My friend Kate and I went to the fortieth anniversary drinks for the Copyright Agency.
I hadn’t realised until both Brian Johns and Thomas Keneally spoke about the history of the organisation: that it all came from the fact in the early 70s in Australia universities were allowing students to photocopy books, but were not willing to compensate the authors for potential lost sales.
Forty years later, there’s the added complexity of electronic publishing. But despite this, the agency now collects millions of dollars of revenue each year which, in turn, goes back to the authors, which is a good thing.
The drinks were awfully good fun and I even got to meet someone I know from my online life, but had never met in real life. That was a really lovely and surprising part of the night. It was also great they had a cartoonist there, who did a really great cartoon of Kate and I.
As I prepare for the official launch of The Limb Shift podcast later this year to coincide with Amputee Awareness Week in October, I am going back and editing and reflecting heavily on the earliest interviews I recorded. One of the first conversations I recorded—and undeniably one of the most memorable—was with Mandy McCracken.
Mandy’s life was completely upended by a sudden medical emergency. She did not lose her limbs to trauma, but to a silent and rapid killer. “I had no say in the amputations because my hands and feet were dead… The only say I would have is if I didn’t have them amputated, I wouldn’t be here today. So there was no choice,” Mandy explains.
“I got sepsis from a streptococcal infection… It kills more Australians than breast cancer, prostate cancer and the road toll combined. But of course nobody talks about it… sepsis can kill you in a matter of twelve hours”.
For Mandy, the onset was terrifyingly swift. She went to bed on a Wednesday night feeling slightly unwell, and by Friday morning, her body was shutting down and her hands and feet were turning black. She was placed in an induced coma for ten days to save her life.
Waking up from the coma, heavily medicated and experiencing intense hallucinations, Mandy faced the surreal visual of her dead limbs. “I looked at my hands and they were literally black and I was like, ‘Wow, look at that’… it looked like my hand had been dipped in paint,” she recalls. In those early, disorienting days in the hospital bed, a profound moment of connection arrived via the television screen.
It was a turning point that gave Mandy and her plastic surgery team a tangible blueprint for the future. As she describes it, “The real turning point for me was I had Matthew Ames on the television right at the time that I was having my amputations done. So I’m lying there in hospital and quite literally watching a fellow who had just had his hands and feet amputated twelve months before me… And he was playing cricket with his kids. So he was my pace car, quite honestly. Like everything I’ve done in life, I’m a year behind Matt”.
Mandy McCracken with Matthew Ames (supplied, used with Matt’s permission)
Having that representation on her television was “massive,” not just for Mandy, but for her entire support network. “My entire community watched Matt and, and it actually gave us a real sense of, ‘Oh, okay, you know, there’s life after this. We can deal with this. It’ll be fine'”.
Survival in the McCracken household became a collective effort driven by a very specific coping mechanism: dark, unapologetic comedy. While Mandy lay in the ICU, her husband had to bring their children in to say their goodbyes. When she defied the odds and survived, the family relied on wit to navigate the horror.
Mandy reflects, “He used a lot of black humour to get through it, which has actually been incredibly helpful across our entire family. Having a good giggle about, you know, leaving body parts around the place… If you can’t laugh about a situation like this, you’re just going to rock in the corner. So that’s pretty much what we did”.
Mandy laughs as she shares family anecdotes, like her husband being pulled over for a random breath test and telling the officer, “No, no, but my wife’s legless”.
Beyond the humour, raw psychological survival required a severe narrowing of focus. On day four, having had a tracheotomy and being unable to speak, Mandy mouthed the words to a nurse asking for a counsellor. The advice she received became her anchor for the next year: “Don’t look at tomorrow… Just get through today. Just do today”.
To pass the time during those long months, she literally watched the second hand of the clock tick by, turning her brain off to avoid dwelling on the situation. Slowly, the outside world crept back into her room. Her daughters—aged nine, seven, and four at the time—along with their school friends, began blanketing her sterile hospital walls from top to toe with paintings and drawings from home.
When friends visited, terrified of what they were about to confront, Mandy would crack a joke to break the ice. “One of them I remember saying to me, ‘Oh my God, you’re still you, you’re still Mandy.’ I’m like, ‘Of course I am. Like, I’ve just had my hands and feet chopped off, but I’m still me'”.
While hospital offered a controlled environment, returning home after a year away presented a harsh new set of psychological hurdles. Fiercely independent and fit before her illness, Mandy found herself navigating her old spaces in an electric wheelchair. As she notes, “My husband popped me on the wrong side of the kitchen bench… I was a stay at home mum… And then when I came home, he, my husband put me on the guest side of the kitchen bench. And I’m like, ‘No, this is not good.’ So I really had to learn where my new role was because of course, I wasn’t the boss of the house anymore… They had a routine that didn’t include me”.
The physical frustrations compounded the emotional ones as she tried to learn how to operate robotic prosthetic hands, dropping glasses constantly. Her stress levels skyrocketed, prompting her to lean heavily on her psychologist—a practice she maintains monthly. She learned to take deep breaths, give herself permission to fail, and drive her wheelchair out to the letterbox just to sit and calm down when she felt furious about what she had lost.
Eventually, determination won out over anger. Mandy consciously decided she was going to thrive, systematically ticking off milestone goals: learning to eat, going to the bathroom independently, learning to drive, and eventually rock climbing and holidaying through Europe.
She accepted her new physical form entirely. “My plastic hands are me… Everybody looks at you… I don’t really care anymore. I’ve just moved on”.
Mandy McCracken (pic supplied)
Mandy later crossed paths with Matt Ames again, along with another quadruple amputee, Korrin Barrett. Sitting around a busy pub table in Noosa with prosthetics resting among beer glasses, they realized the power of their collective visibility.
This meeting inspired Mandy to help form a Facebook group called the “Quad Squad,” which now connects over 400 quadruple amputees globally. The group allows members to openly discuss the universal, nitty-gritty realities of multiple limb loss—from car modifications to NDIS applications. “It’s fantastic for them to be able to see the likes of, you know, myself, Matt and Korrin who are traveling the world,” Mandy says. “We’ve moved beyond the trauma stage and we are now in the thriving stage”.
For Mandy, thriving means being an active, moving part of a community. After an arduous, highly complex building process, she recently constructed a fully accessible house. The emotional payoff was instant. “I rang my sister the day that we moved in… ‘I got into the shower by myself for the first time in eleven years.’ And the two of us cried”.
Ultimately, Mandy’s message to anyone sitting where she once sat is rooted in grit, kindness, and a refusal to self-pity. She often remembers a high-single-leg amputee at rehab who bluntly told her to stop being a martyr, get off her ass, and accept the electric wheelchair so she could look after herself. “I reckon that is invaluable. Like, okay, wallow in self pity, but times, time, get on with it,” Mandy concludes. “Be kind to yourself… talk to people who have been through something similar… Time and practice and, you know, grit and determination goes a very long way”.
Mandy and Rod McCracken (pic supplied)
Note: This conversation with Mandy will appear in the Limb Shift podcast launching in October 2026, and which will be available on this website, Spotify, YouTube & Apple Podcasts.
When the signs first appeared announcing a Nandos in Surry Hills I was a little concerned.
In the back of my mind was the thought, “Oh great, another fast food temptation”.
But it seems their burgers aren’t as fatty as I thought they might be.
Sure, the chips I had with the burger probably didn’t help my waistline much, but the burger itself seemed almost healthy.
And that was where I had lunch today.
After yesterday’s Christmas Party I woke remarkably early this morning. Not that it was a late night, nor that I drank all that much, but I nonetheless went to bed with a “sleep in” in my mind.
And there was really only one thing I wanted to achieve today: to pick up my new mobile phone.
My much loved N95 died a few weeks ago, and I’ve been limping along for the last few weeks with my work phone.
But after a while that’s become a drag in terms of dividing up personal calls, so I rang up last week to order a new one.
Somehow they managed to confuse my work address – where I asked for it to be delivered to – with an address in Moonee Ponds in Victoria.
Yes, my mobile phone went to Victoria!
After much discussion on the phone yesterday, the consultant I spoke to told me I could go into one of their shops today to pick up my phone (and this was confirmed by her supervisor).
Unfortunately the paperwork said nothing like that. I think she was just trying to get rid of me, actually.
So when I went to the shop today, I was initially told there was nothing they could do to help. Groan.
After a smile and chat with the consultant (who was really helpful) and his manager (who was also very helpful), I eventually got my phone, though it did take upwards of an hour.
Aside from that it’s been a reasonably relaxing day.
It’s been a pretty amazing week with lots of people in town for a work-related conference resulting in a big night out on both Tuesday and Wednesday. On Tuesday night, I took some visiting colleagues from Darwin out to a seminal Sydney experience: dinner at BBQ King.
Had a funny moment the other day when Yvette and I were on a morning walk. Walking past one of the many methadone clinics in Surry Hills, we noticed a large lineup of people waiting for it to open at 7am. Five minutes down the road and we had to lineup outside Cafe Nikki for our morning cup of coffee. Machiatto or methadone? That’s life in Surry Hills.
Christine Johnston as Decent Spinster
Last night, Damien and I went to see “Decent Spinster” at the Opera House. We had decided to see “Decent Spinster” based on her short performance at the media launch of “The Studio” at the Sydney Opera House earlier this year. Our memories of a “mad looking woman” performing bird calls and playing the musical saw remain vivid, although this show bears only minor resemblance to what Christine performed then.
The “Decent Spinster” is an old fashioned, perhaps Victorian woman, dressed entirely in grey, with a wild bee-haircut, who communicates in a mostly non-literal sense through bird calls, operatic sounds and the musical saw, relating to what is now mostly outdated technology such as the overhead projector, slide projector and even one of those 1950s “weight loss” vibrating belts.
Through the “Decent Spinster”, we are taught a completely logical new language, where the written word, images, and the spoken word (both literal and implied) collide.
The show is a roller-coaster of humour and emotion, on the cutting edge of contemporary performance, with a “European” feel, but firmly placed in the suburbia of contemporary Australian life.
As you may know, I’m a long-time supporter of Team Sverige in Eurovision, even when I’ve sometimes been less than impressed with their chosen songs, but this year I think they’ve got an absolute winner.
It’s catchhy, fun, and out of the box. And this year, they’re singing in Swedish. Well, actually a Swedish dialect spoken by the Swedish speaking minority which lives in Finland. Three momrnts of simple joy!
“Hi James – wasn’t it a gorgeous night – didn’t like film much though – how did it end?” This tweet from a former colleague pretty much sums up how I think many people who attended tonight’s Open Air Cinema in Sydney felt about the film, “Heartbeats” (LES AMOURS IMAGINAIRES).
It was a French/Canadian film with one of those classic ménage à trois French language films plotlines, except in this case, there was no actual three-way-action. Instead, it was a film about two friends – a straight woman and a gay man – who both fell in love with the same very attractive man. Unfortunately for them, he had no interest in either. Indeed, you almost sensed some revulsion at the interest of the gay man when he told the character of his love for him. But rather than feel sad for him, or try to understand or console him, he asked “but how could you possibly think I was gay”.
The object of their desires wasn’t an entirely objectionable character. Sure, he was a bit of a narcissist, but I didn’t feel strongly about him either way. In fact, I didn’t feel strongly about any of the characters in the film, as I don’t think I ever really got to know them as people.
But there were some great things to the film: an excellent soundtrack with a combination of 60s Italian and French pop songs; and some beautiful cinematography. The “sex” scenes were also quite beautiful, as the actors were reduced to monochrome. The sex scenes were in distinct contrast with a wank scene early in the film, which I suspect caused a number of people to leave.
In fact, quite a few people left early in the piece. I’m sure some were offended. I think others were just bored or confused by the film. As I stood and waited for my friend John to come from the toilets, I listened to the conversations of the people walking by. I heard no one who said they really “loved” the film.
“Well done you for sticking it out. We bailed. Too much angst and not enough action!” was a follow-up tweet I recieved. In response to the tweet “how did it end”, I tweeted “They remained bitter and twisted to the end. Was like a very long film clip from the eighties”
Though there are often waiting crowds outside Via Napoli, located on Crown Street, Surry Hills, there was no need to book for Sunday lunch, I was told. As a resident of Surry Hills, the crowds you often see on a Thursday, Friday or Saturday night drive me a little crazy. Whether people are queuing for a table, or standing outside having a chat or a cigarette, there are just so many people in the way, that I often find myself getting a little grumpy, as I struggle through with my shopping bags.
But a week or so before I went overseas, I got over my “mental block” about the crowds associated with Via Napoli and went there for a pizza. As a friend who had been there spoke enthusiastically about the food, I popped down for a Monday night meal. I chose the four cheese pizza. It was wonderful. A great base, perfectly cooked, wonderful cheeses. And when I suggested to my friend we should go there for lunch today for a post-holiday catchup, she didn’t miss a beat.
Like this:
LikeLoading…
Related
2 Comments
Immortalised by cartoon; what an honour for you James!
Absolutely, and the artist was a really nice bloke. As we waited, it was interesting to watch the process he underwent, as he chatted with you for some detail, looked closely at your features, but also tried to get a sense of you as a person (all within about 10-15 minutes). It’s a real gift.
Immortalised by cartoon; what an honour for you James!
Absolutely, and the artist was a really nice bloke. As we waited, it was interesting to watch the process he underwent, as he chatted with you for some detail, looked closely at your features, but also tried to get a sense of you as a person (all within about 10-15 minutes). It’s a real gift.