I realised today it’s five years, now, since I returned to Sydney from Perth.
The cause for this realisation was the need to provide a friend with some ideas about things to see and do in Perth, as he’s going there tomorrow.
He’s only there for three days or so, and he’ll be there with his older (elderly?) parents for some of that time.
And so I concluded a boat cruise from Perth to Fremantle (or in reverse), along with a boat cruise in the Swan Valley (with associated wine tastings) was probably a good way to see a lot in a short period of time.
Perth and Sydney are actually similar in many ways. Both have a similar climate. And both are built around magnificent waterways.
Culturally Perth is more similar to Melbourne. Partly that has to do with AFL. And partly that has to do with both cities being a little more Euro.
View of Cottesloe Beach at sunset from Indiana Teahouse, Perth
But climate-wise, and perhaps in mindset, Perth and Sydney are quite similar. There’s a wonderful sense of optimism in both places, I think.
I also recommended dinner one night at the Indiana Tea House at Cottesloe Beach which is a wonderful experience, as you enjoy a nice, though not expensive meal, as the sun sets into the ocean. It’s a pretty gorgeous place. Such reminiscence made me think it’s probably time to pay Perth a visit again.
This was all discussed, as were many things over a few beers at our usual Wednesday night at the pub.
Otherwise, it was a very fine day, as I achieved quite a bit at work and had a few “wins” along the way.
There’s a laneway near home which I use at least twice a day on most days of the week. Actually, I’m not sure if you would even call it a laneway, because the word laneway would imply it has a name. I checked on Google Maps for the thoroughfare between Crown Street and Wiltshire Lane and it doesn’t appear to have an official name, though unofficially I call it “The Pee Lane”.
Surry Laneway
Even though it’s not all that exciting, it’s a surprisingly busy thoroughfare. And not just for residents, but people – err men – who are walking along Crown Street late at night and who need to “relieve” themselves. I guess it’s one of the downsides of living in an area with so many bars, and a bit of a “party” culture: if you’re a man, the world is your urinal. I’m not being judgemental. I, too, have been known to use the odd laneway in Surry Hills for a little bit of urinary relief. On odd occasions, as I’ve been wandering home late at night, I’ve encountered an individual or a group taking advantage of our local laneway. Although on most occasions, I look ahead and ignore the offender(s), there was one occasion where I said to a group of young men “will you stop pissing in my laneway”. They laughed.
Young men were the group I assumed to be the greatest offenders. They’ve gone out, had a few beers, couldn’t find a public toilet, and so they used the first available space. As I headed to work in the morning and recoiled at the smell of fresh urine, or walked around a fresh puddle, I always assumed it was young drunken men who were responsible/
Until a few months ago when I saw an older bloke (seventies, maybe) relieving himself in the lane way as part of his morning “constitutional”. The following day I saw him again, at about the same time, doing exactly the same thing. On two separate occasions since then I’ve “caught him” doing exactly the same thing. So yeah, while I’ve been heaping the blame on nameless young men, I now know it’s an older bloke on his morning who is the culprit responsible for all of those pools I walk around as I make my way to work on weekday mornings.
So….. Dear Sir – if you’re reading this post, will you please stop pissing in my laneway.
Over the last few days I’ve been gripped by the “controversy” in the Swedish newspapers about one of the artists who could represent Sweden at this year’s Eurovision Song Contest. At the centre of the controversy is the song, “Mirakel” by Björn Ranelid, a sixty-something former football player, and academic, who is one of Sweden’s best known authors.
As I mentioned last week, I quite like the song which is a kind of rap/dance number. It’s certainly not a conventional pop song, but I think it’s good fun. As much as I love a well-sung serious heart-break song, I also like music that can really make you smile, and that’s what this song does. It also carries a fairly inspirational “lyric” about the “miracle of love”.
Love is a miracle that overcomes everything.
Love has the world’s largest hands but it weighs nothing.
Love can travel without a passport in all countries.
Love is a playground for children.
Nonetheless, Swedes are divided over the entry, as is noted here…
(Ranelid)… is as well known for his incredibly tanned face as for his own and unique – and self proclaimed – language, Ranelidskan. He is controversial, he is different and now he has created a massive debate by singing/speaking his way to the grande finale on March 11. The song is a combination between music and lyrics and it’s probably the most criticised entry ever. EVERYONE seem to hate this song, but still, it made the cut, won the public vote and will now compete again.
“The Swedish selection starts to look like a joke…Sean Banan, Ranelid! It’s terrible. So sad for the real artists that take it seriously…” writes one fan. The degree to which this has become a talking point is evident on another blog, where a Swedish bloke who normally writes about serious subjects such as archaeology has written about it. He describes the success of the song as a “collective joke” and goes on to argue the song should be disqualified since it re-uses some of the artists’ lyrics from earlier works.
If that were a real issue, half of this year’s entries should be disqualified :) Many of the works this year are highly derivative. This week’s Melodifestivalen, for example, started off with a song by Charlotte Perelli. Charlotte has represented Sweden twice at Eurovision, having won in 1999 with a complete ABBA rip-off, on the twenty-fifth anniversary of their win with Waterloo. This time around her song hasn’t completely sampled “Mamma Mia”, though it comes pretty close.
There was also lots of “old-style” Eurovision this week with “Allting blir bra igen” (Everything will be fine again) by OPA, which had a Balkan-influenced musical style complete with bouzouki and piano accordion. If you closed your eyes you could have sworn it was from Greece in the 1970s. Meanwhile, Lotta Engberg & Christer Sjögren, who have also been through Melodifestivalen/Eurovision quite a few times, sang a number which could have equally been from thirty or forty years ago.
Why bother with the finals, anyway? There’s a school of thought Danny Saucedo, the final entry for this week’s Melodifestivalen, is already the most likely winner for Sweden this year. With good looks and a good voice, he is the kind of performer who, like Eric Saade last year, could attract a young audience who would vote for him on the night. I really like Danny. In fact, I met Danny at Stockholm Pride this year when I asked if I could take a photograph with him and my friend. He was very polite, which counts for lot for me.
I loved his entry last year, “In The Club”, and thought that would have had a good chance at Eurovision with that song. But this year? Although he made it through to the final, I think there was a bit of a sympathy vote, as he was out of tune for much of his performance. Anyway, I wish him well and hope he gets it together in time for the final.
I also hope Björn Ranelid goes on and does well. After the criticism levelled at him by fellow musicians and members of the public this article in Aftonbladet says he thought about withdrawing from the contest, altogether. The article says what convinced him to continue was the desire to support Sara and the songwriter involved, as well as the huge public response. He says he has received about 6,000 letters/emails from people saying they love the song. It would hugely be controversial if he went on to represent Sweden at Eurovision, but not entirely out of the question. I mean, the UK announced this week, they’re sending Engelbert Humperdink, now in his seventies, to the contest this year.
John Williamson, Pixie Jenkins, Warren H. Williams, James O’Brien at ABC Studio, Tamworth
I started off 2003 at the Lewisham Hotel at an event called “Retrovision” featuring – you guessed it – music from the 70s and 80s. The music, with a few notable exceptions, wasn’t the usual camp and girly music you might expect; it was an eclectic combination, combining everything from Starship’s “We Built This City” to The Sweet’s “Fox On The Run” and of course, ABBA’s “Dancing Queen”.
I knew it was 2003 when, at a few minutes past midnight, several people used their mobile phones to SMS friends. I discussed the pros and cons of this at work later in the week, with one bloke observing “oh that’s nice”, while another wondered “why do they have to tell someone what they’re doing, why can’t they just live the moment?”.
When it was all over and done, ABBAMAILER Paul and I headed towards Newtown, hoping to get into the Imperial Hotel, a pub I haven’t been to for ages. Unfortunately, they had reached the “lock up” stage of the night where they were only allowing previous patrons (with stamps) back in – or at least that’s why they told us – so they suggested we try a bar on King Street which neither one of us had heard of before. As Paul wrote to ABBAMAIL, it was “full of ugly men and rank moles”, so after a couple of beers we left.
Unlike last year, which I spent a fair deal of out of Sydney, this year was mostly spent hanging around the greater metropolis. This year I made a definite effort to get out and about more to discover more about Sydney, visiting places such as “The Great Synagogue” – the first thing I noticed, on entering the synagogue, was the security provisions, having to pass through an x-ray machine, and being asked where I was from and why I wanted to visit the synagogue – and “Goat Island”.
It’s New Years Eve and I’m in Lismore, contemplating what I might do tonight. Any suggestions?
I also had quite a few trips to the country.
In February, Sue and I spent a few days in February at Point Lonsdale, a small holiday resort on the western head of Port Phillip Bay, near Geelong. As it was not far from Barwon Heads, the place where they filmed “Seachange”, we went looking for “Laura’s Beachhouse”. Although there was something at the caravan park called “Laura’s Beachhouse”, it looked NOTHING like it did in the television program. Anyway, there was nothing to Barwon Heads. And we noticed another nearby town also claimed to be the “Home Of Seachange”. Very confusing.
I also had a wonderful work-related trip to Mudgee. I stayed at a wonderful guesthouse called, Wild Wood. I understand that Henry Lawson lived on the property for some time and the “Sapling Gully” that he wrote about was about 30metres from my window. The couple who run the place, Rob and Ann come originally from Sydney, having made the “seachange” about seven years ago. The guesthouse was built by a reclusive figure who no longer lives in the area complete with compressed earth walls. Overall a lovely place to stay, with breakfast prepared every morning and a
relaxed attitude from Rob and Ann.
The other work-related visit was for the NSW Palliative Care Conference at Griffith, where I was invited to perform the role of MC.
I took part in some of the Peace Marches this year, including the big one on Palm Sunday where I ran into Colin. I thought the speeches were long and some were unecessary, which led the crowd to call for them to cut short and for us all to “get marching”. There was also a strong anti-Israeli element in some of the speeches which I personally felt a little uncomfortable with. There were some great slogans, including “Somewhere in Texas a village is missing an idiot.” I also liked “Bisexuals For Peace”, commenting to Colin, “Well, at least they’re sure about one thing!”
I also marched – inadvertently – with Fred Nile. A couple of months ago, I was awoken by a phone call from my friend, Yvette asking me if I wanted to join her for a march from the Domain to Hyde Park for a Bali rememberance. Sure, I said, and so within about 15 minutes I was showered and waiting for her on the corner of her street. We wandered down to the Domain, picking up a coconut slice and can of Coke along the way. When we arrived there the crowds we had expected were nowhere to be found. Instead, we joined a group of a couple of hundred, mostly Christians taking part in an inter-denominational march, including Fred Nile.
I didn’t, however, go to Mardi Gras this year. Although organisers claim it was the weather, terrorism etc. that kept numbers down this year, my guess is that Sydney, generally, and many others are “over” Mardi Gras.
I went to quite a bit of theatre this year. One particularly memorable occasion was in February, when Damien and I went to see a play at Belvoir Street called “Mother & Child”, a translation of the Norwegian play, “Mor og Barn” by Jon Fosse. It concerns a young man returning to visit his mother in Oslo after many years apart. As he was raised by his grandparents, they have many “issues”. The focus for the play is their inability to communicate, although they are, in many ways very similar. One of the most amusing parts of the play was the reaction of the mother to the appearance of a cockroach on the sparsely decorated stage. Sensing some members of the audience were being distracted by it, she looked at it (totally in character) with some annoyance, walked over and squashed it. The audience loved it.
Colin and I also became regular Friday night theatre-goers with “Muftee Cabaret”, featuring Hayden Tee at The Stables Theatre.
Muf-Tee’s director, Les Solomon, has created a chat show with Hayden Tee as the host and the musical director, Nigel Ubrihien, as his sparring partner. By having a couple of cabaret-performing guests each week, they have a format which – like its small-screen counterparts – can constantly reinvent itself. It is a strange case of art imitating TV. – Sydney Morning Herald.
Well worth going. however, my favourite theatrical experience of the year was seeing the Christine Johnson show, “Decent Spinster”. She’s an amazing performer. Another magnificent night was seeing jazz-singer, Barbara Morrison perform at Wine Banc. Amongst those in the crowd were jazz singer, Emma Paske and trumpeter, James Morrison, both of whom performed with her. Musically speaking, it was a very memorable night. Once we found a couple of chairs and located a good space, we sat back, enjoyed the music and enjoyed some excellent French wine.
It’s great being on the freebie list. On one occasion, we ALMOST made the social pages. On the opening night of “Birth Rights” by David Williamson, Damien and I met at about 7pm at Opera Bar and had a drink or two before heading upstairs. On arrival, we noticed a couple of celebrities including the actor, Gary McDonald, but thought that it was a fairly standard Sydney opening night crowd. A photographer from the City Weekly actually asked if he could take our photograph. We said yes. I’ve never really been in the social pages before this. He asked us what side of the bridge we were from, since publication would depend on which version of the magazine we would eventually appear in. All was fine, until Bryan Brown and Rachael Ward and numerous other REAL celebrities arrived. And that’s why I never appeared in the social pages, despite going to so many opening nights!
There was nothing to report on the romance front. However, I did fill in one of those internet-based personality tests. The report told me
You’re loved, and for good reasons. You’re smart, insightful,
and have an insatiable curiosity about life. You have a vision for how you want your life to be, so you refuse to settle long-term for a boring job or doing something just because it’s expected of you.
Life should be “balanced” with plenty of time for fun, spontaneity, and romance! Because you’re independent and a little shy, you only let a few people get especially close. Still, you have an emotional depth that most men lack. You’re ready and able to experience romance and a powerful
“spark” with someone special.
Unfortunately, the report told me You face two major challenges in finding the love of your life.
First, because you’re shy, you feel like you have to be someone else or “wear a mask” to go out and meet new people. You’re left feeling like a distant observer, and men find it hard to truly understand you. Second, although your compassion for men is a very attractive
quality, your focus on him can get in the way of getting what you want and need. It’s crucial to find a way to “go with the flow” in dating as you already do in other parts of your life.
From time to time this year I have toyed with the idea of moving back here, since my sisters are now getting a little bit older. I’m not sure if I could do it though. The place has changed, but not that much. What brought it to focus was in May, when I went to the Sydney launch of the book, “Belonging in the Rainbow Region (Cultural Perspectives on the NSW North Coast)”, published by Southern Cross University. The contents list suggests it’s a post-1973 history, focussing on all the “amazing things” that have happened since the Aquarius Festival. I also met quite a few people – mostly blowins – who have lived in the area. I actually sensed a little discomfort when I told them I was a local, born and bred. I really sense that a lot of the people who have moved to the area view the white locals as a bunch of inbred rednecks and that the new arrivals were the region’s saviours. Although it is hard to quantify, it is a feeling I have sensed for quite some time. It needs further investigation. Perhaps the Pacific Highway by-pass and more local students going through Southern Cross University will help make these “blow ins” less insular?
And so, here it is, New Years Eve in Lismore.
In February, I’m off to Perth to spend nine months working there. Who knows what the future may hold?
As I’ve been starting work early the last two days, I’ve been coming home mid-afternoon. Well, not exactly mid-afternoon, more like four o’clock, which is still a fair bit earlier than when I arrive home most days. It’s been great to get home while it’s still daylight, to wander around the house wearing just my shorts, and to commune with nature, as spring has well and truly arrived in Sydney.
I also had a chance to do it briefly on Saturday when I had to go to Macquarie University. While waiting to do what I had to do, I found a quiet, sunny courtyard, and while lying down on my back, enjoyed some great views of the sky. Magic stuff!
Of course, my friend Patrick was here on the weekend. And while he and mate, Sam were wandering around Sydney, including paying a visit to the new mega-Ikea at Homebush (I still miss the old Moore Park Ikea), I went about my business in a part of Sydney I really don’t know all that well.
Indeed, the first thing I noticed when I got off the train at Epping was the large photograph of John Howard, leading to one of his nearby electorate offices. It was then I reflected on some of the various articles I’d read recently about how the seat of Bennelong had changed somewhat, in particular the increasingly large Asian population. It’s all true…
Later in the evening, Pat and I caught up back at my place. We decided on dinner at the nearby Il Baretto, an Italian bistro we had dined at previously. As they don’t take bookings, they have an arrangement with the nearby Carrington Hotel which was full of potential Il Baretto patrons with plastic numbers awaiting their call.
Happily, we chose to sit at one of the benches along the window rather than a table down the back which was a little claustrophobic. Enjoying our meals – fettucine with duck and a veal roll (both excellent), followed by tiramasu and pancetta (both excellent) – we chatted happily, drank wine, and enjoyed the view as people walked down Bourke Street, presumably on their way out for a night on Oxford Street.
We decided, however, to come back home to watch Pat’s DVD of Melodifestivalen, the annual Swedish contest leading up to the Eurovision Song Contest. As usual, it was great fun, though disappointing that, once again, some of our favourites including Nanne, Magnus Carlsson and Andreas Lundstedt failed to make it through. Poor Magnus had a look on his face as if to say, “Well that’s it, I’ve tried a few times, I’m never gonna represent Sweden at Eurovision, so what’s next?” Well, that’s what I take was going through his mind. I could be wrong…
The only other social highlight of the last few days was heading off down to Sydney Theatre on Hickson Street last night to see a screening of the new documentary In The Company of Actors. Introduced by Robin Nevin and Andrew Upton, the documentary is a behind the scenes look at the Sydney Theatre Company’s production of “Hedda Gabler” which played successfully in New York a couple of years ago.
Amongst those in the cast were the well known actors Hugo Weaving, Aden Young and Cate Blanchett who all bravely revealed a little of themselves as they sometimes struggled to achieve their artistic goals. Weaving comes across as a really nice affable kind of guy and Blanchett comes across as a really committed actor whose goal is to make truly memorable theatre. Well, actually, they all do that, one of the most memorable lines from the movie (for me at least) also has relevance to my own career.
Although my own industry is sometimes criticised for being merely ephemeral, because the actual art and craft lives and dies almost instantly, there was a terrific line in the movie about how important theatre was because it created something which lives on in people’s memories.
A good thought, and a good film.
Taken in the courtyard of the Australian Film, Television & Radio School at Macquarie University.
Il Baretto Restaurant
Sydney Harbour Bridge – Taken from Hickson Street, Sydney…
James is dressed by H&M... You know how after the Sydney Olympics there were all those volunteers who refused to take off their uniforms? For months afterwards you would see them walking around the city wearing those big coats and hats. Well, I think I’m turning into one of those kind of people, except for me it’s the clothes I bought in Sweden.
I guess I’m in denial about returning to work next week, and wearing the holiday clothes is my way (I guess) of making the holiday last longer. Don’t worry, I am washing them.
I love my job (mostly) and I feel really lucky to be able to do what I do. But when I left to go overseas, I think I’d be the first to admit I was exhausted. It can be a stressful job and sometimes I’ve felt squeezed. But now I feel totally refreshed, and probably a lot more in control of my life than when I left.
I’ve also discovered over the last few months just how much I also really enjoy my own time, too. I love getting out of bed at about eight o’clock each morning. I love sitting around in the morning reading email, surfing the net, doing all of those kinda things. I love going out for a coffee. I love just having lots of time for myself. And the weather’s been great. But my holiday is coming to an end, as I return to work on Tuesday.
So I’m making the most of the next few days. Today, for example, I met a guy who I’ve been chatting with one Facebook for a while. The weird thing is we were born on the same day of the same year, making us exact peers. Over coffee, we established we have a lot of common interests.
And then tonight, it was the usual Wednesday night at the pub, chatting about life, the universe and ABBA.
A few years had passed since my last attendance at Queerstories, the recurring LGBTQIA+ storytelling night in Sydney. My most recent visit was pre-COVID, and after a recent stint in the hospital, I decided to give it another try. Yet, concerns about mobility accessibility lingered as I contemplated navigating in and out of the venue.
A few months ago, attending was inconceivable; I heavily relied on my wheelchair due to the limited mobility with my prosthetic. However, with a month of not using my wheelchair, I felt ready to venture out again.
Disability became a central theme in the stories shared that night, particularly through Katia Schwartz, the founder of “Sky Sirens,” a former venue for burlesque classes near my home in Surry Hills. Katia, who lives with a hearing disability, formerly worked as a sex worker, and her narrative delved into her experiences with clients. The story primarily focused on the support and camaraderie Katia found among fellow sex workers, which I found truly heartening.
Katia Schwartz performs at Queer Stories using sign language, but with vocal “accompaniment” from someone in the audience.
A distinctive aspect of Katia’s story was its unique presentation — signed by Katia, with accompanying vocalisation from someone in the audience to my left. This departure from the “traditional” process, where someone on stage signs for a deaf audience, added a great dimension to the story-telling.
Other memorable moments from the night included Alastair Lawrie’s coming-out story, an intriguing offer to create porn for a cabaret performer from country Victoria, and tales of forming connections through pets at the dog park. The evening also featured some musical pieces about the establishment of a religion centered on atheism. Life’s richness lies in its diversity, eh?
Victoria Falconer performs at Queerstories
Seated next to a woman and her friend, both lesbians in their 50s/60s, we acknowledged the evolving landscape of LGBTQIA+ diversity. As I surveyed the predominantly 20s and 30s audience, I concurred with her observation that times had indeed changed since our youth.
They treated me to a glass of wine during intermission, and that was a significant reason I stayed until the end. Around halfway through, fatigue from my health condition set in, and thoughts of heading home early crossed my mind. Concerns about transportation and the lack of accessibility at the theater on Cleveland Street troubled me. Fortunately, Uber rides to and from nearby streets eased my worries. I learned online the theater has plans to enhance accessibility, which is great to hear. It’s a lovely venue, and a great place for a Thursday night outing.
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interesting your impressions of Perth. I was there recently and disagree with some of the comparisons you’ve drawn. I imagine it would have been quite different though pre mining and real estate boom. I also think it makes a difference as to whether you are a visitor or whether you actually live there. People in Perth are quite cliquey and as one local put it if you live on this side of the bridge you aren’t too familiar with what lies on the other side…okay, maybe that’s one similarity to Sydneysiders, lol.
I agree with you about the north-south divide. I travelled the other side of the bridge only a few times during my year in Perth. I was only there five years ago, and although mining and real estate were happening then, it was on the cusp of them arriving at Sydney-style property prices. A colleague at the time told me the main difference between Sydney and Perth was that “in perth, you’ve got to remember, we’re a bunch of bogans with a bunch of cash”. :)
oh my gosh! that last line is exactly how I describe perth when people ask me, I thought it would be too rude to actually write in my first comment but hey, you’ve quoted it off someone else ;) and a local at that!
interesting your impressions of Perth. I was there recently and disagree with some of the comparisons you’ve drawn. I imagine it would have been quite different though pre mining and real estate boom. I also think it makes a difference as to whether you are a visitor or whether you actually live there. People in Perth are quite cliquey and as one local put it if you live on this side of the bridge you aren’t too familiar with what lies on the other side…okay, maybe that’s one similarity to Sydneysiders, lol.
I agree with you about the north-south divide. I travelled the other side of the bridge only a few times during my year in Perth. I was only there five years ago, and although mining and real estate were happening then, it was on the cusp of them arriving at Sydney-style property prices. A colleague at the time told me the main difference between Sydney and Perth was that “in perth, you’ve got to remember, we’re a bunch of bogans with a bunch of cash”. :)
oh my gosh! that last line is exactly how I describe perth when people ask me, I thought it would be too rude to actually write in my first comment but hey, you’ve quoted it off someone else ;) and a local at that!
I remember when we took that photo!