris René (both great singalong numbers with catchy choruses) and “Human” by Oscar Zia (not the greatest song, but I thought the performance was excellent). On Twitter, I read someone say teenage girls in the arena where the contest was taking place were going crazy for Oscar. In a lounge-room in Sydney, Australia, I was feeling similarly.
Melodifestivalen – Gina plays drums in Bowie Tribute
Melodifestivalen – Smilo sings Weight Of The World
Melodifestivalen – Songwriters for After Dark
Melodifestivalen – Christer Lindarw aka After Dark
Melodifestivalen – Oscar Zia sings Human
In related news, it seems like they’re adopting “The Swedish Model” for Eurovision voting this year. And with Petra and Måns as co-hosts, it’s looking good for this year’s contest in Stockholm. Gosh, I wish I could afford to attend.
Something at work made my grumpy, which was always going to happen I guess.
And I went to an exhibition opening with Kate.
The exhibition was by a young artist called Peter Nelson, who Kate met through their common involvement at Red Gate Gallery in Beijing.
“It’s like industrial coral”, I observed as we walked around the exhibition which portrays amongst other things, works on paper of massive, chaotic buildings. They’re re-produced in 3CD-form made from cardboard boxes.
A lot of his work is also based in nature, with rural landscapes dominating.
It was a lovely contrast to the rest of the day which I’d found rather frustrating. Ah well.
In other news, my old couch now features in an American television commercial.
I got an email from a bloke a few weeks ago which said…
A google image search for “old couch” pointed me to your blog, and the couch image from the post “Messy Old Couch” (1/19/2009). Wanted to get your permission to use the image as a very small part of a video I am assembling here in the US.
Of course I said yes… and now it’s online. Mine is the old, ripped stripey one, I bought in Wagga about twenty years ago but which now “lives on”….
Like this:
LikeLoading…
Related
6 Comments
Hello James,
Saw ‘Of An Age’ back in August/Sept I think it was. Part of a touring package of MIFF films in Geelong. I enjoyed it too.
Thanks for your review and recommendation of ‘Allelujah’. Looks good. Not screening anywhere in Geelong yet. A film I saw recently and really enjoyed very much – ‘The Blue Caftan’ from Morocco. I intend to see it again.
I just read the precis for Blue Caftan. Sounds good.
Halim and Mina run a traditional caftan store in one of Morocco’s oldest medinas. In order to keep up with demanding customers, they hire a talented young man as an apprentice. Slowly Mina realises how much her husband is moved by his presence.
Oh yes, indeed, James. The first 15 minutes or so of “Of an Age” were truly trying basically for the reasons you mention, and then I could add a few. Difficult to redeem things after that.
One detail I liked at the start, now a period touch, was parents knocking on teenagers’ [closed, naturally] bedroom doors when their friends phoned.
We never got a phone until I was about 16, and it was in the hallway. Sadly, not a lot of room for private conversations. I think there was a segment in the film (or maybe I just made it up), where one of the characters had to check if another was on the phone, ahead of using the internet. I remember those days, too!
I haven’t seen “Of An Age” yet, but I’m definitely intrigued now that you’ve recommended it. It’s always great to hear about new movies that are worth watching, especially ones that tackle important issues like identity and acceptance.
Hello James,
Saw ‘Of An Age’ back in August/Sept I think it was. Part of a touring package of MIFF films in Geelong. I enjoyed it too.
Thanks for your review and recommendation of ‘Allelujah’. Looks good. Not screening anywhere in Geelong yet. A film I saw recently and really enjoyed very much – ‘The Blue Caftan’ from Morocco. I intend to see it again.
I just read the precis for Blue Caftan. Sounds good.
Oh yes, indeed, James. The first 15 minutes or so of “Of an Age” were truly trying basically for the reasons you mention, and then I could add a few. Difficult to redeem things after that.
One detail I liked at the start, now a period touch, was parents knocking on teenagers’ [closed, naturally] bedroom doors when their friends phoned.
We never got a phone until I was about 16, and it was in the hallway. Sadly, not a lot of room for private conversations. I think there was a segment in the film (or maybe I just made it up), where one of the characters had to check if another was on the phone, ahead of using the internet. I remember those days, too!
I haven’t seen “Of An Age” yet, but I’m definitely intrigued now that you’ve recommended it. It’s always great to hear about new movies that are worth watching, especially ones that tackle important issues like identity and acceptance.
Thanks Stuart. Love reading your blog, too.