“Have you seen Merri-May perform before?”, I was asked by the woman sitting near me at tonight’s show.
“Yes”, I told her… “Many times. I think I could be a groupie”.
I have only a fairly vague memory of the first time I met Merri-May Gill, though I suspect it’s probably about 10 years ago.
I was working in regional radio at the time. And I recall her debut CD came demonstrating great song-writing and performing skills across a variety of genres, including comedy, jazz, folk and cabaret.
AND it was great to discover she was from regional NSW – she grew up near Brewarrina, went to school in Armidale and Mittagong, and university in Bathurst – which was right up my alley.
Best of all? She was a great chick, to boot!
Merri-May Gill performs at Club Bondi Junction
When I did my radio program from Bourke co-inciding with a visit by QE2, for example, she happily wrote and came and recorded a song, “The Queen Is Coming To Bourke”. Fun stuff.
Ten years on, and she’s still making me laugh and smile with her songs.
Tonight’s opening number, for example, had the filthiest lyrics about all of the things she’s not into because she’s a “nice girl from the country”.
Another new song was about her desire to find “a good dog” for running about the farm which was delightful.
On stage she has a presence which comes elements of innocence and sophistication, gorgeous singing, and wonderful guitar playing.
Ten years on and she said tonight she’s performing now “just for fun” which is great. I think she’s a great performer, and if you ever see her coming your way, I’d recommend seeing her show.
Just minutes after her final song, I got a phone call from the Rural Fire Service updating me on some fires on the NSW South Coast. This was the other theme of the day, as I made and received calls, text messages and emails about what was occuring there.
Simon Marnie from 702 ABC Sydney speaks to Abbie Thomas at ABC Science Festival
And before that, I was up and at work for a mid-morning science extravaganza as the ABC doors were opened for a family science fun day.
The foyer was packed with more 10 year olds than I’ve seen in my life.
As a child, I remember the fascination I, too, had with science experiments. “The Curiosity Show”, with its regular science spots was a childhood favourite of mine.
But as much as I love the way scientists have grabbed public attention in recent years with the need for “science education” and “outreach”, I’m a little concerned, these days, that not enough emphasis is being placed on “arts education”.
For me, it’s all about the balanced human being. And it worries me a little that the utilitarianism of science and maths may have overtaken the life-fulfilling joy and satisfaction the arts can bring to the overall education of the young ones.
I hope there’s a few more Merri-Mays being encouraged to sing and write, and bring joy into people’s lives, as well as those who want to discover cures for cancer.
There was further catching up today as Damo and I went to the Aroma Festival, briefly pausing for one of those great photographic moments you can experience in The Rocks. I mean, there’s nothing quite like having the Sydney Harbour Bridge or the Opera House in the background for a photograph is there? And there were plenty of opportunities for that, as we wandered around drinking coffee and enjoying delicious foods.
It was an odd start to the morning, though, as I’d spent about 15 minutes waiting for the bus to arrive at Surry Hills. Meanwhile, there were two older men (who looked like they could have been related) who had clearly spent the night drinking heavily. They were still drinking at the bus stop this morning as they carried on a very loud, angry, argument with each other about something or other. I’m not exactly sure about what they were discussing, as I’d donned my earphones and was leaning on the railing of the nearby ANZ Bank. Please don’t notice me, I thought to myself, I don’t want to get involved in your argument just by inadvertently looking over.
After about ten minutes or so, the 355 to Bondi Junction arrived, much to the relief of about half a dozen people similar to myself who were hoping to catch a bus, but not wanting to actually be anywhere near the bus stop. When the two men got up to catch the bus, I noticed a collective sigh of relief, although no one actually moved closer to the bus stop until we were sure they had the money for the bus, had bought their tickets, and the bus had moved away.
As I was close to arriving at Circular Quay, I gave Damo a call. “I’m in the queue, meet you here in five”, he told me. “I’m in the queue for Genovese Coffee, what would you like?”, he asked. Just a simple flat white, I replied.
Aroma Festival
And what a flat white it was… probably the best flat white I’ve had in quite some time. Far better than the coffees available at work, far better than those at the cafe around the corner, and far better than the one made for me most days by the surly-looking blonde guy.
We also tasted some chai (which I’d never had before), and feasted on some of those wonderful strawberries dipped in chocolate.
As the crowd thickened, we wandered back to Damo’s place for a very yummy-tasting lunch which consisted of homemade bread, homemade dolmades (made with spinach), homemade sweet potato gnocchi, and homemade lamb ragu. It was a terrific meal topped off with a bottle of Helm 2000 cabernet-merlot, as I recall, which was very tasty about half an hour after the bottle was opened. If I were to give Damo a restaurant review, I’d give him 7 thumbs and at least 1 hat.
After lunch, we thought of heading back to the festival for some chocolate and more coffee, but it was all a bit too crowded.
Feeling quite full and very rested, I came home, watched “Jesus Christ Superstar” and then had a brief afternoon nap.
And so now it’s Sunday night and the only immediate excitement ahead of me is tonight’s double eviction on “Big Brother” and some clothes washing for work this week.
I was sitting at home the other night watching television with the balcony window open. I live on the first floor of my apartment block by the way. First floor, not ground floor. With one notable exception, that usually means I’m high enough off the ground not to have to deal with unexpected visitors. I exclude the flying cockroaches of Sydney in that. But the other night, quite unexpectedly, Biscuit The Cat paid me a visit.
Biscuit is owned (as much as a cat can be owned) by a woman who lives on the third floor of my block. Quite how he managed to go from her apartment on the third floor to my balcony on the first floor remains a mystery. There can be only one explanation: he’s a cat with Spiderman-like skills.
It’s not the first time he’s paid me a visit in such circumstances though. Quite often I can be happily sitting at home with the balcony window open and all of a sudden he’ll walk through the door, look up at me and say “feed me”.
Generally, I have a small can or two of sandwich tuna in the house and so will often invite him into the kitchen, open up a can, and give him some of that. As these visits were so regular, I decided I’d buy some cat food to have on hand for such an occasion. And not just your cheapo crappo cat food, but some quite good quality cat food.
The first time I opened up one of the saches and presented it to him, he looked at me as if to say, “You expect me to eat that shit?”. The last couple of times, he has actually eaten a little of it, before moving back onto the balcony with plans, presumably, to visit another apartment with an open window.
There was a brief moment today when I thought I’d bitten off more than I could chew. As I looked around the street signs there wasn’t a single word I understood. Unlike other places I’ve visited in the last few years, I was beginning to feel I’d failed to do (what I thought) was adequate background research about the history and geography of the place. “Oh my goodness, I know more about Chinese history, language and culture than I know about Turkey”, I thought to myself, feeling somewhat ashamed. And so there I was standing on a street in Istanbul, not understanding a single word and struggling to remember those high school history lessons about the Ottoman Empire, my only cultural reference for the country I was in outside of the Turkish restaurants on Cleveland Street, near my home back in Sydney.
“You idiot”, I thought to myself as I reflected on the lack of control I was feeling about the situation. But as I headed back to my hotel room to there was a breakthrough moment. The turning point was when I saw the world “Serpil”. Serpil is the name of a woman I have worked with on-and-off over the last few years. I’m not sure if she was born in Turkey or not, but I know she comes from a Turkish heritage. And there, in front of my eyes was a shop named “Serpil”. I know it seems crazy, but it was enough to give me a “cultural footing” to take that one step further.
The shop called Serpil
I was also reminded of the advice I’ve received from a number of people over the years. “Always say yes, you’ll know when to say no”, a young colleague told me about travelling several years ago. “Always take that one step further. Always take that one left turn off the main street”, several other people have also told me. And so just when I was feeling somewhat bewildered about the lack of familiarity about my surroundings, there was a voice inside my head which said, “Don’t worry about being in control, don’t worry if you don’t know where you are, just go for the adventure”. For me, it was a moment of liberation, where I told myself to just go with the flow, to relax and to accept whatever the day would present.
Yes, I’d been told about The Blue Mosque. Yes, I’d been told about the hamas. Yes, I knew I had to go and get my bus ticket to travel to Çanakkale tomorrow. But did I have any idea about where they were and how to find them? The answer is no. So I came back to my hotel room and, using Google Maps, tried to get some sense of where I was, and what was nearby. Armed with this sense of control, I headed back out again.
Sherazade Mosque
The first “thing” I visited was the Sherazade mosque, not far from where I am staying. I’ve only been to a mosque once before, the Gallipoli Mosque back in Sydney. I feel almost ashamed to admit I only have a cursory knowledge of Islam. “What are all the lights about? Is there a ‘front’ to the church, like an alter?” were some of the questions going through my head.
The next “thing” I visited was the Grand Bazaar. I’m not one for shopping at the best of times, and so the endless stalls held little attraction for me. Instead, I looked to the roof and the interesting patterns instead.
“Things” don’t interest me all that much when I’m travelling. I’m far more interested in people. I’m more interested in the way people live. So, as I walked around I started to notice things like the way in which people were dressed. For example, I’d say there are more women wearing the full veil in Sydney than I saw on the streets of Istanbul today. I saw many more women colourfully dressed than I’d expected for a country where Islam is the dominant religion. I saw women dressed in what I guess I would call “traditional clothing”. I noticed the immense physical diversity of the population, reflecting the history of the place. I saw people who “looked” like they were from southern parts of the former USSR. I heard no English, and saw no apparently “Western” tourists, aside from at the explicitly “tourist” spots. I noticed smoking was still reasonably common.
Later in the afternoon, as I wandered around Taksim Square I began to feel that sense of bewilderment again. As part of my “Google Research” earlier in the day, I knew wanted to visit a bar called “Chianti”. I’m a great one for believing you can get to know a city by going to a bar, and hopefully by chatting with some locals. Although I had a map, and had written down the details about where the bar was, I didn’t really know where I was and how to get there. So I went to The Intercontinental (which I knew was closeby) where I figured they would be able to help with some directions. Unfortunately they weren’t much help, aside from telling me it was about a fifteen minute walk. Armed with that information, I caught a cab.
“What will you DO in there?’, the taxi-driver asked me, as we arrived in a rather “dodgy” looking part of town. It’s a question I chose to ignore because, frankly, I had no idea. But armed with the courage that comes from a glass of wine at a 5-star international hotel, I hopped out of the cab and made my way up the stars. The directions said it was on floors two and three. I climbed the steep stairs to the second floor and opened the dark,, heavy door.
Colourful clothing in Istanbul
Inside, in rather grim surroundings there were maybe a dozen people drinking and smoking. “This is my son”, I heard one of the men say, introducing him to a couple of German blokes. The soundtrack (as with the posters on the wall) was from 1990s heavy metal. Although the crowd was friendly, and I chatted briefly to some of them bloke, I never really felt like they were “my people”. After a while, I bid them goodbye, and decided I would head up one more floor.
As I made my way to the third floor (it was actually the second floor, I later discovered), I rang the bell and was welcomed by the barman. Over a couple of beers I sat, listened and enjoyed the company of half a dozen men in their thirties and forties. Of course I had no idea what was being said, and the English language skills of the patrons were very limited. But I liked the place. It had a nice vibe. I liked the way the barman offered bar snacks which went a little beyond what I’m normally served back in Sydney, including chopped up cucumber. I liked listening to Turkish pop music. I sat and wondered what the nearby bloke was doing as he wrote numbers on a sheet of paper. Lotto or a complex horse racing formula?
“I have to go now” I said to the barman, almost apologetically, after a couple of hours mentioning I was travelling tomorrow and needed to be up early. “I’ll be back later in the week”, I told him.
The day ended in a rather weird manner. As I made my way to my hotel I stopped for a moment to listen as a crooner at a nearby club sang a cover version of the Tom Jones classic, “Sex Bomb”. As I stopped, stood and recorded the music, a bloke came up to me and asked if I wanted my shoes cleaned. “No”, I told him, adding they were fine. A couple of seconds later, he threw some crap on them and told me, I assume, “Now, they need cleaning”.
Here’s the actual exchange as it occured, as I was happily recording the music…
There’s a certain level of “ritual” about voting in a federal election in Australia. As we have compulsory voting in Australia (which I support strongly), you generally need to plan your day around visiting a polling booth. It’s not so hard, really, in a capital city, since there are polling booths at many schools, and there’s the added incentive of a “sausage sizzle” or school fete which makes it a very pleasant experience.
In my own local area, it’s also usually a fairly speedy experience, due to the large number of people living locally who normally live “outside the electorate”. If you’re a “local” you can usually go to the front of the queue.
There’s also the “ritual” of making your way through the “vortex” of people who are handing out “how to vote” material. As I have usually have clear ideas about how I plan to vote – mostly based around who I want to put first and who I want to put last – my normal strategy to is to look forward, politely respond with a “no thankyou” to any direct contact – and make my way through that experience as quickly as responsible.
I broke with my regular “ritual” today by taking an “early mark” from work today. Taking into account I’ll be working a fair bit over the weekend, I thought I’d take some time off. Even then, it wasn’t really much of an “early mark”, since I was still at work until 4.00pm, and I used the time to head into the city for a bit of window browsing and to vote at Sydney’s Town Hall.
The “how to vote” crowd was stil there today, though sadly there was no evidence of a sausage sizzle. Sigh.
The other big change this year was the absence of those large physical paper books containing the electoral roll. Those books where you look down, see your name, and they put a line through the entry as they hand over the voting papers. This year, everyone had a laptop and so you couldn’t see your name. Also you couldn’t see if they were ticking your name off, though presumably the electronic system should lead to a decrease in the number of people who “vote early, and vote often”. The other “electronic innovation” I noticed was how they didn’t have a vast number of different lower house voting papers on hand. Instead, they printed on demand.
“It’s pretty busy down here”, a bloke said to me as we walked down to the foreshore of Darwin Harbour. He was worried about getting a good seat/view, and to be honest, so was I. Fairly quickly, it was evident that wasn’t going to be a problem, as people were fairly well spread out for the show. Nonetheless, there was a large number of people, likely the largest I’ve ever seen in Darwin. And they were all here to see a show featuring drones.
The first time I saw drones (not fireworks) light up the night sky was a few months ago, as part of the Vivid Festival in Sydney. Against the backdrop of the Sydney Harbour Bridge and Opera House, it was pretty amazing.
But tonight I realised the full potential of drones as art in a show called balarr inyiny
Led by Larrakia artist Jenna Lee, supported by elders from the Larrakia community, in collaboration with music producer Kuya James and composer Lena Kellie, balarr inyiny (bah-lahrr een-yeen-y), meaning Light Dreaming, is a once-in-a-lifetime experience for the whole family.
See 160 drones take flight from Jervois Park in a breathtaking choreographed sky show illustrating Larrakia songlines that run down Darwin’s coastline.
Following on from the Fremantle Biennale’s Australian premiere of First Lights with Moombaki, balarr inyiny uses new technologies to bring to life ancient stories of this place, transforming the way we understand Larrakia culture and our shared relationship to country.
Darwin Festival programme
balarr inyinybalarr inyiny
balarr inyiny
The sound in the clips above is a little distorted, because I was sitting so close to the speakers. But in real life, it was stunning.
It was so much more interesting and meaningful than the drones over Sydney Harbour a few months ago, which were basically a giant ad in the sky for the Paramount streaming service. And, as stunning as the Harbour Bridge and Opera House can be as a backdrop, the night sky of the Northern Territory was so much more perfect.
Also today, I visited the Museum & Art Gallery of the Northern Territory for the annual National Aboriginal & Torres Strait Islander Art Award.
National Aboriginal & Torres Strait Islander Art Award
I’ve visited the exhibition in previous years and have enjoyed it very much. I enjoyed it again this year, though maybe not as much as previously. There were some amazing works, but nothing really stunned me, like before. These are a few favourites.
Bruce Phillip Bradfield, ‘Mother of Pearl’, 2021, water-based paint, gouache, synthetic polymer paint pen, water-based pencils, black ink on paper 121 x 80cm.Louise Robertson, ‘A Strong Woman of the Country’, 2022, recycled woollen blanket dyed with local Arrernte plants, wool and cotton 75 x 60 x 13cm.
It was so very sad to hear today of the death of an Australian musical legend.
I’ve met him on several occasions over the last twenty years.
It was probably 1990 (or maybe 1989) when I first witnessed his “magic” at the Barmera Country Music Festival in South Australia (I was living in Renmark at the time). The thing I remember most about that night was the way in which Jimmy Little could “capture” an audience with his gentle nature and honesty. There was a point, I remember, where he wasn’t so much “singing” as “whispering”, and he had the audience in the palm of his hands. I saw him on many occasions over the years, in both Sydney and Tamworth, in particular, where he demonstrated this gift once again,
Jimmy Little
There were several occasions since when I, in my capacity as a radio presenter, interviewed him. As an interview guest, he was always honest. Although some musicians will gild the lily and put things “on” to an extent, he never seemed to do that. He just answered your questions.
And who can forget the CD “Messenger”? It was an album which I’ve played many times, and which I brought out tonight to play. I have an autographed copy. The song “Randwick Bells” is one of my favourites because, again, of its honesty and authenticity.
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It’s the other way around. There has been way too much emphasis on drama and arts and ‘finding your creative self’ in the education system for too long. That’s why we have major shortages in all the professions that actually make the world go round. I’m all for more emphasis on practical stuff – maths, science and REAL English. Let’s try and make this upcoming generation of kids actually worth something to society. We have a million Australian Idol/Big Brother wannabies – everyone wants to be a ‘star’. Someone has to build the bridges, the buildings and discover the cures to medical problems.
Thanks for the nice comment re Curiosity Show. When we presented it, Deane and I intended not science “spots” but for it ALL to be science, or science-related, but that, of course brought in things like music (making your own instruments, art (perspective, Golden mean etc) and more, so we tried to blur the boundaries. I take your point re Arts education, but I think the need for science is a special case. If you sit around a dinner table with others, everyone will chip in when the conversation turns to music, art, movies etc – everyone feels they have a stake in the arts- but turn the conversation to science and there isn’t much input (informed input, that is). I think we need a special effort so that the general population places science in the spectrum of human pursuits that they feel comfortable discussing and some involvement with. In that respect, science has a way to go,
Rob
Thanks for a great show Rob. Many happy memories for me.
I take on board your point about “dinner table conversation”, but I’d argue there’s as much uninformed discussion when it comes to the arts too.
I guess my main concern is that if you take English out of the equation (because it’s compulsory), there’s a pretty heavy skew towards Maths, Science, etc. I’m hoping as we seek balance, parents will still encourage their child to become a musician or a poet, as much as they encourage them to become a scientist or a mathematician.
Subject Total
1. English *64 509
2. Mathematics 52 262
3. Business Studies 16 401
4. Biology 15 468
5. Personal Development, Health and PE 13 781
6. Studies of Religion 13 631
7. Ancient History 11 326
8. Chemistry 10 308
9. Visual Arts 9777
10. Modern History 9773
11. Physics 9198
12. Legal Studies 8484
13. Hospitality 7625
14. Music 5706
15. Economics 5491
(NSW 2008)
It’s the other way around. There has been way too much emphasis on drama and arts and ‘finding your creative self’ in the education system for too long. That’s why we have major shortages in all the professions that actually make the world go round. I’m all for more emphasis on practical stuff – maths, science and REAL English. Let’s try and make this upcoming generation of kids actually worth something to society. We have a million Australian Idol/Big Brother wannabies – everyone wants to be a ‘star’. Someone has to build the bridges, the buildings and discover the cures to medical problems.
“I’m all for more emphasis on practical stuff – maths, science and REAL English” – And I’m Alan Jones.
Don’t mind having the same opinions as Alan Jones if he’s clever enough to agree with me!
Thanks for the nice comment re Curiosity Show. When we presented it, Deane and I intended not science “spots” but for it ALL to be science, or science-related, but that, of course brought in things like music (making your own instruments, art (perspective, Golden mean etc) and more, so we tried to blur the boundaries. I take your point re Arts education, but I think the need for science is a special case. If you sit around a dinner table with others, everyone will chip in when the conversation turns to music, art, movies etc – everyone feels they have a stake in the arts- but turn the conversation to science and there isn’t much input (informed input, that is). I think we need a special effort so that the general population places science in the spectrum of human pursuits that they feel comfortable discussing and some involvement with. In that respect, science has a way to go,
Rob
Thanks for a great show Rob. Many happy memories for me.
I take on board your point about “dinner table conversation”, but I’d argue there’s as much uninformed discussion when it comes to the arts too.
I guess my main concern is that if you take English out of the equation (because it’s compulsory), there’s a pretty heavy skew towards Maths, Science, etc. I’m hoping as we seek balance, parents will still encourage their child to become a musician or a poet, as much as they encourage them to become a scientist or a mathematician.
Subject Total
1. English *64 509
2. Mathematics 52 262
3. Business Studies 16 401
4. Biology 15 468
5. Personal Development, Health and PE 13 781
6. Studies of Religion 13 631
7. Ancient History 11 326
8. Chemistry 10 308
9. Visual Arts 9777
10. Modern History 9773
11. Physics 9198
12. Legal Studies 8484
13. Hospitality 7625
14. Music 5706
15. Economics 5491
(NSW 2008)