I waited calmly for about twenty minutes before asking where my meal was. I’m a patient man. The straw that broke the camel’s back was the couple sitting nearby who’d arrived ten minutes after I had, who’d ordered the same meal and seeing theirs arriving first.
“She forgot” was the explanation given. Luckily when they arrived they were very, very tasty.
Braised Dumplings
It was my one errand for the day except to purchase a new keyboard for my netbook which, regrettably, I spilled a glass of wine on a few days ago. Regrettably, because I wasn’t even a slight bit drunk. I’d just poured the glass and thwack, there it was all over the keyboard. Even though I rescued it quickly, quite a few of the keys no longer function. Until I have the time to head out to Silverwater to buy a proper replacement, I bought a $20 mini keyboard in Chinatown which I hope will be enough to get me through this week’s trip to Melbourne.
Aside from that, it’s been a day of listening to music.
I’ve been listening to (and loving) the new CD by Oskar Linnros, a former “rapper” whose debut CD is more pop/soul in style.
My favourite so far has been the “single”, “Från Och Med Du”, but I also really like the track “Din Mamma” and there’s an absolutely gorgeous jazz-influenced instrumental called “Ulla Och Åke”
I began translating “Från Och Med Du” for Swedish class (which I’ll finish before bedtime), but then got distracted by the song, “Annie Hall” which I also thought might be suitable for Swedish class until I got to the opening lines…
OM DU VORE MER SOM MIG
SKULLE JAG GÅ NER PÅ DIG
OM DU VORE MER SOM HON I ANNIE HALL
which translates as…
if you were more to me
i would go down on you
if you were more like annie hall
“What’s your name? Are you German or something?”, I was asked by the bloke who sat down beside me offering me a beer. He was part of a larger group of men and women sitting at the adjoining table at Eskilstuna Pride.
When planning my travel to Sweden, Eskilstuna was very much an afterthought. I’d been here once before, in 2008, but with only vague memories of what it was like, almost a decade later. When looking around online for excursions outside of Stockholm, I was attracted in seeing the town/city has a Pride Festival. I’m still a country boy at heart and the idea of going to a Pride festival in a smaller town in attracted me. In particular, I also saw that Charlotte Perelli and Magnus Carlsson were performing. In the end, Charlotte pulled out, citing a diary conflict, and even better, she was replaced by Nanne Gronvall, who I also like very much, and have twice before seen her perform.
Magnus Carlsson
Nanne Gronvall
Both Magnus and Nanne gave wonderful performances. These were amongst the most informal performances I’ve ever seen from them. Highlights included one of Nanne’s best songs, in my view, “Avundsjuk”, and Magnus’ performance of the AC/DC song, “Highway to Hell”, which was all rather appropriate for a Pride festival, I guess.
Not that it felt too much like a gay festival I’ve been to previously. Despite all the rainbow flags everywhere, it felt more like a more general community celebration, which embraced diversity. The crowd watching and participating felt very much like the general community, rather than specifically people who are LGBTQ+.
I really enjoyed the festival, and in particular, the friendliness of the people attending, including the bloke who came up to me from nowhere and offered me a beer, and the three older women who also found out completely bizarre that a man from Australia knew about Magnus, Nanne and Eskilstuna. They thought I was German too.
Last night I ended up at Monsoons, a fixture of Darwin bar life for as long as I’ve been visiting. It happened to be ladies’ night, and when I asked someone whether I should hang around to see the visiting bachelors from Married at First Sight, the response came without hesitation: of course. After all, more than half the crowd on ladies’ night is usually men anyway. It was said matter-of-factly, and it tracks perfectly with Darwin itself. with more men than women living here. I think it was pretty much the same when I first visited in the late 1990s.
Back then, Mitchell Street was the absolute centre of entertainment—pulsing with the energy of the Jabiluka protesters (visiting at the time) and swollen by a huge, young population, in the middle of the dry season. Even now, almost three decades later it remains the city’s main artery for bars and nightlife, but I’ve come to realise that if you stick only to the familiar neon of the strip, you miss the real soul of the place.
This trip to Darwin began with me falling into old habits: Shenanigans (known as Shags) and The Tap, both hosting those quintessential solo guitar cover song acts.
Guitarist/singer at Shenanigans doing a range of popular cover versions. They have live music seven nights a week, which is impressive.
They’re fine—comfortable, even—but Darwin’s current charm feels increasingly hidden away in its laneways.
That’s where I stumbled upon what some locals call “Darwin’s little secret”: Charlie’s. Finding it felt like a quiet reward for wandering. Tucked down a back lane, with a lift that makes the upstairs space accessible to everyone, it offers something genuinely rare here—a breezy second floor, attentive staff who aren’t absorbed by their phones, and a sense that you’ve earned your seat simply by being curious enough to look.
Research tells me the bar was founded in January 2020 and grew out of a simple but distinctly Territorian idea: to produce a locally made gin using native Northern Territory botanicals such as Kakadu plum, native lemongrass, and water lily, many of which are foraged locally and in collaboration with Indigenous communities. I have visited twice, and I like it very much.
Charlie’s Bar in Darwin. I arrived far too early, so there are no customers in this photograph, but when I returned the following night, it had a nice buzz, though not crowded and touristy.
The other bar I’ve been to twice, which I also like very much is called Bustard Town, also located down a laneway in the middle of town. In contrast to lots of modern airconditioned bars in town, Bustard Town feels like something which might have existed here in earlier times. Research tells me it was opened by the team behind Willing Distillery. To a soundtrack of very cool beats, it feels like a tropical Darwin backyard. In a city long dominated by big pubs and loud rooms, it’s a place designed for sitting, talking, and staying longer than you intended.
As well as being Ladies Night, last night at Monsoons also featured a weekly Drag Bingo night. Last night, the co-host, dressed as the Easter Bunny, was my friend Lisa who has a drag king persona called Donnie Piccolo.
Donnie Piccolo as the Easter Bunny with one of the shirtless bouncers at Monsoons
Spending an hour and a half laughing through a bingo session—despite my uncanny ability to miss numbers and never win anything—was a reminder that Darwin still knows how to entertain itself.
The city’s nightlife is also adjusting to what feels like a post‑Throb world. Throb was a cornerstone of the gay community for so long that its absence still feels tangible. I asked friends, “where will I go on a Friday night now that Throb has closed”? Yet the spirit it fostered hasn’t vanished; it resurfaces in unexpected and joyful ways beyond Mitchell Street.
It wasn’t what you would call an “active day”. In fact, I only left the house once, tonight, to go to the supermarket.
I love shopping on a Sunday night at about 8.30-9.30.
The supermarket is always close to empty, and those shopping do so with a purpose. Unlike other times during the week, you’re unlikely to find those supermarket wanderers, those people who go up and down the aisles getting in your way.
When it comes to supermarket shopping, I like to go in with a clear idea of what I want, get it off the shelves in a fairly methodical way, pay and get home.
I guess it has to do with my time working in a supermarket.
That, and the fact that I know how exactly to put items on the roller so they can be packed quickly and properly.
So yeah, supermarket shopping was high on my agenda today, along with clothes washing.
And in between, I did some work on a friend’s website to make it look a little more “contemporary”, and some family history.
Anyhoo, gotta go… “Are You Being Served?” has just started, and Mrs Slocombe is back after two weeks absence. Whatever could be wrong with her pussy?
For a moment this morning I reflected on how busy the traffic on Crown Street was when I first moved to Sydney in 1995. Before the Eastern Distributor was built, Crown and Bourke were extremely busy double-lane one-way streets. Although I don’t remember exactly how they went about it, they changed the traffic on both streets soon around the time the toll road was opened, sparking a large public outcry. Both streets eventually became two way.
A few years ago when the bike lanes were established, Bourke Street underwent a further transformation with traffic calming measures. I quite enjoy a weekend bike-ride up and down Bourke Street, with its quieter traffic and leafy visage.
At the same time, Crown Street has remained busy. It never ceases to amaze me how many people continue to drive down Crown Street, when they could find a much less busy route via neighbouring streets, Bourke and Riley. If I’m running late and I need to be quickly at Taylor Square, I’ll instruct the driver to take me there via Bourke Street. Or if I want to quickly get to Oxford Street, I’ll instruct the driver to take me via Riley.
I can’t begin to imagine the traffic hell that will occur over the next few months, as they calm the traffic and widen the footpath in my part of Crown Street, located between Cleveland and Devonshire. They’re removing a fair few car parks, and they’re consolidating the two local bus shelters into one, and locating it out on the street.
In the longer term, I think this is a good strategy, and it’s one I really support, though I note in the short term, there’s going to be pain. “It’s going to be hell to take deliveries”, one shop-keeper said to me this afternoon.
I’d first heard of Tim Draxl about four or five years ago when, under the tutelage of Les Solomon, he was proclaimed as “the next big thing” following in the footsteps of David Campbell.
I actually interviewed him at the time. We spoke in particular about his interesting upbringing as one of four sons of Austrian-Australian ski instructors and of his career ambitions in music, but more significantly in acting. I got the impression at the time acting was more of an interest for him than was cabaret. I’ve since seen him in a couple of movies, including “Swimming Upstream” and “The Shark Net” (which were both good), but also in the telemovie about the television series, Dynasty, which was maybe not so good.
As to why he has returned to music, I don’t know, and he didn’t really say in the show either other than what I thought was a fairly trite line about singing his favourite songs and playing in a venue that the likes of Sarah Vaughn, Louis Armstrong and Frank Sinatra had played.
Quite a bit of the show featured strong versions of standards, including “A Foggy Day In London Town” and “Night & Day”. But as a performer I thought he really came to life with more contemporary numbers, including a song by Billy Joel, and in the more obscure musical theatre numbers he chose. I think it was really then that he became authentic as a performer. He sings like an angel and with such control, but to be honest, I thought his ability to bring new life to standards was limited. A bit like Harry Connick Junior and Michael Buble doing the classics… nice… but nothing new.
Likewise, I thought the patter in between tracks was often contrived and a little disingenous. When he spoke it was very clearly tightly scripted and lacked that authenticity I mentioned earlier.
However when he sang a three item tribute to a broken relationship he really came to life as a person. One song, “I’m Alright Now” in particular, made me pretty weepy as it allowed me to reflect on my own relationship breakup. The identity of the person in the relationship was, publically at least, a closely guarded secret, but given the number of people in the audience who knew him and knew about his personal life (including his mum!) it must have been both a cathartic experience for him and a moment of on stage honesty.
I reckon Tim Draxl could become one of our best musical theatre performers… a truly rounded gifted performer… he just needs to work on the “authenticity” thing…
Although I think it’s an absolutely excellent cause (supporting prostate cancer and all that kinda stuff), I also think there’s also something totally dodgy, about Movember. Everywhere I go at the moment, even at work, I’ve noticed guys sporting facial hair. Are they raising money, I think to myself, or are they just waiting for a socially acceptable excuse to grow bushranger-like facial hair?
Beards, I like. There’s something about the beard which says “bloke”. It also says “I’m busy and couldn’t be arsed shaving” .
But the moustache gives out a mixed message about masculinity. It says “I’m not quite a complete bloke”. It also says, “I’m vain enough to spend a fair bit of time looking at myself in the mirror each morning”. This is especially the case with those finely sculptured moustaches or goatees.
OK, so I guess the honest truth is I probably couldn’t grow a moustache or a beard to save my life. After several weeks my beard would be patchy at best.
But then again, it would never get to that point, because the longest I can go without shaving is about three or four days. At that point, I begin to feel dirty, a little grotty.
And besides, after about thirty years of shaving I’ve now reached the point where I can do it without a mirror in the shower.
Tonight, however, I wondered what I would look like with a moustache. And with chest hair. And with head hair. And here’s the result…
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Just one minor correction on the song translation, first line means ‘if you were more LIKE me’.
Listen also to oskars girlfriend Veronica Demaggio, same style and you can here that oskar was involved in of the songwriting. :-)
O i forgot last line is also, well maybe better i write it all,
‘if you were more like me’
‘I would go down on you’
‘if you were more like her in Annie Hall’
Enjoy Melbourne and I hope you get to put your language skills to good use. In news unrelated to your blog, I’m running on sleep deprivation already and it’s only a few days into the World Cup! It’s fun having an Italian friend who is mad passionate about soccer, they make watching the games so much more entertaining.
Just one minor correction on the song translation, first line means ‘if you were more LIKE me’.
Listen also to oskars girlfriend Veronica Demaggio, same style and you can here that oskar was involved in of the songwriting. :-)
O i forgot last line is also, well maybe better i write it all,
‘if you were more like me’
‘I would go down on you’
‘if you were more like her in Annie Hall’
Thanks for the correction Roger. I LOVE the Veronica Maggio CD and I didn’t know they were in a relationship. Wow.
she actually have 2 records out, http://cdon.se/musik/maggio_veronica/vatten_och_br%C3%B6d-607339
Mmmm, love dumplings. What was the filling?
It was lamb. It was halal Chinese actually.
Enjoy Melbourne and I hope you get to put your language skills to good use. In news unrelated to your blog, I’m running on sleep deprivation already and it’s only a few days into the World Cup! It’s fun having an Italian friend who is mad passionate about soccer, they make watching the games so much more entertaining.
Glad you’re enjoying it. Maybe we can catch up in Melbourne? Will drop you an email.