Twelve months ago, today, I was attending Stockholm Pride in Sweden. A bit like Mardi Gras in Sydney, they have a big parade throughout the city leading towards Pride Park.
Interestingly and co-incidentally enough, there was a Same Sex Marriage Rally in Sydney today, so I headed along to Town Hall at around lunchtime. I listened to a few of the speeches which were interesting enough. The only reference that made me cringe a little was when one of the speakers referred to a “Commitment Ceremony at Byron Bay” which seemed a little too North Coast PC for my liking. “Oh my goodness”, I thought to myself, “I’ll bet they were naked on the beach too”.
Anyway… just as I was about to leave and head home, I ran into a friend, Greig, who I last saw last weekend at a party he hosted. As we chatted, we observed very few of our friends were probably that motivated to come along. For some it’s an issue that doesn’t bother them all that much. For others, it’s something they’re actively opposed to for a variety of reasons. If push came to shove, and I was lucky enough to find myself in a relationship, I probably wouldn’t be all that interested in participating in a marriage ceremony, but you never know.
Marching down George Street, Sydney in the Same Sex Marriage Rally
So just when I thought I might head off home, I thought I might as well stick around and Greig and I could keep each other company. So, we decided join the walk to the protest rally outside ALP National Conference. It was a good fun thing to be part of an estimated crowd of say 2-3,000 people, as we walked down George Street towards Darling Harbour.
Rev Karl Hand from MCC and lots of cameras.Same Sex Marriage Rally in Sydney 2009Marriage Equality Rally – Source Unknown
As a number of people noted, there was a time not so long ago when there was a ban on inter-racial marriages. I suspect it’s just a matter of time until the laws are changed in regards to same-sex marriages, also.
Even though it’s an absolutely beautiful day, and I know I should be outside, I’ve just woken up from a brief afternoon nap. I was up reasonably early (for a Sunday), as I had to go to Tamarama this morning for “Sculpture By The Sea”. On top of a reasonably late night last night, I found myself a little tired by the time I arrived home at about one o’clock. Walking in the door, I took off most of my clothes and headed straight for the couch. Ah, don’t you love Sundays?
Life’s funny, though, isn’t it? You can spend weeks on end with nothing terribly much happening in your life, and then suddenly you find yourself with hardly enough time to scratch yourself. This week, for example, I’ve been to see the new Brad Pitt film (Wednesday), the launch of the Sydney Festival at the Opera House (Thursday), drinks with Laura who is back from London (Friday), and to see the play, “Holding The Man” with my friend Sue, who is visiting from Melbourne (Saturday).
I got a phone call from Michaela on Tuesday, I think, asking me if I wanted to see the new Brad Pitt film, for which she had won some tickets. Aware that I had a fairly busy week, I ummed and ahhed for a while, until I finally thought to myself, “ah buggar it”, I’ll just go anyway. In this film Brad Pitt “returns to arthouse” (as Michaela put it), playing the American outlaw, Jesse James. Aside from the many cinematic references to Jesse James over the years, I wasn’t overly familiar with his story, aside from a vague understanding he was their equivalent to Ned Kelly. Unlike Kelly, however, James was shot dead by a member of his own gang. And while much of the film is about James himself, it’s also about the man who shot him, speculating on the reasons why it occured, and providing some insight into the life of the man after he shot James, and the reasons why James became a “folk hero”. Although it’s a comparatively long-film (2.5 hours), I never felt the time drag as we watched it. Indeed, by the time it finished, just after nine o’clock, neither one of us was ready to go home to bed, so we headed down the Spanish area of the city and enjoyed Tapas and a bottle of red. That was Wednesday.
I had to be up early on Thursday morning (5am start), so I didn’t really have all that much sleep that night. Luckily I was able to leave work a little earlier, and head home for a nap before heading off to Opera Bar for dinner with Colin and Vanessa, and then to the launch of this year’s Sydney Festival. Compared with previous years, there’s a lot more music and dance this year, and I love the way they’ve expanded the number of large public events.
It was another busy day at work on Friday (gosh the tax-payer gets good value for money in employing me!), before heading off to catch up with Laura who is back in Sydney for about six weeks, before heading back to London (or maybe New York). Hopefully, she’ll be in NYC when I visit there next year.
And then last night, my friend Sue and I went to see “Holding The Man” at Belvoir Street. As I’ve mentioned previously, Holding The Man is a very special book and play, which means a great deal to me. It’s both extremely funny and extremely sad, and once again last night I had a bit of a cry. I think the play means a lot to the cast too, as both Sue and I thought the performance given last night was terrific, especially by the actor who plays Tim. “Did you think he was really crying?”, Sue asked me. “Yes, I did actually”, I told her, as the look on his face and the tears in his eyes seem to indicate to me that whatever emotions he had summoned up for the final moments of the play were clearly very strong ones. I sat opposite him on the bus the other week, by the way, which was a bit of a thrill.
We then came home, ate some ice-cream, had a cup of tea, and chatted until about one o’clock this morning.
“Your alarm’s going off”, Sue shouted through the door of my bedroom this morning, just after seven o’clock. Despite the late night, I needed to be out of bed reasonably early this morning for Sculpture By The Sea. At about seven o’clock the sky was still very grey, and I wondered briefly if it was worth bothering going down given the inclement weather. Within an hour or so, the sun has started to appear and by about nine o’clock there were beautiful blue skies over Sydney.
It was the first time I’ve been to Sculpture By The Sea for a number of years, and I was reasonably impressed with most of the statues on display. The warm weather brought with it good crowds, and I sometimes found it difficult to really appreciate the works, surrounded by thousands of others. I might take the advice of my friend Colin and go back sometime during the week if I can get a moment away from work. “I always go mid-week at about eleven o’clock in the morning”, he told me on the phone yesterday, “when it’s just me and the little old ladies”.
Right now, though, I think I might head down to Darling Harbour where there’s a European Travel Expo currently underway.
Sculpture By The Sea
Sculpture By The Sea
Sculpture By The Sea
Sculpture By The Sea
Sculpture By The Sea
Sculpture by the Sea
Sculpture by the Sea
Sculpture by the Sea
Sculpture by the Sea
P.S. It’s my birthday this week and I will be having drinks from about 6.30pm Friday at a TBC venue. Although a workmate reckons we should go to Pontoon, I’m not so sure. I’m thinking inner-city cheap pub myself. Or maybe Opera Bar which, amusingly, a friend told me this week is known on Friday nights as the “Dry Cleaners”: it’s where you go to pick up a suit!
“What was your favourite work?”, I asked my friend Sue as we walked away from Sydney’s “White Rabbit Gallery” this afternoon. “It was definitely the video work”, she told me. I had to agree. It’s a beautiful work. Over the course of maybe twenty or thirty minutes, you sit there in a darkened room and watch an artist take delivery of some large stacks of clay, and proceeds to turn those stacks into a human sculpture. Along the way, you get to see the intimate way in which an artist can work with clay. At times, it was if the artist was giving the clay a full body massage. At times, it was as if the clay was an actual human being. One of the most compelling parts is when you watch the artist scoop their hands into the head of the sculpture, removing some clay, creating eyeballs and then putting them back inside. I thought the video was beautifully conceived and shot.
There are several other stand-out works in the current exhibition, “Heavy Artillery” including “The Tank Project”, 2011-2013 by He Xiangyu (a life-size “deflated” tank made from hand-knitted leather); “Armour of Triumph”, 2012 by Wang Lei (knitting); and “European Thousand-Armed Sculpture” (2013–2014) by Xu Zhen (in which massive classical sculptures align in the form of a Buddhist deity). Also memorable was “Guazi Moves Earth”, 2008 by Liu Chengrui (Guazi), a performance piece in which the artist crawls along the ground moving a pile of earth mouthful by mouthful because “not all art should be pretty.”
“European Thousand-Armed Sculpture” (2013–2014) by Xu Zhen
“European Thousand-Armed Sculpture” (2013–2014) by Xu Zhen
“The Tank Project”, 2011-2013 by He Xiangyu
“The Tank Project”, 2011-2013 by He Xiangyu
“Armour of Triumph”, 2012 by Wang Lei
“Guazi Moves Earth”, 2008 by Liu Chengrui (Guazi)
We are so lucky to have such a great gallery in Sydney, open to the public and free of charge, presenting such beautiful, interesting and challenging work.
I recently made the decision to sponsor another child and received a package in the mail tonight from Childfund Australia, confirming details of my new “sponsor child”, Nancy. For the last six or seven years, I’ve been sponsoring a young boy in Ethiopia, called Nureden. He’s almost twelve now, and although I don’t know him in the way you’re “supposed to know sponsor children” (aside from the occasional updates on his progress), I certainly feel a strong commitment to maintain monthly payments to support him and his family… because I can afford to.
Unfortunately I sense amongst some people in Australia a degree of cynicism about child sponsorship. At the heart of this cynicism are concerns some of the money is wasted along the way and that the idea of child sponsorship is inherently paternalistic. In his song September 10, Eddie Perfect (who I really like), also offers the idea child sponsorship somehow “picks winners” while condemning others. And yes, there are probably other organisations which may do a better job in assisting communities. But even if all those issues are true, I still think it’s great there are schemes like the one offered by Childfund Australia, where people like myself can do something to help families and communities in need. Yes, I know I could hop on a plane and go to Africa and be “hands on”, but I don’t know if I’d be very good at that, and I’m not sure how much help I could actually be.
In the meantime, I have a well paid job and I live in a wealthy country which, by and large, looks after its people well. As I don’t have children of my own (and no, this is not some kind of child replacement therapy for myself), I can afford the $70 per month it costs to provide support to the families of these two young children. I also give money, by the way, to Medicins Sans Frontieres, which I think does a terrific job in providing volunteer medical assistance to people in many needy countries.
In the grand scheme of things, $25-30 per week, is a small percentage of my income, which I’d probably otherwise waste on useless crap I don’t need. It’s a no-brainer, really.
“Oh, it’s so dated. It really hasn’t stood the test of time”, I heard one person say in that “theatre kinda way” at the after-show drinks last night. As I was having such a good time myself, I didn’t want to argue to toss except to say “I actually really quite liked it”. And that’s where the conversation ended.
I’ve never actually been to see a production of “Phantom Of The Opera” before, and so when the invitation came to opening night at Star City Casino, I snapped it up instantly. I was curious more than anything. On the one hand, I knew “Phantom” had its fans, millions of whom had paid big bucks to see it staged previously. On the other, I knew about the famed (or infamous) chandelier scene, I knew some of the songs though I wasn’t a huge fan of the soundtrack, and I’d read various reviews which have previously described it as an exercise in style over substance.
And while there’s probably more than a grain of truth in that, I also really bloody well enjoyed it. I thought it was visually spectacular (especially many of the transformation scenes, especially the boat scene), the singing was terrific (Anthony Warlow and Ana Maria were both tremendous), and it had lots of great sing-along tunes.
At one point the bloke sitting next to me began to conduct the strings, and at another point, his wife began to sing along. For just half a moment I didn’t know whether to ask her to be quiet or to join in myself. Actually, there was one moment where I found myself humming along out loud, and not just in my head. For all of the cynicism you often find in theatre circles about Andrew Lloyd Webber, I’m still quite a fan.
The plotline of course is pure nonsense. But as my friend Colin observed later in the night, “You’ve got to recognise it’s melodrama”. And once you do, and once you get caught up in the moment, you find yourself having a great night.
Phantom of the Opera
I thought the first half was better than the second, with more recognisable tunes, and a great sense of pace. And in all honesty, the famous chandelier scene – where the chandelier plummets to the ground – was a bit of a letdown. Possibly a victim of public liability insurance, the chandelier kinda wafted down slowly, rather than dramatically as you might have expected or hoped. Minutes later, I was outside in the theatre looking down on the audience on levels below and imagined for just a moment what might have happened if a chandelier had fallen down there, crashing heavily on those below. :)
But those minor criticisms aside I had a tremendous night. And when Anthony Warlow came out on stage for applause, he quite genuinely and deservedly received a standing ovation.
Phantom Colin
Famously, there’s a television newsreader who I often see at opening nights who usually has to leave halfway through to go to read the news. As he was sitting in the row in front of me, I noticed he was there until the very end, which presumably means he was having a good or time. Or maybe he wasn’t reading the news last night?
Celebrity-wise, I hear the former PM, Hawkie was there, as was AJ from “Biggest Loser”, though I didn’t see either. I did however see the former Mr Kidman, Angus Hawley. And I also got to meet the new uber-cool television entertainment presenter, James Tobin. “Is this Row E?”, he said to me. “Yes, I replied”, pulling out our tickets, and very soon realising we were sitting in the wrong seats. He seemed very nice about it though, I thought. He was sitting by himself and through intermission was heavily texting someone. Guess who, don’t sue, as Ros Reines might say!
SYDNEY, AUSTRALIA – MAY 15: SYDNEY, AUSTRALIA – MAY 15; Atmosphere at the after party of the Sydney premiere of The Phantom of the Opera at the Lyric Theatre on May 15, 2008 in Sydney, Australia. (Photo by Mike Flokis/Getty Images)
In other musical theatre news, I’m off to see “Chess” at the Theatre Royal on Saturday night. Odd in a way, because when you think about it, with “Chess”, “Phantom”, “Hawkie”, etc you can’t help but wonder if 2008 is actually 1988 all over again.
My mother always said that you should never put a pair shoes on a table, as there would inevitably be an argument. “It was the same in my family”, my friend Andrew told me last night, adding you should also never put shoes on a bed, as the only other time you ever see shoes on a bed is when someone has died. How superstitious! But how appropriate too, to talk about superstitions on Friday the thirteenth. I, however, blame the day itself for what happened last night in Mascot.
Last night, Graeme asked Grant, Andrew and myself to join him for a night of ten pin bowling put on by his work’s social club. We had agreed to meet at the bus stop outside the Commonwealth Bank on Elizabeth Street. It was one of those chillingly cold Sydney afternoons where the wind really cuts deep into the bone. “It won’t be long now until I’m enjoying a Swedish summer”, I thought to myself, as I pulled my jacket up and around my ears.
I’m not exactly sure how old the bowling centre at Mascot is, but it has a definite 80’s feel to it. It’s a little bit “Hard Rock Cafe”, a little bit “80’s theme park”, a little bit “Laverne and Shirley”. 80’s too in the music being played. Whitney Houston, Blondie and others with a DJ straight out of 5RM (Berri) or 4VL (Charleville). I thought for a moment I was back in Lismore during my high school years, producing Saturday night requests with Richard Mercer on 2LM.
And as we arrived and sat down to order a meal and a beer, they asked us to wear green wrist bands to identify ourselves as adults (and therefore able to drink alcohol) in a mixed-age environment. “What are we, sex offenders? Drink drivers? On day-pass from Silverwater?” Graeme joked as we put the wrist bands on.
Manhattan Super Bowl @ Mascot
A strike and a rainbow flag. Says it all really…
Its always bad luck to put shoes on a table.
I suspect the wrist band may have affected my game, as I didn’t perform nearly as well as the last time I went ten pin bowling which was six months ago, and before that, four years ago in Perth. On both occasions, it was a work-related event. When I was in Perth, with some visiting managers, I organised a night of ten-pin bowling which was a load of fun, and turned out to be (as intended) a great team building experience.
Last night at Mascot, ours wasn’t the only work group either. As I recall, there was a security company, a childcare centre, Lincraft, and a host of other work-place related groups. The centre was great fun, the staff friendly, and they recognised how important it was to make everyone feel well looked after. After all, it’s probably a good activity for a people who work together who want to socialise together, but want to do more than go just to the pub where they’ll only end up sitting around bitching about their boses.
On reflection I didn’t do all that badly at ten pin bowling, sometimes scoring 8s and 9s. But that was often balanced by scores of 1s and 2s. So yeah, as I was saying, I think the wrist band affected my performance. Or maybe it was Friday the thirteenth? Or maybe it was those damned shoes on the table?
“I don’t mind if we get wet. I love getting rained on”, I said to Kate as we sat on the steps of the Sydney Opera House. In hindsight, I probably should have checked the weather before leaving the house, but since I wearing shorts, I figured getting wet wouldn’t be much of a problem. And besides that, it was a great thing to be part of, the 25th anniversary performance by Bangarra Dance Theatre.
Kate arrived earlier than I did, and so secured us terrific seats in the front row. For a couple of hours we sat there, chatted, ate and drank a little, as we watched and waited for the show to commence.
As I checked the weather radar, we overheard a couple of security guards chatting, offering their thoughts on the likelihood (or rather unlikelihood) of the show going ahead. For a while it didn’t look good. On two or three occasions cleaners came on stage to mop off the water. Even that had a certain theatricality about it. “You could put that in a theatre, charge thirty bucks, and say it’s edgy”, I joked.
The sheer risk of electrocution for the band and injury for the dancers meant they were only about to deliver a much scaled down version of what was planned. Nonetheless, it was a great evening, and one we (and many others) enjoyed very much.
Choregoraphed cleaning ahead of the Bangarra Dance Theatre 25th celebration at Sydney Opera HouseBangarra Dance Theatre at Sydney Opera HouseBangarra Dance Theatre at Sydney Opera House
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Did you see Anthony at the rally or was he to busy with the ALP party faithful?
Did you see Anthony at the rally or was he to busy with the ALP party faithful?
Hehehe