“So you must be James, the blogger?”, I was asked today at the Anglican Church at Windsor. The question took me quite by surprise. Though I’ve been keeping this blog for over a decade, and I’ve met several readers, and I see from the statistics that people DO read what I have to say, it still comes as quite a surprise.
I travelled today to Windsor (on the outskirts of modern-day Sydney) for the unveiling of a plaque which commemorates the lives of some of my convict ancestors, James Rixon and Amelia Goodwin. Both were transported to Australia in the early days of European settlement, having committed what many call “crimes of poverty”.
After some time closer to Circular Quay, they ended up at places like Windsor and Campbelltown in Western Sydney. As I caught the bus and train today, I was trying to imagine what it must have been like for them to have been settled in this area, which is roughly an hour’s drive from the coast, and roughly one hour and forty five minutes by train (there was track work today). Did they walk to get there?
I also thought about their lives as early European settlers, and hoped they weren’t involved in poor treatment of the area’s Indigenous peoples. “I hope they weren’t arseholes to the local Aboriginal population. I hope they were good people”, I said to a couple of people today.
We’ll never know, I guess, since the history of my ancestry in Australia is largely poor, rural, uneducated and illiterate, meaning there’s not a lot of written records. In stark contrast, there was a whole bunch of people (maybe 100) at today’s plaque unveiling who are literate people with a passionate interest in our common ancestry.
It was a lovely day.
Oh and apparently I’m much younger than a few people thought.
For 205 years, James Rixon has been buried in an unmarked grave at Windsor Cemetery in Western Sydney. Thanks to the efforts of some keen historians and descendants, a plaque commemorating their lives was unveiled today. The people doing the unveiling are descendants of the five surviving sons of James Rixon and Amelia Goodwin.
A few weeks ago, I sat down with actor Adam Bowes. https://adambowes.wixsite.com/actor We immediately bonded over our shared roots on the New South Wales North Coast, though our experiences of limb difference look very different: while I experienced limb loss later in life, Adam was born with a limb difference and underwent amputations at a very young age. It was a wonderful conversation, and the audio will feature in The Limb Shift podcast when it launches later this year.
For Australian actor and former competitive swimmer Adam Bowes, the journey of navigating life with limb difference has been one of constant adaptation, and a persistent drive to ensure that disability is seen as a facet of humanity, rather than a defining spectacle.
Born with congenital bilateral tibial hemimelia—a condition where the tibia bone is absent—Adam’s life was shaped by an early, life-altering decision. Because his legs were turned inward and he lacked the tibia bone, he faced a stark choice between a lifetime of wheelchair use or amputation to enable the use of prosthetic legs.
“They basically said, you’ll either need to be in a wheelchair for the rest of your life, or have them amputated so you can wear prosthetic legs,” Adam explains. “I had them amputated when I was two,” Adam adds, noting that while the decision was his parents’ to make, the focus immediately shifted to finding solutions.
Growing up in the NSW coastal town of Yamba, Adam found a community that embraced him, though his relationship with his physical self and the world around him was an evolving process.
While his childhood was marked by intense physiotherapy and the tricky business of learning to walk on prosthetics—a process he describes as “essentially like learning how to walk again” every time he receives a new set—Adam eventually found his rhythm.
Initially scared of the water, he discovered a passion for swimming that led him to break seven Australian records and compete at the Youth Paralympics in 2009.
“It really made a difference,” Adam says of his time at the Paralympics. “Feeling less alone… that was really, I think, something I really needed to feel”.
This community was vital, as Adam notes that growing up, meeting others with similar disabilities was a foreign experience until he reached that level of competition.
That sense of belonging propelled him toward his true calling: acting. After training at Screenwise, he landed roles in major productions like Hacksaw Ridge and Winchester.
His transition from the pool to the stage and screen was not without its hurdles, particularly in musical theatre where choreography required him to calculate movements in advance to accommodate his prosthetics.
While he has played characters whose disability was central to the story, he is increasingly focused on roles where the character’s identity transcends their physical reality.
“I certainly don’t just want to play my disability,” he says. “I don’t want that. I love playing characters. And that’s… one of my values is trying to find the humanity in these characters”.
Adam’s commitment to authentic representation recently brought him to the set of Home and Away, where he played a character in a rehabilitation ward. For Adam, the opportunity was particularly meaningful given his frustration with past media tropes—specifically, seeing able-bodied actors playing characters with disabilities.
He recalls watching Glee and feeling “incredibly heartbroken” during a dream sequence where Artie, a character in a wheelchair, stood up and performed a dance number. Because the actor was actually able-bodied, the experience was deeply painful for Adam.
“It really hurt watching that because it meant that representation wasn’t authentic,” Adam reflects. “I think that was a bit of the fire that came into wanting to showcase my disability on screen, on stage, whatever it might be, because there will always be a person out there who wants to see themselves being represented so they don’t feel alone”.
His work on Home and Away was a collaborative effort, with the production team actively seeking his input to ensure the script and the character’s physical journey were genuine. He felt true support on set, noting that even within the fast-paced environment of a long-running series, he felt empowered to offer feedback to make his character’s experience more authentic.
Adam Bowes on Home & Away 2026
Today, married to his high school girlfriend, and as a father to a young son, Adam continues to balance his career with the realities of living with an amputation. He speaks openly about the “dark places” that can come with the physical and mental toll of disability, stressing that self-compassion is essential.
In his personal life, he enjoys sweet moments with his son, who helps him with his daily routine, including applying stickers to his prosthetics.
When asked about the biggest lessons he would pass on to others, Adam emphasises self-care.
“Never neglect yourself,” he advises. “Be caring and loving to other people, but don’t forget to love yourself. I feel like that’s something I have to keep reminding myself is to be, you need to be kind to yourself. And just remember to spread the love and own the love at the same time”.
For the last few weeks, you may recall, I have been learning Swedish at the Lutheran Cafe in Goulburn Street. I have found some aspects of the course quite easy, and others quite difficult. I think I have a good ear for the language and I think my pronunciation has been quite good. My comprehension is generally quite good, seeing similarities in English and German. I have found it sometimes hard, though, knowing how to respond verbally.
Our homework for the week was to write a short introductory essay about ourselves, based on the work we have done so far. It’s really hard to say something interesting in the present tense – as we haven’t moved on to past and future tenses yet – without sounding like a complete nong. Here is an excerpt…
Jag vackner klocken fyra eller fem och stiger upp klocken fem eller sex. Jag dricker en kopp kaffe til frukost. Jag duschar klocken sju. Jag arbeter fran atta til fem eller sex.
Sedan komma hem och jag lyssna till musik. Jag lyssna pa Agnetha Faltskog, Annifrid Lyngstad och manga andra artister.
Jag ar inte gift, och inte barn.
Jag laser svenska pa en kvallskurs. Jag vill resa till Sverige.
As you can see, I’m not really ready for sophsticated conversations about life, the universe and everything yet.
“Kung Hei Fat Choi” is a Cantonese phrase which means “Happy New Year”. It’s just one of the phrases and things I’ve learned over the last few days working on a radio program to celebrate “Lunar New Year”. And I use the phrase “Lunar New Year” in preference to Chinese New Year (most commonly used in Sydney because City of Sydney celebrates Chinese New Year), because Koreans, Vietnamese and many others also celebrate New Year right now, or around this time.
There were lots of good things about this. Mostly, though because I got to work with a great team from ABC Local Radio, ABC Multi-platform and Radio Australia who were so incredibly passionate about doing this. The slideshow below features the program co-presenters, David and Andrea who are featured “over the moon”, as you would be with Lunar New Year, with happiness and excitement. David got to meet Canto-pop superstar, Frances Yip, who sang the song “Shanghai Beach” which was the theme music for an iconic Hong Kong 80s soap opera, and who sells out stadiums when she performs in Asia. Back in Australia, where she mostly lives now, she is happy to perform at the equally iconic Rooty Hill RSL. In another photograph, you’ll see Andrea eating some yummy food (Yee Sang which is a terrific dish) and who I think really, really enjoyed working on the program on so many levels, and who I also, personally, enjoyed working with again.
David Hua and Francis Yip
Andrea eats Yee Sang
Lunar NY special dish, Yee Sang
Chinese NY Pop-Up Shop in Sydney
Francis Yip performs live in ABC Radio Studio
At the end of it all, I was tired, elated, and well and truly informed about so many things I had only a cursory knowledge of before. Oh, and totally in love with Frances Yip. “Hubba hubba”, as David commented on the radio yesterday.
“After four years at art school, and that’s the best they can do? It’s outrageous”, my friend said tonight as we commented on one of the works on display at the National Art School’s annual exhibition in Sydney. My other friend was a little more comfortable with the work. “I think it’s possibly one of the best works here”, she said. I was a little more sanguine about it all. I just thought it was slightly funny. We were all talking about the work “Focal Point” which consisted of just a couple of dots on an empty white wall.
Focal Point by Annelies Jahn
Focal Point by Annelies Jahn
Burton Street by Alex Karaconji
Though we talked about this work. We were all much more impressed by the work “Burton Street” which consisted of a series of drawings, and a video. “It was only $700 for a terrific work”, we all noticed, and we all commented to other people we chatted to tonight. A lovely work, demonstrating really great craft skills, we all agreed.
Pamela Leung in Post Graduate Exhibition 2016 at National Art School, Sydney
I also really liked the work which consisted of a video and hundreds and hundreds of crushed egg shells. One of my friends knew the artist, Pamela Leung. “It took her two years to collect the eggs”, I learned. It’s a lovely, joyous work, and worth checking out.
MIneral Water at the Bondi Trattoria “It’s such a beautiful day, I’ll come your way”, I said to my friend MIchaela on the phone this morning when we chatted to confirm details for lunch.
Although it’s great around Surry Hills, there’s nothing like a Bondi lunch at this time of year.
The weather was warm, and there was a great breeze, and so we settled on lunch at the Bondi Tratt.
Overlooking Bondi Beach, I got there a couple of minutes early and secured an outside table. With a bright sunny day and gentle breeze, we were in a prime position for a few hours of great conversation.
But not only was the conversation good, the service was good and the food was both bountiful and excellent. WE shared a cured meat antipasto which was large and tasty, and for mains had the angel hair pasta with tuna (M) and the spaghetti with spinach (J). Mine was very very tasty. On a great day like this, it was about as good as life gets.
As it was Bondi, I was half-expecting to see a few celebrities, but they seemed few and far between, except for the actor who played Tim in Holding The Man – he was also in a pizza commercial last year – who was seated next to us.
After lunch we headed off for a quick wine at a great little bar on Curlewis Street called The Shop and Wine Bar, where once again, the service was friendly and casual.
On the way home I stopped off at Centennial Park for a quick walk around the park, and to further enjoy the sunshine. With great weather like this, you have to make the most of it.
Walking around the park I had a soft-serve at about 5.45pm. I guess that was the desert part of my long Sunday lunch.
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Well done to all involved in recent works to rectify ancestors unmarked graves. A real asset to future generations. Well done Rixon clan
Well done to all involved in recent works to rectify ancestors unmarked graves. A real asset to future generations. Well done Rixon clan