It’s half-past something in the middle of the night, and I’m catching up on reading social media and blogs. In the midst of Twitter, Facebook and Google+, the reason I’m still blogging, and the reason I’m still reading blogs, is (generally speaking), they offer something more substantial than elsewhere in the personal online space. Admittedly, there’s often great writing on places like Medium and Google+, and there’s often great vision from Youtubers, but I like the fact people I follow on WordPress and Blogger seem to go through a process of more thoughtful writing. I read heaps of blogs, though I don’t often comment, unless I feel like I have something substantial to say. So hi Carol, Victor, Andrew, Neil and many others: a big shout out to you. All of that said, I really have nothing much to offer this time around, except for maybe a few interesting photographs I’ve snapped recently.
Another sign from Matt, a man who often sleeps rough in the laneway near home, and who I’ve written about previously. https://thelimbshift.com/2016/09/09/village-voices-by-astra-howard/The night after the Sydney Gay and Lesbian Mardi Gras, a couple of mates and I headed to Stonewall. Thankfully, one of my mates had a “VIP Card”, and so we jumped straight to the head of the lengthy queue to enter.Even though we were able to skip to the head of the queue, we still had to pay to enter, and got these wrist-bands. Seriously? A 40 year old, a 50 year old, and a 60 year old wearing wrist bands…Though I’ve previously written a fair bit about the Frank Gehry designed building at Sydney’s UTS, this was the first time I’ve noticed the building from this angle. Spotted, as I walked towards the Ian Thorpe pool for a swim last weekend.
In the (probably) fifteen years I’ve been going to Art After Dark at the Art Gallery of NSW, I’ve never seen a crowd like this before. My colleague Jo (who is a big fan of Tim Minchin) and I agreed we needed to leave work a little early today to make sure we could grab a seat. And just as well we did, because it was standing room only for tonight’s conversation between the wonderful composer and performer, Tim, and the amazing artist, Ben Quilty.
Clearly they were fan-boys of each other, as they discussed art, creativity, funding for the arts, and Australian identity. The crowd lapped it up.
Tim MinchinMinchin and QuiltyMinchin and QuiltyCrowd for Quilty and Minchin
These are some photographs from tonight, as well as a short video piece featuring a very amusing and topical piece, with words by Ben, and performance and music by Tim.
When you’re invited to a night at the Museum Of Contemporary Art in Sydney, you should never refuse the invitation. Unless there’s a cruise ship in port at the Overseas Passenger Terminal, the upstairs cafe at the MCA enjoys spectacular views of both the Sydney Opera House and the Sydney Harbour Bridge. And the MCA has an awesome collection of works. And so when my friend invited me to Art Bar at the MCA tonight, an event which I’ve been to several times before, of course I said yes.
Though I wasn’t familiar with the artist who chose tonight’s works, and I wasn’t overly excited about the “performance” work, I loved hanging out with my friend, and a broader circle of acquaintainces, enjoyed the art on display, including some of the short films, and especially loved the all-female rock band who performed tonight. An absolute highlight!!
A very “arty crowd”, as you’ll see from the awesome photographs.
Ah, the joy of a long weekend in Sydney! While I used to escape the city for getaways down the coast or to the countryside, I’ve come to appreciate the unique charm of Sydney when it’s a little quieter.
This past long weekend was a perfect example. With many people away, my neighborhood was wonderfully peaceful. The usual hustle and bustle of the cafes and bars subsided, leaving a relaxed atmosphere I thoroughly enjoyed.
On Saturday, I embraced the tranquility and simply recharged after a busy week. Sunday was dedicated to friends. We met for our monthly “Sunday Roast Club” – a tradition where we take turns choosing a restaurant with a delicious roast. This time, Morrison’s in the city was our destination, and it did not disappoint! The food, company, and service were all excellent.
Monday brought a visit to the Paddington RSL. Unlike many recently renovated RSLs, this one retains its old-school charm. The classic carpet, the familiar pokies, and the traditional bistro menu (featuring an enticing $18 roast!) are a big draw for my friends and me. We’ll definitely be back for another Sunday roast, and I’m already planning my birthday celebration there with a different group of friends. It’s the perfect spot for a long, leisurely lunch filled with good food, drinks, and conversation.
But the highlight of the weekend was a spontaneous bus trip to Bondi Beach. Seeing a bus head that way, I decided to hop on. It took a few tries to find one with space (many were packed!), but I eventually made it. A short walk along the beach and an ice crream were all I needed for a refreshing break.
Visting Bondi Beach on October Long Weekend
Or I could have headed down the coast with friends and found myself stuck in traffic coming back!
Long weekends in Sydney offer the best of both worlds: the vibrancy of city life and the tranquility of a slower pace. I wouldn’t have it any other way!
A few weeks ago, I sat down with actor Adam Bowes. https://adambowes.wixsite.com/actor We immediately bonded over our shared roots on the New South Wales North Coast, though our experiences of limb difference look very different: while I experienced limb loss later in life, Adam was born with a limb difference and underwent amputations at a very young age. It was a wonderful conversation, and the audio will feature in The Limb Shift podcast when it launches later this year.
For Australian actor and former competitive swimmer Adam Bowes, the journey of navigating life with limb difference has been one of constant adaptation, and a persistent drive to ensure that disability is seen as a facet of humanity, rather than a defining spectacle.
Born with congenital bilateral tibial hemimelia—a condition where the tibia bone is absent—Adam’s life was shaped by an early, life-altering decision. Because his legs were turned inward and he lacked the tibia bone, he faced a stark choice between a lifetime of wheelchair use or amputation to enable the use of prosthetic legs.
“They basically said, you’ll either need to be in a wheelchair for the rest of your life, or have them amputated so you can wear prosthetic legs,” Adam explains. “I had them amputated when I was two,” Adam adds, noting that while the decision was his parents’ to make, the focus immediately shifted to finding solutions.
Growing up in the NSW coastal town of Yamba, Adam found a community that embraced him, though his relationship with his physical self and the world around him was an evolving process.
While his childhood was marked by intense physiotherapy and the tricky business of learning to walk on prosthetics—a process he describes as “essentially like learning how to walk again” every time he receives a new set—Adam eventually found his rhythm.
Initially scared of the water, he discovered a passion for swimming that led him to break seven Australian records and compete at the Youth Paralympics in 2009.
“It really made a difference,” Adam says of his time at the Paralympics. “Feeling less alone… that was really, I think, something I really needed to feel”.
This community was vital, as Adam notes that growing up, meeting others with similar disabilities was a foreign experience until he reached that level of competition.
That sense of belonging propelled him toward his true calling: acting. After training at Screenwise, he landed roles in major productions like Hacksaw Ridge and Winchester.
His transition from the pool to the stage and screen was not without its hurdles, particularly in musical theatre where choreography required him to calculate movements in advance to accommodate his prosthetics.
While he has played characters whose disability was central to the story, he is increasingly focused on roles where the character’s identity transcends their physical reality.
“I certainly don’t just want to play my disability,” he says. “I don’t want that. I love playing characters. And that’s… one of my values is trying to find the humanity in these characters”.
Adam’s commitment to authentic representation recently brought him to the set of Home and Away, where he played a character in a rehabilitation ward. For Adam, the opportunity was particularly meaningful given his frustration with past media tropes—specifically, seeing able-bodied actors playing characters with disabilities.
He recalls watching Glee and feeling “incredibly heartbroken” during a dream sequence where Artie, a character in a wheelchair, stood up and performed a dance number. Because the actor was actually able-bodied, the experience was deeply painful for Adam.
“It really hurt watching that because it meant that representation wasn’t authentic,” Adam reflects. “I think that was a bit of the fire that came into wanting to showcase my disability on screen, on stage, whatever it might be, because there will always be a person out there who wants to see themselves being represented so they don’t feel alone”.
His work on Home and Away was a collaborative effort, with the production team actively seeking his input to ensure the script and the character’s physical journey were genuine. He felt true support on set, noting that even within the fast-paced environment of a long-running series, he felt empowered to offer feedback to make his character’s experience more authentic.
Adam Bowes on Home & Away 2026
Today, married to his high school girlfriend, and as a father to a young son, Adam continues to balance his career with the realities of living with an amputation. He speaks openly about the “dark places” that can come with the physical and mental toll of disability, stressing that self-compassion is essential.
In his personal life, he enjoys sweet moments with his son, who helps him with his daily routine, including applying stickers to his prosthetics.
When asked about the biggest lessons he would pass on to others, Adam emphasises self-care.
“Never neglect yourself,” he advises. “Be caring and loving to other people, but don’t forget to love yourself. I feel like that’s something I have to keep reminding myself is to be, you need to be kind to yourself. And just remember to spread the love and own the love at the same time”.
As I watched the latest heat of Melodifestivalen, the Swedish finals for the Eurovision Song Contest, I couldn’t help but feel I’d heard the songs before.
“Rich” by Julia Alfrida sounded very similar to “Royals” by Lorde (it even contained the line “Do you want to be royal?”.
“The Silence” by Frida Green had a very “Moving On” by Sarah Dawn Finer vibe about it. Or, as one of the hosts described her, Sarah Fine Diner.
And the song “New Religion” by Anton Ewald sounded like pretty much every Melodifestivalen entry in the last decade.
Still, it was nice to see Anton back on the contest. He’s a very, very attractive man. Since he last competed in Melodifestivalen, he’s moved to the United States, and he’s now married. The fact he married a woman surprised a lot of people in Sweden, as it was widely speculated he was gay,. There was a reference to it, when one of the co-hosts said to the other, Oscar Zia (who is openly gay) something about how he would really like to get to know Anton. Quickly, Oscar replied (with a slight grin), “But he’s married”.
There was a fun retro feel to the ridiculously named “Rena rama ding dong” by seventy-somethings Eva Rydberg and Ewa Roos.
A friend and I caught up late this afternoon, and we both agreed there was nothing terribly exciting about the entries in the second heat.
I don’t remember exactly when I first saw the movie “Cabaret”, but it must have been when I was in my early teens (late 1970s). As a young “soon-to-be” gay boy living in a country town, it was life-changing.
I’ll never forget the scene when it was revealed Brian Roberts “liked men”. It was such an affirming scene for me at such a young age. I then went on to develop a huge crush on the actor playing the role, Michael York.
And of course, there was Liza Minelli in the role of Sally Bowles. I’d already known about Liza through her mother, Judy Garland who I absolutely adored. How could I be anything but gay with such an instinctive cultural pedigree?
And then there was the storyline, set in the Weimar republic years in Germany, as the NAZIs were coming to power. I studied German all the way through to the HSC, along with Modern History, and so my interest in that storyline was heightened.
I’ve lost track of the number of times I’ve seen the movie since. However, I don’t think I’ve ever seen “Cabaret” on the big screen before, and that’s part of why tonight’s screening was so special.
Tonight, I went to a 50-year screening of the film, at Newtown’s Dendy Theatre.
As I listened to the response of my fellow cinema-goers, it was pretty obvious they were all fans of the movie too. Everyone knew the famous lines and often laughed out loud before the sentence was finished.
And of course, the thing about seeing these cinema classics now is that the digital “print” is so good. You see none of the imperfections you might have seen when it screened at cinemas back in the 1970s.
The memorable moment when the member of the Hitler Youth led the beer garden crowd in a rendition of “Tomorrow belongs to me” moved me tonight, as much as it did when I first saw it. In fact, a tear rolled down my cheek, as I thought about life then and now.
Over the last few years I’ve become increasingly worried we’re in similar times to that of the 1920s/1930s. The rise of fascism. The scapegoating of groups within society.
The personal issues, too. In 1920s Germany, there was a lot of open-mindedness around sexuality. Though things are probably a little more advanced in many parts of the world these days, there’s still a feeling that we could easily revert back to less tolerant times.
And of course, the music by Kander and Ebb and the performances by Joel Gray and Liza Minelli are awesome.
The story of “Cabaret” is based on the largely biographical works of Christopher Isherwood. The story was then turned into a play, and then into a musical.
Though I can’t remember the exact details, I was in an amateur theatrical play during my time in Renmark that might have been the original play. I remember dressing up in gorilla masks for the scene for the song, “If you could see her through my eyes, she wouldn’t look Jewish at all”.
And there’s the signature song. Who could not agree with the sentiment?
I used to have this girlfriend known as Elsie With whom I shared four sordid rooms in Chelsea She wasn’t what you’d call a blushing flower As a matter of fact she rented by the hour The day she died the neighbors came to snick her Well, that is what comes from too much pills and liquor But when I saw her laid out like a queen She was the happiest corpse I’d ever seen I think of Elsie to this very day I remember how she’d turned to me and say “What good is sitting” “All alone in your room?” “Come hear the music play” “Life is a cabaret, old chum” “Come to the cabaret”
Songwriters: John Kander / Fred Ebb
After tonight’s cinema screening, I think I’ll watch it again sometime soon.
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I enjoy visiting your blog James. Like Andrew you cover a wide range of issues – even if you keep coming to back to items about Sweden 😉 – and I think your photography is very interesting.
I enjoy visiting your blog James. Like Andrew you cover a wide range of issues – even if you keep coming to back to items about Sweden 😉 – and I think your photography is very interesting.