Even though I’ve been to the National Art School on countless occasions, and I’ve been on several history walks which have touched on its history as East Sydney Tech College, and before that as the Darlinghurst Gaol, I’ve never really had much knowledge of the change chronology. So when I saw something on Eventbrite a few months ago, very quickly I booked myself on a tour, which I undertook this morning.
And I’m glad I did. Our tour guide (who was EXCELLENT) spoke about the history of the buildings, explaining there had been significant changes in their use (gaol, tech college, art school), but many of the physical changes had been incremental. For example, the former morgue is now an electricity sub-station, but retains a skull-and-bones motif. Over the course of about eighty minutes, we visited many of the campus buildings, with comments reflecting both their past and present. These tours run monthly, and come highly recommended.
The old Darlinghurst gaol is one of Australia’s oldest and best preserved examples of colonial sandstone architecture, which over the last two centuries has transformed from a place of abject misery to one of Australia’s premier arts institutes. According to legend, the building is haunted by the restless ghosts of some of the 76 people who were executed at the gaol’s gallows.
Join us for a lively historical tour, shedding light on the fascinating history of the site and exposing the dark, hidden corners which aren’t usually open for public access.
Led by an expert historical guide, the tour takes approximately one hour and includes the historic Cell Block Theatre, the Chapel, the old Governor’s residence, the morgue, the flogging wall, the tunnel which was used to process and delouse prisoners and the site of the former gallows.
After the tour, guests will have an opportunity to enjoy the site, as well as the Hangout Café, a relaxing spot to recharge with lunch and coffee.
+61 2 9339 8744
enquiries@nas.edu.au
As you travel between Sydney and Canberra, the impact of the drought is fairly self-evident. I mean, there are “green droughts” where all looks okay on the surface, but deep down the soil is dry. But that’s not the case this time, as I noticed kilometre after kilometre of brown as we travelled to Canberra this weekend. Still, I noticed a couple of paddocks were still quite heavily stocked (maybe overstocked) with sheep on a couple of occasions.
Even in the midst of Canberra itself, where they’re currently on Level 2 Water Restrictions, I noticed the environment lacked some of the green evident when I last visited in August this year. Despite the over-arching presence of Lake Burley Griffin and the abudance of evergreen trees, Canberra is a part of the Australian bush and it really shows, and not just environmentally.
In fact, one of the most obvious ways in which it shows is in the gay social scene in Canberra, which mostly seems to be based around just one club, smallish house BBQs (we attended two this weekend, both of which were great fun) and larger one-off events including the annual Bushdance at the Yarralumla Woolshed.
Gay Bushdance in Canberra – held annually in Canberra at the Yarralumla Woolshed
I’d first been to the bushdance about 10 or 15 years ago, and had enjoyed it immensely. And then a few months ago I had the idea of paying a return visit, especially since a good mate now lives in Canberra. As was the case 10 or 15 years ago, the dance was an absolute hoot. Larger than it was then, and maybe less “authentically Australian country”, and maybe a little more “Brokeback Mountain” this year, I still thought it was one of those great grass-roots events that maintains a strong level of authenticity.
I really like the lack of pretension evident at this event, as the inability of almost everyone to dance properly seems to act as a great leveler. It didn’t matter that one of the people in our group was a native French speaker who found it difficult to understand the directions, as we were all in the same boat. Still, I was told by one bloke, a friend of a friend, that I was a good-dancer, so I’ll happily take the compliment. Maybe, like the girl on “Dancing With The Stars” who’d received lessons, I should have revealed that growing up in the country, learning how to bush dance was par for the course.
My mate who came with me, Scottish by birth, also said it reminded him of ceilidh dances, with many of the dances common to both. And I guess that’s how Australian bush dances originated, with Irish and the Scottish immigrants. However, I wonder what my Irish and Scottish ancestors, who during the 1800s would have done these dances in nearby places like Braidwood, Bombala and Cooma and Gundaroo (yes, I’m an authentic country boy), would have made of the site of about 500 gay men (and a prominent sprinkling of lesbians) dancing to the tunes they would have also danced to. I suppose, however, in the days when the men often out-numbered the women 10 to 1, and everyone knew everyone else, it may not have been all that unusual.
But everyone still knows everyone else in the area, or so it seems in the gay community of Canberra at least, where the idea of “six degrees of separation” could easily be reduced to just one or two. As evidence of this, I ran into an old mate from my days in Wagga and we chatted for a while, which was good. I also spoke with another bloke from my Wagga days who I hadn’t seen it about 15 years. We both concluded it might have been the last time I’d attended the dance that we’d seen each other, with him living in Victoria and me in Sydney during the intervening period.
Mind you, the two degrees of separation might just be a gay thing. At the BBQ this afternoon for example, two people working in a similar profession, knew instantly of a third and fourth working overseas. Small world, eh? But maybe that’s one of the things I like most about Canberra – quite local and parochial, but also quite international – leading me to believe it’s probably a place I could happily live.
Overall, it was a great weekend, especially as I was hanging around with some nice people doing some fun things. And then I came back to Sydney where something shitty happened almost immediately, as I seem to have left my phone in a cab. Thankfully, I recognised it was missing pretty quickly, as soon as I got my bag out of the back and had checked my pockets, and as much as I tried to hail Silver Service driver T-7922 down, he was off in a flash. And even though I’d reported it within minutes (like less than 5 minutes of him driving off), so far the people at the Call-Centre have been little or no help. He hasn’t responded to their messages so far, though I remain hopeful since the phone was on silent, and a few attempts to call it have rung out, meaning no one has replaced it with their own SIM card. I guess they – those at the Call-Centre – assume I was just another pissed customer who left their phone behind and ironically, since it was me, I wasn’t. I was just one happy little camper who’d had a nice time in the bush, who was just a little absent-minded.
Although a few friends had recommended having a drink at the Metropole, our tour guide, Duc, suggested some other places to enjoy the sunset. Duc said the Metropole was a little expensive, so he pointed us in the direction of a few bars around a square in the middle of town. We started off at the Coffee Club, which was pretty average. It kinda felt like the place locals might go for a “Western Experience”.
We ended up San’s Restaurant & Rooftop Garden. The views were breathtaking, and the drinks were excellent. The first round of drinks arrived promptly, but the second round took a painfully long time. We were about to leave when the bar manager explained that the person serving drinks was a trainee. Groan.
San’s Restaurant & Rooftop Garden, Hanoi
After drinks, we headed back to our accommodation, and that’s when I started feeling unwell. While my friends went out for a meal, I went into my room, fell sound asleep for a couple of hours, and then woke up feeling okay. I even managed to publish a couple of blog posts.
Since I missed dinner, I woke up feeling hungry, and my first thought was to have breakfast at the the Chalcedony Hotel. It’s one of those all-you-can-eat buffets which really fills you up for the day.
After breakfast, we set out in search of a legendary Hanoi delicacy: egg coffee.
First created in Hanoi in 1946, egg coffee is the brainchild of Nguyen Van Giang. In response to the pressures of a milk shortage caused by the French War (also known as the First Indochina War), Giang whisked in egg as a much-needed substitute while bartending at the Sofitel Legend Metropole Hotel.
Both Ross and Andrea agreed the coffee was terrific. I was, however, a little more adventurous. #yolo
I’m not sure if it’s the drinks we had last night, the coffee I had this morning, or maybe it’s just the heat, but I’ve been feeling a bit unwell today.
I was already starting to feel a little sick by the time our morning tour began.
Visting a Taoist temple in Hanoi
Many of the larger trees in the centre of Hanoi are protected from demolition, as it is believed gods live in them.
We were near the end of a walking tour around Hanoi when I suddenly felt the urgent need to return to the hotel. Our guide arranged a taxi, and my friends came along. I thought I might collapse.
Initially, I thought I might be well enough to join the tour group for lunch, but once I stepped outside again, I quickly realized it was better to stay in the comfort of the lobby, armed with a couple of small bottles of Pepsi. Maybe it was the heat, or perhaps my sugar levels were low. I might need to get myself checked for mature onset diabetes when I return to Sydney. In the end, we’ve concluded it’s the lack of salts, since I’ve also had those characteristic leg cramps.
With only an hour left before checkout, I went straight to my room, took a half-hour nap, and then woke up to take a shower.
While everyone else went out for lunch and planned to try the egg coffee, I stayed in the foyer, waiting for our bus to the airport for the next part of our tour.
I really love the train trip between Sydney and Newcastle, except of course when there’s track work, and you’re transported by bus instead. It’s only happened to me once. The train trip is, by world standards, already quite slow (almost three hours to travel 150 km), but when you also have to get on and off buses as well, it becomes quite tedious.
Over the course of three hours, however, you have time to think about life, look out the windows at the scenery, and catch up on some listening, reading, watching and writing.
There were lots of very familiar reasons to smile as I entered the exhibition, “Between Two Worlds”, today at the Newcastle Art Gallery.
Exhibition Opening
In fact, two of the art works in the exhibition, I’d previously co-owned (you might say), when I was part of the art collecting group, Hawkesbury One.
He’s such a terrific artist and has had an amazing life story. China is made up of 56 different minorities, and today he spoke about growing up in a small minority community in China. “Thirty kilometers away people spoke an entirely different dialect”, he said, noting that he learned a number of them during his early life as a truck driver. He was also a member of the Red Army, and fought in the border conflict between China and Vietnam, a conflict that’s not commonly known about in Australia. Eventually he came to Australia as a student, and was granted permanent residency in the wake of the events of 1989. In the last decade he has re-connected with China, and will often return there in pursuit of his life as an artist.
He was one of three artists who spoke today at the gallery about the exhibition curated by Kate. https://catherinecroll.com/
I first travelled to China with Kate in 2010, when she was stationed at Red Gate Gallery. At the time I was there, she was working with a number of visiting Australian artists, including people like Archibald Prize-winning, Guy Maestri, legendary Indigenous artist, Fiona Foley, and, at the time emerging-artist, Francis Belle Parker.
In the time since, Kate has travelled back and forth many times, and has curated a number of exhibitions, including Lunar New Year for the City of Sydney. It seemed to me this exhibition is, in some respects, the culmination of all of the work Kate has done over the last fifteen years, featuring the artists she has come to know well, resulting in a broad, interesting collection.
“Will the exhibition tour?”, someone asked during the Q&A session. “No, we would like people to come to Newcastle”, the Director of the Gallery, Lauretta Morton said.
So my advice for anyone else from Sydney is to hop on the train, enjoy the views through the Hawkesbury, and visit the exhibition. And for anyone else, there’s always Google Maps to get you there.
It’s Thursday night and I’m watching “Call For Help”, the only show I regularly watch on the “How To Channel” on Foxtel. In the midst of all those shows about how to make your own scrapbook (seriously), this is a really great show about using a whole range of digital equipment.
The show opens with a spectacular scene, as a giant wind machine throws the small cast of five into a mellee of fabric and objects. Almost instantly, they’re transformed into a restaurant (or is it a bar?). The table then transforms itself into an object for their acrobatic movements which they both control and are controlled by.
That’s perhaps a theme for this work: body control. The actors who demonstrate such incredible control of their bodies are, ironically enough, in bodies they can’t control. Bodies which twist, contort, make odd sounds, and are thrown around the stage both on and off the ground.
The show comprises many elements including acrobatics, ballet (to Phillip Glass- style music) and European illusional theatre, epitomised in the work of Phillipe Genty. At one stage Thierre is hanging from a large hoop from the ceiling and then, before you know it, he’s swing back and forth on a giant pendulum twenty feet below. How did he get there?
There’s no real plot, per se. Or at least not that I could determine. Though we all knew it was the end when the strong winds coming swirling back n again. At that point, the audience burst into a long, sustained applause. By the look on their faces they, too, were happy with their performances and with the audience reaction. You could see it in their eyes. Apparently, James Thierree’s grand father was actually Chalie Chaplin. And you can’t half tell. Bearing a strong resemblance to Australian actor, Alex Dimitriades, you can also see his grandfather in those dark, sullen eyes that were such a Chaplin trademark.
Since I last wrote on Saturday, Bright Abyss has been, without doubt the highlight of my life. Aside from work, which is getting back to normal, and aside from a late beer on Saturday night, my life’s been a little quiet this week. Things will change, however, in the next week as I’m going to a few more Sydney Festival events.
To be honest, I didn’t really enjoy the first Chinese New Year Twilight Parade in Sydney, although I’ve enjoyed the parades previously.
It all seemed like it was just the daytime parade at night, as opposed to being a twilight parade. And by that I mean a parade which made the “most” of the evening and the capacity for lights to bring a parade to “life”.
And it wasn’t helped by the fact that it started late, quite considerably late, losing many of the benefits of the twilight period, as opposed to the dark.
I also found myself crushed at one point when a firetruck needed access through the crowd.
Some of the crowd watching the Chinese New Year parade on the steps of the World Tower in Sydney.
The crush was all a bit too much for me, so I headed off to the pub for a while, while Kate continued to watch the parade from the front row.
Unfortunately the parade was all a little dragged out, with often large gaps between the different floats. We both ended up a little bored, to be honest.
There were some nice bits though, such as running into a woman with whom I work – Chinese heritage – who I chatted with for a while, and seeing some other familiar faces, such as my local newsagent.
I also thought the fireworks were quite good.
But overall, it could have been a better experience.
On the other hand I’ve never smoked a cigarette in my life.
I’ve never been tempted.
And it’s kinda surprising because I grew up in an extended family with people who drank and smoked quite a bit.
Thus, I wax and wane between finding smoking really objectionable and not caring so much.
Sometimes I find cigarettes really objectionable. Visiting Copenhagen a few weeks ago, for example, where they still allow smoking in bars was quite a wake up call. It was quite a reminder about how much I actually really dislike smoking.
Other times I don’t worry so much. Usually at parties, for example, I hang out with the smokers. They get to stand outside, they get to hang around in groups. I like that.
I also wax and wane between feeling sorry for the modern stigma associated with people who smoke, and feeling they should all just come to their senses and give up.
I think many other people share these mixed feelings I have.
When I watched the news tonight – sorry, I mean the 7pm Project – they talked about the price increase and the new “world-leading” decision for generic packaging.
They also mentioned the smoking rate is now down to 19%, and that a further price increase is likely to force about 10% of smokers to give up.
I know how difficult I would find to give up alcohol, so I wish all of my friends who are now thinking about giving up smoking all the best.
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“…over the course of about eight minutes.”? Did you mean eighty? :-)
“…over the course of about eight minutes.”? Did you mean eighty? :-)
D’oh! I’ll correct the text.