The last few weeks have been “crazy busy” which is why I haven’t posted here much lately. However, it’s Thursday night, I’m sitting at home with a glass or two of wine, listening to the radio, and I’m determined to achieve some catch-up posts.
When I say “crazy busy”, it’s mostly been work-related. There’s been a bit of socialising, but mostly it’s been work. You know that axiom that “if you want something done you give it to a busy person”? Well, I tend to be that person in my area. And I’m also the kind of person who instinctively says “yes” and then realises they have probably said yes to too much. Last year, I flat out refused to do a project because I knew I had already taken on too much. I should have said no to a couple of things I’m currently doing a few months ago, but I didn’t realise they would all come to fruition at the same time. Ah well.
In the midst of all this, I actually ended up on the radio on Monday, as Richard Glover who presents Drive on 702 ABC Sydney lost his voice while on air. With about ten minutes notice I was in the presenter’s chair, and having to cram pretty quickly on the day’s news. The truth be told, I wasn’t entirely across the news of the day, as I’ve been working on these projects and, for the most part, listening to the ABC’s country music station, ABC Country. Ah yes, another project I said “yes” to. Thankfully, it’s a project which I’m really enjoying, as we transform the station from playing a lot of American country to one which mostly plays Australian country music. So yeah, listening to country music, and not really paying much to the news of the day, and then knowing I’d need to be across the news was a real “heart starter”. Thankfully, the production team of Emma, Lyndal and Lotta were really amazing and helped make it “work”. The program is online for a few more days, in case you would like to take a listen. The show starts off with Richard Glover, who you’ll hear him lose his voice until I take over about an hour into things.
When I haven’t been at work, I’ve spent a lot of my free time in travel planning. I’m incredibly excited about my mid-year travel plans which will take me to Tokyo, Rome, New York, and of course, Stockholm. For the other cities, it’s the first time I’ve visited them, and am excited my friend Michaela and I will be sharing an apartment in Brooklyn for a week together. In the case of Stockholm, I’m excited to be there during Stockholm Pride, and of course catching up with people like Sandra and Robert.
Photo by Robert Corkery
Sandra and Robert were in Sydney recently and it was terrific to catch up with them. Co-incidentally, I’m writing this blog on Valborg’s Day, the annual bonfire and teenage “drunkfest”, at which we had a terrific time two years ago. Life has a wonderful symmetry, eh?
Central Station Sydney - leaving the platform, headed towards Devonshire Street
I broke the law tonight. Inadvertently. I caught the train from Lewisham to Central without a ticket. As I approached the exit I was more than a little worried. With my eyes firmly planted on the floor, I was stunned when two black American blokes said to me, “Hey boss” (in a post-modern kind of way, I’m sure). Had I been caught out? No. Thankfully, all they wanted to know was how to get to Kings Cross. So I advised them and made my way towards Devonshire Street, hoping the exit would be unattended. Thankfully it was.
I’d walked from the Lewisham Hotel to the station and had taken a place on the platform without really thinking. It wasn’t until I was on the train that I realised I’d forgotten to buy a ticket. “Please”, I thought to myself, “Please, don’t let there be any guards on the train”. And if there were, I thought to myself, what do i say? Do I say the machines weren’t working, or do I just tell the truth, that I was a dumb-arse who’d simply forgotten to buy a ticket, distracted by the cleaners on the station?
It’s not the first time, though, that I’ve caught a train without a ticket. The first time was when I was 18 and traveling in Germany. I’d just been to visit the Dachau Concentration Camp, and, short of money, I decided to take the risk of traveling without a ticket. I wasn’t caught. More recently, I traveled to the Blue Mountains in the midst of winter. On the Monday morning and heading back to Sydney, we arrived at Medlow Bath to discover the machines weren’t working. So we actually took a photograph of the machine to prove it, should we need to on our arrival back in Sydney. Yeah, when it comes to fare evasion, I’m a bit of a pussy.
I guess part of the reason why I may have forgotten is because I went to the pub tonight and had a couple of beers, as is my want on a Wednesday night. I might not have gone tonight, were it not for the presence of visiting Swede, Gustav.
But I guess that’s just an excuse, since the whole of the last week has been one big booze-fest, having been out just about every night. A play, a couple of movies, a cabaret show, catching up with friends, and then last night, taking part in a Trivia Night at the Strawberry Hills Hotel.
And it ain’t over yet, as I have work-related functions to attend for the next two nights – the launch of an exhibition at the Museum of Sydney and this year’s Archibald Prize – ahead of this weekend’s activities with Mardi Gras. I need a holiday.
There was a wonderful moment at the First Nations Media Conference (Converge) when Miriam Corowa was presented with an award for her achievements in journalism.
You might know Miriam from her appearances on the ABC News channel, or from other work she has done in the media, including at SBS. It’s been quite a journey from her time doing Year 11 work experience at the ABC in Lismore!
She had just been on a panel of Indigenous journalists talking about the joys and challenges of working on stories about Aboriginal and Torres Strait Islands. In the midst of important stories about deaths in custody and closing the gap, they also spoke about the joy that comes from seeing positive stories, too.
Miriam spoke with passion and emotion about covering these stories, and about being “back home in Lismore”. Though born in Adelaide, she grew up here, and her mum still lives locally.
Miriam Corowa at Converge, the First Nations Media Conference
The other woman in the photograph above is also from Lismore, the renowned broadcaster and arts worker, Rhoda Roberts.
Rhoda was one of two key-note speakers at the conference, along with Pat Turner. Rhoda also spoke with passion and emotion about her career in the media and the arts. And with humour, too.
“Does anyone here know what a candy-striper was”, she asked the audience. I put my hand up. “Ah just the old people with glasses”, she replied with a laugh.
I’m pretty sure my aunty, Meg Webb worked with the candy stripers (domestic assistants) at Lismore Base Hospital. My dad also worked at the hospital as a plumber/boilermaker. Their sister-in-law Eileen (Crummy) O’Brien (my aunty) was a Widgabal/Bundjalung elder.
So I had a bit of an understanding of the story as Rhoda talked about her “expectations” as a young Aboriginal woman growing up in Lismore during the 60s/70s. “You were quite good as a candy striper, so you could become a nurses’ aid”, she told the audience she was told. As an FYI, my own careers adviser at the same school Rhoda attended told me I would never have a chance of getting a job at ABC Radio, and that maybe I should become a librarian :)
Rhoda spoke with passion about her father, Pastor Frank Roberts who encouraged her throughout her life and career. With passion, she spoke about how proud he was when she hosted the first anniversary of The Koori Mail. “He died the next day”, she told us.
But you get the idea Frank has always been on her mind throughout her career, as she has gone on to great achievements, including the Sydney Olympic Games, her work at the Sydney Opera House, etc. And now she’s back home, “back on country” and working at NORPA.
It was so terrific to be able to attend part of Converge. There were so many interesting discussions, and it was awesome to catch up with some current and former colleagues. But, being local and parochial for just a moment, the highlight was seeing these two great Bundjalung women being recognised for their work.
Sitting down today with Priscilla Sutton for The Limb Shift was a masterclass in navigating “light and shade.” I found Priscilla to be an incredibly engaging guest; she possesses that rare ability to pivot from the harrowing details of medical trauma to sharp, observational humour without missing a beat.
We began our conversation in the small town of Biloela, Queensland, where Priscilla was born. She spoke candidly about the “community vibe” of the 1970s, where many believed their health challenges were linked to the two main components of Agent Orange used as herbicides and pesticides in the area.
While there is no definitive blood test to prove it, Priscilla noted she was born in a cluster of babies with various health challenges—including a high rate of leukaemia—all within a six-month period. For her, this meant being born with a blocked iliofemoral artery and heart issues. “I already came out missing some stuff,” she reflected, describing her leg that didn’t fully develop.
Priscilla shared the “absolute threshold” she reached at age 24 while living in Japan, where every step felt like a “shooting” pain through her body. She spent two years moving between hope for a miracle and the acceptance that amputation was her path to freedom.
She spoke with great shade about the “brutal” reality of more recent surgeries to fix neuromas—clusters of “bored” nerves—which she described as “much more brutal than my original amputation”. During this time, she was diagnosed with CPTSD, admitting her “mental health went in the bin”.
Despite the heavy moments, the conversation was filled with light, specifically regarding the “circle of care” that keeps her grounded. She spoke with deep affection about her wife, calling her “the most incredible human” who “picked me up off the floor literally and figuratively many times”.
Priscilla is also a fierce advocate for honesty, finding “toxic” phrases like “it is what it is” unhelpful. “I want to go to a doctor that I can’t sit there and cry and talk about how hard things are,” she told me.
Her Spare Parts art project beautifully bridged these worlds by reimagining old prosthetics as vibrant artworks. She shared wonderful stories about Australian characters like Cliff from Mackay and his peg legs used for fishing, noting it was “really beautiful to be able to give parts of people’s loved ones like a second chance at life”.
I felt like I could have spoken with her for hours, but I was literally being kicked out of the studio as she was describing herself as a “custodian of spare parts”. Even as we were being rushed out, her warmth and resilience remained the defining notes of the interview.
This conversation will be part of “The Limb Shift” which launches in a few months time.
PRISCILLA’S LEG CREMATION
During the interview, Priscilla shared her unconventional decision to have her lower leg cremated rather than treated as medical waste. This segment highlights the profound grief often associated with limb loss, while also capturing a lighter, humorous moment as Priscilla describes the surprised reactions to her unique request.
Looking down from the window, it’s hard to tell if the snow is masking green fields or the frozen expanse of the Stockholm Archipelago. I flew in during the dark, and my memories of flying here in the summer months are far too distant to lean on now—those long, golden Nordic days feel like a different lifetime.
Normally, I’m a dedicated aisle seat person. As an amputee, it just makes life infinitely easier for getting to the bathroom or having that extra bit of floor space to stretch out my leg. I know that for the people sitting next to me, it sometimes means they have to wait a beat longer to shuffle past while I navigate the space, but it’s a trade-off I usually have to make. However, today the woman at check-in offered me a window seat in the fourth row. I paused for a second, but contemplating the rare opportunity to see the Swedish landscape in proper daylight, I immediately said yes. There is something grounding about seeing the world from 30,000 feet, especially when you’re heading toward a city / area as visually stunning as Stockholm.
Checking in at an airport is a much more formal “process” for me these days. I usually request wheelchair support to help navigate the sheer scale of modern terminals. The reality of the situation is that it’s often a incredibly long walk to get to the plane, and in the case of today’s flight, ours was parked at one of the furthest possible gates. I had a really good chat with the young woman pushing the wheelchair. She told me she had been to Finland many times because her father is Finnish, but she hadn’t actually done much additional travel outside of that. She looked quite young, perhaps just starting out in her career, but she was incredibly professional and kind.
Back home in Sydney, the process of going through airport security is usually quite fast. The attendants there instantly notice I have a prosthetic, and we have a silent understanding of how the screening will go. But being in a much colder climate and wearing long pants, it wasn’t instantly obvious to the staff here that I had a missing leg or that I was wearing a replacement. When they asked me if I could take my shoes off, I had to explain that I couldn’t—at least not easily. She understood why immediately, and the situation was handled with total grace. Interestingly, I had a woman perform the pat-down today. In Australia, that process is almost always strictly divided by gender, so it was a small but notable cultural difference in how security is managed here.
The other big transport difference I noticed today was on the Metro. I got onto an extremely busy carriage where every single seat was taken. Almost instantly, a younger woman identified my need for a seat and offered hers to me. It was a moment of genuine kindness that felt remarkably seamless. It stands in such stark contrast to my experiences in Sydney. Even when I’m wearing shorts and my prosthetic is clearly visible, I often have to be the one to speak up and ask for a seat on a crowded train.
I’ve thought about why that is, and I think the problem in Sydney is that most people are simply so absorbed by their phones that they don’t even bother to look up and see who is standing in front of them. People in Stockholm have mobiles, of course, but they seem far less “consumed” by them than people back home. In Sydney, it’s now quite common to literally have someone run into you while they’re walking on the street or even crossing a busy road because they won’t take their eyes off the screen. I haven’t seen that happen once since I arrived in Stockholm. There seems to be a different level of presence here.
The flight from Stockholm to London was a very pleasant two and a half hours—a perfect duration that doesn’t leave you feeling entirely drained. I’m treating this part of the trip as an important “greatest hits” side quest. The main agenda items are taking in the ABBA Voyage show—which I’ve heard is a technical marvel—and seeing a new modern stage version of Yes, Prime Minister.
It’s been almost 20 years since my last visit to London, and I was pleasantly surprised by how much easier the journey from Heathrow into the city has become. I caught the Piccadilly line and it was remarkably straightforward; I emerged from the Underground and arrived almost immediately next to my hotel, The President at Russell Square. Before I arrived, I’d read various reports about the “mountain” of stairs I might need to navigate at certain London stations. As an amputee, stairs—especially wet or crowded ones—are always a bit of a mental hurdle. I was bracing myself for a struggle, but thankfully the lifts were all in working order, making the transition from the platform to the street completely painless.
Tonight, I had dinner with a dear friend and former colleague from Sydney who now works at BBC Radio London. She was kind enough to give me a guided tour of her workplace, and as a long-time ABC person, I couldn’t help but notice the striking similarities between the two organisations. From the specific types of broadcast equipment to the general “ordered chaos” of the workplace configuration, it felt like home. It turns out there are also a huge number of Australians working in the BBC newsroom; it seems we really do get everywhere.
It was a funny sensation to be in an environment that was simultaneously familiar and entirely different. As I entered the building and waited for my friend, I played a little game in my head, trying to work out what different people’s roles were based on their appearance and how they carried themselves—comparing them to the archetypes I know so well from the ABC. The most significant difference I noticed, however, was the cultural diversity. The BBC felt much more representative of a global city, with many more “brown faces” among the staff than I usually see in our Australian newsrooms.
I also had a bit of a fan moment, taking photographs in various locations around the building that I recognised from the brilliant comedy show W1A. For anyone who hasn’t seen it, it’s a pitch-perfect mockumentary that satirises the BBC’s own corporate culture—the endless meetings about nothing, the management jargon, and the absurdly over-complicated “solutions” to simple problems. Standing in the actual lobby where those scenes were filmed was a highlight.
Over an excellent meal and a great bottle of wine, we spent several hours catching up on the massive changes in our respective lives. It’s been nearly ten years since she made the move to London, and while we stay in touch on social media, I realised it’s probably been five years since we last sat across from each other in person. We were the very last people to leave the restaurant, lost in conversation.
She was also an excellent ally to have when it came time to negotiate the public transport for the trip back. It had started to rain, which made the London streets pretty slippery, and some of the stairs we encountered were quite steep. My prosthetic can be a bit unforgiving on slick surfaces, so having someone there who understands the rhythm of the city was a huge help. Thankfully, all the lifts were working at the stations we needed for the return leg too.
After several days of bracing against the cold and wearing heavy long pants, it felt like a total luxury to finally put on my short pyjamas and hop into bed. Being an amputee means I have to keep a very close eye on the skin health of both my “good” leg and my stump. The combination of the biting outdoor cold and the dry, blasting central heating indoors had caused my skin to become quite itchy and parched. I applied some moisturiser, and the relief was instant. I think for the rest of this trip, I’ll try to wear shorts whenever the indoor environment allows for it, just to give my skin a bit of a break.
Sadly, my “Swedish” is not sophisticated enough to understand the complexities of some of the discussions you might encounter at an event like Stockholm Pride. While it won’t be too much of an issue at events like the Schlagerkväll (the pop music night), I’m still very interested in going to talks and events, especially since Stockholm Pride usually has a very “global” outlook. I remember a few years ago there was a talk given about LGBTQI rights in Australia, for example. So I spent half an hour or so on the weekend scouring the program for events and talks that were likely to be in English.
The first event I came across was not only in English, it was also an issue which I have a really strong personal interest in. The event, “Rainbow in the night: Chinese queer film making” was a forty minute talk by a 30-something film-maker from Beijing called Fan Popo.
He began the event by screening about ten minutes of a documentary film, “New Beijing, New Marriage”, he made about gay and lesbian weddings in Beijing and the public reaction to them. Within twenty seconds, I realised I’d seen the film before, two years ago, as part of the exhibition “Secret Love” at the Östasiatiska museet (East Asian Art Museum) on Skeppsholmen, here in Stockholm. It was lovely to be “taken back” and to remember that wonderful exhibition which I wrote about at the time:
One of the most impressive works for me is a four panel work called “Hello Comrades” which one the surface, purports to show just lots of faces involved involved in similar pursuits including construction, the military, and playing ping-pong. When you look more closely, however, there are obviously homosexual images. The same “hidden” depiction is also found in a series of paper cuts in a dark room which only become apparent when light is shined on them. Most memorably, there’s a video work which depicts a demonstration of and public reaction to same sex couples seeking to be married.
Fan Popo then went on to talk about some of the other documentaries he has made. “Most people like to see documentaries at the moment, because they want stories about real people”, he explained to the audience of maybe 60 people, when asked the question about making documentaries versus fiction.
I was the first person to ask a question. “Having heard so much about your experiences in Beijing, can you explain what it’s like in Shanghai and other places?”, I asked. He explained that because Beijing is the seat of political power, that’s where most of the LGBTQI activist groups are based. “I had a boyfriend in Shanghai so I know a bit about life there too”, he explained, saying the scene in Shanghai is far more “commercial”. He went on to say he hoped Shanghai might become a little more “activist”.
There were also questions about what life was like outside the larger centres, about distributing information via social media, and the degree to which trans people are recognised in China, and portrayed in films.
The talk was really interesting and well appreciated, and he spoke about his life and work with both a passion and a wonderful sense of humour.
Fan Popo – New Beijing New Marriage
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5 Comments
You are a true professional at the mic. Reminds me of when Mr Faine had allergic reaction on air and his law advice person took over the programme with barely a beat missing. Not that I am suggesting a catch up, but we will be in New York about the 8th of July. Funny if we were there at the same time.
The other famous on-air incident was when Andrew Olle was on air and had to get up and leave and his producer took over. Not long afterwards he was diagnosed with brain cancer and died very soon, which was very sad.
New York? About a month later for me, so looking forward to reading your blog with hopefully some tips.
You are a true professional at the mic. Reminds me of when Mr Faine had allergic reaction on air and his law advice person took over the programme with barely a beat missing. Not that I am suggesting a catch up, but we will be in New York about the 8th of July. Funny if we were there at the same time.
The other famous on-air incident was when Andrew Olle was on air and had to get up and leave and his producer took over. Not long afterwards he was diagnosed with brain cancer and died very soon, which was very sad.
New York? About a month later for me, so looking forward to reading your blog with hopefully some tips.
Hello James, Great job jumping in like that.. you sound good and confident :-) I wouldn’t have guessed you weren’t up to scratch on the days news!
Stepped in confidently like a Pro; which of course you are. All those years of experience coming to the fore.
Thanks Matthew and Victor. Very kind.