“You caught me”, he said with a slight look of fear on his face. That fear turned to a smile when he realised I didn’t really care what he was doing. “Don’t do it, again”, I said as I continued my walk home. I was more interested in getting home than chastising a graffiti artist in my back laneway. Contrary to the stereotype, he wasn’t a young kid in baggy pants and trainers. He was in his mid to late 20s, rather conservatively dressed, and quite cute in that nerdish way that I like.
It was one of a number of random incidents which has happened to me in the last six hours or so.
It all started earlier in the night when I went along to the opening night of the new Bill Henson exhibition at Roslyn Oxley Gallery. Two years ago, you might recall, there was a certain degree of notoriety associated with his previous exhibition. The Other Andrew and I never got to see the exhibition that night, as it was cancelled due to a raid by NSW Police.
At issue was the portrayal in provactive poses of a number of under-age models. There’s an under-age model in this exhibition too, except it’s a marble statue this time. “Is that a child in the photograph”, asked a rather random elderly woman with poor eyesight standing next to me. When I reassured her it wasn’t, she told me, “you know he got into trouble last time for that kind of thing?” “I was about to give him a piece of my mind”, she added. The conversation continued for at least fifteen minutes later as she told me stories about her life, and informed me that I “exuded Irishness”.
When Sam arrived I thanked him for coming over. “I was concerned you were going to stand politely in the corner”, I told him. He said whenever he seems someone talking to someone random he always come over because a) they could be really interesting or b) his friend needs rescuing. It was a little bit of a) and b) for me tonight.
Bill Henson exhibition opening at Roslyn Oxley Gallery
I never got to see the last Bill Henson exhibition, though I saw the one before. This one is quite conservative, I thought, featuring some island landscapes (including some beautiful waterfall features inside a cave), portrayals of some Roman antiquities (where the statues seem to come to life), as well as a portrait feature of a young woman. I think the images are quite beautiful, as he deals mostly in darker colours. As you might expect after the controversy of the previous exhibition, this one was absolutely packed to the rafters. Sam and I left soon after the speeches.
From there I went to the Message Sticks indigenous film festival at the Opera House, where my friend Michaela had an opening night sensation with “Boxing For Palm Island”. The film, to be screened on ABC-TV later this year, contrasts the negative stories about Palm Island, with the inspiring story of the island’s amateur boxing group. It’s a story which featured a couple of years ago in “The Monthly”. Along with director, Adrian Wills, Michaela co-wrote and produced the film which got a standing ovation. The main characters in the documentary are real winners. They have such inspiring stories. They’re all people who’ve recognised the darkness in their lives, and who’ve made an effort to turn things around. REALLY INSPIRING STUFF!
Message Sticks
They all came down to Sydney for the premiere tonight, and it was wonderful to see them having the times of their lives. The film screens again over the next few days. And in case you’re interested, all films are free for this festival (except tonight), so if you’re interested check out the Sydney Opera House website.
And then a further random moment occured on the bus coming home tonight when a man came up to me and said, “You don’t know who I am, but…” He didn’t need to say anything else. I instantly recognised him as Victor from Someone for me, a blog I’ve followed for quite some time now. Victor had just been to the Opera House also, though to see quite a different show. We chatted for a while until it was time for me to make me way home, and then of course, to run into Mr Graffiti Artist.
Fresh graffiti in my back laneway
Three random and unexpected conversations in a six hour period: and it’s not even a full-moon!
“You’re looking a little pink”, Andrew said to me late this afternoon. I guess it shouldn’t be a surprise, as it was an unexpectedly fine day in Sydney and I spent most of it outdoors.
When I woke this morning, it was overcast. Nonetheless, I thought we should go ahead with our plans to have lunch at the Bondi Trattoria.
Somehow though, something went wrong in our planning, and we ended up having lunch downstairs at the North Bondi RSL. “It’s very Eastern Suburbs”, we all noted, as we looked at the assembled crowd, which included a large family having a birthday lunch, assorted middle-aged couples, and lots of leather-skinned people.
Although Colin and I were both really happy with our meals (crumbed veal, spaghetti and crab), Andrew was still a little hungry after his meal (scallops). “Would you like some spaghetti?” I asked, with a reply in the affirmative.
I wouldn’t say it was overly expensive, though it was at the higher end of a lunch-time meal. And it was also quite noisy.
Wally Weeks Tidal Pool at Bondi Beach
“There’s family, there’s friends, there’s workmates, there are knitters and a few odds and sods”, M-H said to me early in the piece. I was one of the odds and sods, by the way, having first met M-H at a GLBTI Bloggers Meeting during last year’s Mardi Gras.
Andrew on BBQ at Mary-Helen and Sandra’s place.
I sat largely with the crowd of knitters, many of whom I met at the Halloween Party a few months ago. They’re a very mixed and lovely group of people who share an interest in knitting, and who are all a little bit odd in a really great kind of way. Lots of laughs were had.
I didn’t really get much of a chance to chat to M-H as she wandered around looking after everyone. I did, though, catch a few sneaky peaks at both her and Sandra. And you know what I noticed? I’ve never seen two people smile as much as they do. As they were chopping and cooking and washing, I looked over and saw two people who seem extremely happy in their lives. It was very very touch, I can tell you.
While I was invited to join some of the knitters for some late-night Singstar, Wii Karaoke thing (you know what I mean), I was feeling a little tired and was looking forward to getting home.
As I’ve arrived home tonight there’s a bit of a wild party upstairs. Well, not all that wild I guess. But there’s a group of young (twentiesh I’d say) men and women out on the balcony having one of those loud drunken conversations that can probably be heard miles away.
The main topic of conversation seems to be which celebrities are gay. “Are you saving The Wolverine is gay?”, I’ve just heard one bloke say to a female friend. She has responded with “absolute evidence” because she knows someone who knows someone etc.
And then… “What’s a gerbil?”, I’ve heard another say after being told the famous Richard Gere anecdote.
As noted here and here, I enjoyed a terrific weekend catching with some current and former members of ABBAMAIL/Village, and watching Melodifestivalen with an assortment of Swedophiles, friends, and one Swede.
With thanks to Graeme, here are some photographs from the weekend…
Patrick Blake, Sam Appleton
Sam Appleton, Cotton Ward
James O’Brien, Louisa Cordle, Patrick Blake, Cotton Ward
Louisa Cordle, Cotton Ward, Grant Whittingham, Mikey Lynch, Nathan
Judy Sawyer, Patrick Blake
James O’Brien, Grant Whittingham
Mikey Lynch, Judy Sawyer
Mikey Lynch, Judy Sawyer
Mikey Lynch, Judy Sawyer
Patrick Blake, James O’Brien, Grant Whittingham
Patrick Blake, James O’Brien, Grant Whittingham
Mikey Lynch, Judy Sawyer, Patrick Blake
Graeme Read and Mikey Lynch
Greg Roberts and Mikey Lynch
Jeff Roberts and Greg Roberts
Grant Whittingham and Graeme Read
Mikey Lynch and Patrick Blake
Mikey Lynch and Patrick Blake
Mikey Lynch, Cotton Ward, James O’Brien
Patrick Blake, Cotton Ward and James O’Brien
Patrick Blake and James O’Brien
Patrick Blake and James O’Brien
Mikey Lynch
Mikey Lynch
Patrick Blake
Grant Whittingham, Graeme Read (back) and Greg Roberts
You might recall I recently bought one of the new eeepc’s – 1008ha seashell – which means I can now surf the web (and blog) from my bed.
Well tonight I bought some more technology: a digital radio specifically for my bedroom.
I’ve been holding off on buying a digital radio, believing all of those on the market so far have been over-priced. With an entry level price of around $129, and most priced in the $200-300 range, I’ve been holding off on making a purchase. It’s my personal view, they’ve been unnecessarilly overpriced. I mean, how much do the chips inside actually cost?
I’ve been holding off on a proper purchase for the lounge-room. And I’ve been looking at a nice radio tuner (which combines a wifi service) in the price range of about $500 which would integrate nicely with my home hi-fi. For my purposes, the wifi integration and home hifi is pretty important.
So I’ve been holding off on buying something cheaper because I’ve been waiting for something really cheap for the bedroom or bathroom, as well as the more upper-level receiver.
But then last weekend I spotted something at Dick Smith at Rhodes which I thought would offer me something “entry level” for the bedroom.
It’s a Kaiser Baas DAB+
DAB+ Band III with FM (87.5 – 108MHz)
Auto and manual Scan
10 presets for favourite FM and DAB+ stations
Two line backlit LCD Display
Dynamic Range Control
In my bedroom, I don’t need a high level sound-system. And I don’t need anything with big speakers that are only going to annoy the neighbours. I need something small and clear.
And at $84 this is about as good as it gets (at the moment at least). I still think they’re over-priced, by the way.
But tonight, I’ve been lying in bed tuning around the dial.
And now, with an eee and a digital radio (and a lovely breeze coming through the window), I feel as though I may never have to leave my bed ever again. :)
Except of course to go into the lounge-room to watch The Walkleys. I need a better television in my bedroom :)
Today was a beautiful day dedicated to “story-telling,” starting with a session and a reminder about the essence of a good story: it has a clear beginning, middle, and end, following a linear story arc that people intuitively understand.
The session included a fascinating presentation that drew on some groundbreaking work in improv theatre, as referenced in some of Valerie Geller’s publications. The core of a compelling narrative was described as “this happened, and that happened next, and then that happened after, and the result was…” This workshop, led by Valerie Geller herself, was part of a series held at the Australian Film, Television and Radio School (AFTRS).
I first met Valerie when I was a young, up-and-coming broadcaster working in regional radio. At that time, she was brought into the ABC to help its presenters reconnect with their audiences and improve their on-air communication. I’m a fan.
Valerie Geller is an internationally recognized broadcast consultant and author, best known for her theories on effective radio and television communication. Her seminal work, Creating Powerful Radio (1993), has been a foundational text for broadcasters worldwide. This was followed by Beyond Powerful Radio: A Communicator’s Guide to the Internet Age (2006) and The Four Fundamentals of an On-Air Personality (2018). Her latest book, released a few months ago is called Beyond Powerful Radio: An Audio Communicator’s Guide to the Digital World – News, Talk, Information, & Personality for Podcasting & Broadcasting.
Valerie’s core philosophy revolves around the idea that broadcasters must be authentic, emotional, and truthful to build a strong connection with their audience. Her famous catchphrases, “Tell the truth, make it matter, and never be boring,” encapsulate this philosophy.
She argues that great content isn’t just about facts; it’s about telling a human story that resonates. Valerie emphasizes the importance of using the word “you” to make a story more personal and engaging for the listener, allowing them to imagine themselves in the situation.
This was especially relevant for me as I’ve always wanted to make sure my deeply personal stories about my amputation and disability were something people could relate to, not just a recount of my own experiences. In the last twelve months I’ve been asked to tell the story many times on radio and in person, and I was keen to make sure my story remained interesting,
As Valerie herself puts it, “There are no boring stories, only boring storytellers.”
A powerful tool that Valerie champions in her work is the “Story Spine,” a simple yet effective framework for building a compelling narrative. Originating in improv theatre, this method provides a clear structure that ensures every story has a logical flow. The Story Spine consists of a series of prompts that guide the storyteller, starting with “Once upon a time…” to establish the world and characters, then moving through “Every day…” to show the normal routine. The heart of the story is driven by a trigger event, “But one day…”, followed by the consequences, “Because of that…” and “Because of that…”. The narrative builds to a climax, “Until finally…”, and concludes with a resolution, “And ever since then…”.
Story Spine
By using this framework, broadcasters can quickly and effectively craft a story that is not only coherent but also deeply engaging for the audience. It provides a simple blueprint for turning a collection of facts into a captivating human narrative, proving her point that there are no boring stories, only boring storytellers.
Her workshop today reinforced these principles, stressing that telling a great story is like a muscle that needs to be exercised daily. It was wonderful to see James Valentine and several other colleagues from my ABC career attending the workshop.
Valerie’s influence has been so profound that a week rarely goes by without me applying one of her principles, whether it’s “Tell the truth, make it matter, and never be boring” or the simple power of using “you” in my narrative. The lessons from today weren’t just for my radio career as a presenter or manager; they were for the storytelling I’ve been doing since, whether I’m explaining something to colleagues, friends, or even a child on public transport who asks, “What happened?”
After the workshop, I attended a live presentation of the ABC radio program Conversations at the State Theatre in Sydney. This show is a cornerstone of ABC’s programming and has a rich history.
Having been involved with Conversations over the years, I’ve witnessed its evolution from a program that started as a local show hosted by Richard Fidler on ABC Radio Brisbane to a national phenomenon. The move to be heard in Sydney and across NSW marked a significant step in its growth.
Its format, which features long-form, in-depth interviews with a wide range of guests, has become a benchmark for thoughtful public broadcasting. The show’s success is largely due to its focus on profound, personal storytelling. The program’s history reflects a shift in ABC’s strategy, moving towards more intimate, narrative-driven content to connect with a national audience. The program is broadcast on ABC Local Radio stations across most of Australia, with ABC Radio National carrying it in Victoria.
Conversations at Sydney’s State Theatre
It was a day that continued the theme of great storytelling, and it was fascinating to see hosts Sarah Kanowski and Richard Fidler on stage, sharing their own stories and discussing what makes a narrative powerful and interesting to an audience. It was a wonderful way to spend a late afternoon, reflecting on the art of communication and the history of one of Australia’s most beloved radio programs.
I had a wonderful opportunity today to share my personal journey with over 400 professionals in the disability sector at an online conference. It was especially meaningful because a former colleague, now working with the organization, invited me to speak after following my story.
While regular readers of this blog may be familiar with my experiences, I wanted to share it here as a way of introducing it to a new audience. Rather than simply focusing on my own story, I invited the viewers to imagine themselves acquiring a disability later in life, something that happens to many people.
I think this allowed for a more engaging and thought-provoking discussion about disability awareness and inclusion.
This is a photograph of me taken a few months ago. I’m a late 50s male, with a bald head and dark glasses. I’m seated on an older office chair. The photographs was inspired by the famous 1960s photograph of Christine Keller, except I have my clothes on. I’m wearing shorts, and I have a lower right limb amputation.
The reality is something like 8,000 people in Australia every year undergo some form of amputation, and so my story isn’t unique.
But I feel privileged to be able to tell the story to you today on behalf of many other people who can’t.
But enough of me, I’d like you to imagine yourself in a similar position.
Close your eyes for a moment. Take a deep breath, feel the ground beneath you, the steady rhythm of your own heartbeat. If you’re able-bodied, imagine the familiar ease with which you move through the world, the effortless grace of your stride, the way your body responds to your every command. The simple act of walking, of running, of dancing – these are movements you take for granted.
Now, hold onto that feeling, that sense of wholeness, and imagine it changing. Imagine a life-altering event, an accident, an illness, a sudden twist of fate that disrupts the familiar rhythm of your existence. You’re going about your day, and then, in a flash, everything changes.
Perhaps you’re driving home from work, and a distracted driver runs a red light, colliding with your car. Or maybe you’re hiking on a favorite trail when you lose your footing and fall, sustaining a severe injury. It could be a diagnosis, cancer, or a medical condition that slowly robs you of your physical abilities. For me, it was a cut foot, an infection that went terribly wrong with sepsis, combined with undiagnosed diabetes that put me into a coma.
My story started when I visited Vietnam and Cambodia in June 2023.
I’d like to share with you a short video I shot at Angkor Watt. In the video there are three men seated in a pontoon, playing music. To the left and right of them, there are crutches, and on the right-hand side, there is one man with a prosthetic limb.
I love many of the things about this video, including the music, and the way it perhaps was a sign for me of my future.
Cambodia is a country with hundreds of thousands of people who are amputees, largely due to the land mines planted there during the civil war.
The men in the video don’t have access to the public health and disability services we do in Australia, and that’s been a constant reminder to me in the 18 months since my own amputation.
But let’s get back to you. You’ve found yourself in hospital.
After a few days in a coma you wake u, the world around you is hazy and disorienting, thanks to the AWESOME drugs you’re on,
Your vision clears, and you see concerned faces hovering above you – family, friends, medical professionals. They tell you about the accident, the injury, the surgery. The words wash over you, their meaning slow to register.
And then, the news that changes everything. Your niece, her eyes red and filled with a mixture of sadness and relief, tells you that surgeons had to amputate your lower right leg. Your mind struggles to grasp the reality of the situation – but that’s probably just the drugs!
This next video was shot a week or so later, and I’m still on some pretty serious pain relief.
I asked my niece to shoot the video after she had posted on Facebook that I was in hospital, surrounded by friends and family, and receiving the best of care. I came pretty close to dying, and that’s the message friends received from the post, so I was determined to show them there was plenty of life in me yet.
Days turn into weeks, and the news gives way to a rollercoaster of emotions. Denial, anger, sadness, acceptance – they come in waves, sometimes overwhelming you/ You grapple with the loss of your limb, the loss of a part of yourself that you never imagined living without.
The hospital becomes your world. You undergo countless tests, undertake physiotherapy, and learn to walk again.
In this video, I’m walking between bars at the hospital, well hopping really.
Hopping
Importantly at this point, you get a random phone call from a bloke from an organisation called Limbs For Life. His name is Clay, he’s a few years younger than you, but his story is remarkably familiar. You realise you’re not the only one.
Many people know someone with an amputation, many don’t, so I thought I’d share this closeup photograph of my stump. In the photograph you’ll see a wound which was still healing.
You will also notice my leg is reasonably hairy, and the one of the things I need to remain constantly aware of is ingrown hairs.
As the wound began to heal, it was soon time to think about a prosthetic.
This photograph shows the process of getting a prosthetic to match my leg. This photograph shows the connection between my leg and the prosthetic socket.
Walking with my prosthetic for the first time.
Finally, after months of hospitalization and rehabilitation, you’re discharged. You return home, but it’s not the same. On the first night, a friend stays with you, and after a while she’s supporting you, as you sob, unsure if you can cope with this new reality.
When you’re in a wheelchair, stairs become seemingly insurmountable obstacles. You worry about what you might do if the lift stops working.
You venture out into the world, tentatively at first, and then with growing confidence. You’re walking down the street, the familiar rhythm of your steps replaced by the unfamiliar click-clack of your prosthetic leg. You catch your reflection in a shop window, and there it is – a glint of polished metal where your leg used to be.
This is your new reality, a reality experienced by thousands of people every year, a reality that could just as easily become anyone’s. In Australia alone, roughly 8,000 people undergo amputations annually, with diabetes-related amputations being the fastest-growing cause of acquired physical disability in Australia.
You realise quickly, the importance of connecting with other people in similar circumstances.
This is a recent gathering of people in Sydney who are part of the Limbs for Life Facebook Group, a national charity providing peer support and advice.This year I’ve also been trying to find a sport I can play, including in this photograph wheelchair basketball.
The main thing I noticed, and maybe you would too, is the world operates in a different way when you have a physical disability.
You see the uneven footpaths, the lack of ramps and accessible entrances, the stairs that seem to loom everywhere. You notice the best access points around town are at the poker machine rooms – always good for people in wheelchairs. You write a letter to your local council for the first time EVER, advocating for better accessibility in your community.
You also notice the stares, the whispers, the well-meaning but sometimes awkward attempts at assistance. Children point and ask questions of their parents, their curiosity unfiltered. Adults avert their gaze, unsure how to interact with you. You learn to navigate these social encounters with a mix of patience, humor, and sometimes, a touch of defiance.
Public transportation becomes a source of both frustration and anxiety. You struggle to board buses and trains, the narrow aisles and lack of space making it difficult to maneuver with your prosthetic leg. Drivers, impatient and often unaware of your needs, sometime take off before you’ve had a chance to sit down properly, nearly causing you to fall.
The fear of falling, of being thrown off balance, becomes a constant companion. You find yourself relying on the kindness of strangers, hoping that someone will offer you their seat. And sometimes, they do. But sometimes, they don’t. You have to summon up the courage to ask, to assert your needs in a world that often overlooks them.
You encounter those who occupy the designated disability seats, their eyes glued to their mobile phones, seemingly oblivious to the world around them. You wonder if they will ever understand the challenges you face. Maybe when they’re older, maybe when they’re heavily pregnant.
You set goals for yourself, determined to reclaim your life and your independence.
One of the things you often hear about is walking 10,000 steps a day. You realise that’s a pretty unrealistic goal, and so when the radio station you work at, encourages everyone to walk that much, you decide it’s time for a bit of public education.
You return to work part-time after about five months, incredibly grateful for the support of your colleagues over the last few months, the cards, the visits, the wishes,, but also acutely aware of the added physical and mental demands you now face.
Simple tasks that once seemed effortless now require twice the effort. The fatigue is relentless. You say to the boss, “I need to have a nap in the afternoon, but I wouldn’t be the only manager who has ever done that???”. He laughs in recognition.
You wonder if you’re still valued, if your colleagues see you the same way they did before. You notice the subtle changes in the way some of them behave, the way they sometimes talk to you more slowly, as if you’ve somehow become less capable, and not just because of your physical changes.
But you also experience unexpected moments of connection, the shared understanding with others who are also amputees You discover someone at work who you’ve known for 20 years is also an amputee, though you’ve never noticed before. You get a message from another colleague who is a Paralympian, offering you tips and advice about prosthetic limbs, and offering to go for a swim with you. Hey, she’s a Paralympic swimmer!!!
You meet a woman at the bar who recognizes you from rehabilitatio, when you were there with her mother. You meet a man on the tram who offers you his seat with a knowing smile, as the person next to him is also an Amputee. You meet a woman at a busy bar offers you a seat and later, lifts her dress to reveal her own prosthetic limb.
These encounters, often unexpected and deeply moving, are a reminder that you’re not alone on this journey. They remind you that there is strength in shared experience, that you are part of a community that understands your struggles and celebrates your triumphs.
You discover a resilience you never knew you possessed. You develop empathy for others, an appreciation for the small victories, the ability to find humor.
You learn to navigate a world that wasn’t necessarily built for you, to advocate for yourself, to embrace your new reality. You discover a hidden community of amputees, each with their own unique story of resilience and adaptation. You find strength in their stories, inspiration in their triumphs, and comfort in their shared understanding.
This is a journey that anyone could face. An accident, an illness, a sudden twist of fate – life can change in an instant. And when it does, we are all capable of incredible strength, resilience, and adaptation.
But we can also disappear into dark spaces, overwhelmed by the challenges and the complexities of navigating a world that wasn’t designed for you.
The world of disability support, with its bureaucracy and its endless forms, can be daunting for many people, especially for those who lack the skills or the resources to advocate for themselves.
I feel lucky to have the communication skills to be able to tell my story and advocate on my own behalf, but also recognise I’ve met many others who don’t have that experience.
So please keep an eye out for people who might need your help a little bit more, who might not always be able to advocate on their own behalf.
PS – I received some lovely comments.
Thanks for such an informative presentation. Lots of work apparent – and the bonus is it was fun.
Thank you, James for sharing your experience. Great presentation [that] demonstrates exercising choice and control!
Wow James, what a change in your life you’ve had to undertake. Well done for not giving up and using your traumatic experience to encourage, educate and inspire others to not give up – adversity and resilience. Thank you for sharing your journey. It is great to see you have overcome challenges and are using you own experience to help others.
You are phenomenal James!! Thank you for sharing your journey.. Keep trekking on!!!
Thank you for a very informative and inspiring session.
Thank you, James for your truth. Go forth and live, laugh and love.
The songs in the second heat of Melodifestivalen 2013, the competition which chooses the Swedish entry for the Eurovision Song Contest, were considerably better than those which featured in the first heat last weekend. But that’s not to say they were great songs or performances, or even potential Eurovision winners, as the comparison comes from quite a low base.
Nonetheless, there were a couple of songs which surprised me with how good they were. I really quite liked Louise Hoffsten with her country-rock inspired, appalling named “Only The Dead Fish Follow The Stream”. Felicia Olsson’s “Make Me No 1″ was a good song sung well. I loved the melody, sweet lyrics and performance by Erik Segerstedt and Tone Damli of the song “Hello Goodbye”. I’m not sure if there was much difference between the song he entered last year and the one he entered this year, but I actually quite liked Copacabanana by comedian, Sean Banan (Sean Banana). It was unexpectedly catchy, and not as annoying as it could have been, though I’m not sure if it will stand the test of repeat listening. Although I didn’t think much of the song or the performance, the choreography for Anton Ewald’s “Begging” was quite good. Disappointingly, “Swedish House Wives” (a band consisting of three well know Swedish female singers) failed to make it to the finals or the extra chance round. In some ways I’m not surprised, as the television voting tends to favour the “young and pretty” as well as the “well known”.
For me, the highight of this week’s show were the production numbers and the comedy pieces. There was a fabulous Bollywood-inspired version of the former Melodifestivalen finalist , “In The Club” by co-host Danny Saucedo. Another highlight was seeing Melodifestivalen legends, Ann-Louise Hanson, Towa Carson och Siw Malmkvist back together to perform their 2005 Melodifestivalen entry “C’est la vie”. I saw them perform at Stockholm Pride in 2011, and it was obvious from then, they’re held in deep regard in Sweden. This week, they demonstrated they were able to take the piss out of themselves by singing a number of Melodifestivalen parody songs about them being quite old, including, “In The Club” which was renamed “Bingo Hall”, and “Popular”, which became “I’m A Pensioner”.
The other funny sketch piece was based around the idea of an “ordinary” Swedish family who decide to enter the pop music world as “Swedish House Family”. The song parodied a lot of aspects of Swedish life including reversed gender stereotypes (the wife drills holes in the wall, while the husband cooks the evening meal); the wife’s apparent drinking problem, and as she vomits in the toilet, the whole family is there to support her; falling asleep in front of the television, and how everyone looks and dresses the same. Apparently.
So overall, Heat 2 was heaps better than Heat 1, though I’m still not seeing anything that rivals last year’s Melodifestivalen and Eurovision winner, “Euphoria” by Loreen.
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I incorrectly located the Indigenous Film festival at the Dendy in my blog reference (apologies).
It was a pleasure meeting you at last James, although accosting graffiti artists was not what you predicted you might be doing when you left me!
I incorrectly located the Indigenous Film festival at the Dendy in my blog reference (apologies).
It was a pleasure meeting you at last James, although accosting graffiti artists was not what you predicted you might be doing when you left me!
Great meeting you also. The graffiti was gone, by the way, when I walked in the door minutes ago.