Back To Work
Work, Swedish class, and concern that tonight’s hail storm was gonna turn into a repeat of the 1999 hailstorm.
As the people of Sweden slept, we sat and waited and waited and waited.
From time to time, as we enjoyed the brilliant conversation, excellent company and a soundtrack of both this and last year’s “Melodifestivalen”, we checked online from time to time without success. Even by late afternoon there was still no sign of “Andra Chansen”.
This was the third year in a row a group of us have gathered at a Sydney pub to watch Melodifestivalen, the Swedish finals leading to Eurovision.
Last year I was, of course, in Sweden for actual final and called my friends long-distance at about three o’clock in the morning. “Here, Patrick, you talk to him… he sounds drunk” was a phrase I recall from the night.
This year it was all a bit different with Gustav visiting us from Sweden. And so we decorated the pub with yellow and blue streamers and balloons.
Six hours of Swedish pop was about enough, with festivities ending up about seven, and still there was no sign of “Andra Chansen” showing up.
In the grand scheme of things, I guess it didn’t matter so much, since we all had already heard the songs, and most of us knew the result.
And the real point of the day was a fun catch-up with friends, anyway.
It’s two weeks today since I left Sydney and it’s been a day of meeting Australians. I met a lovely couple from Melbourne on a tour today and we had a good old chin wag. And now I am sharing a room with a nice bloke from Sydney. I also met a bloke from Finland whose son lives in Sydney.
The couple from Melbourne were retired, and told me they’ve had the travel bug ever since. This time around, they’ve been to the United States, Canada and the UK, and now they’re in Stockholm for just one night before heading off to Finland. I gave them some advice about Stockholm and Helsinki, and they gave me some advice about some cheap accommodation in the centre of London. “You know the other secret we’ve discovered?”, the old bloke said. “Couriers. We’ve become couriers. We have to travel on planes separately, but we take things on planes as couriers”. “Oh my God”, I thought to myself, “I’ve met a couple of geriatric drug traffickers”. They assured me it was mostly fabric samples and such, and they’d seen the ad for couriers in “The Age”, but I still couldn’t help but wonder. “It’s so nice to hear an Australian voice”, the older woman said. “We’re on a tour with all of these Americans and English people. And they’re so loud and boring. And rude, you wouldn’t believe how rude they can be”.
They were a lovely couple and it was great to have a good old chin-wag with them. We met in the courtyard of the Hallywlska Museet, located right in the centre of Stockholm. The Von Hallwyl’s were a very rich couple, we were told, who had a dream (well, she more than he) of creating a museum from scratch. She was the daughter of a rich industrialist couple, he the son of Swiss aristrocracy, but without much fortune. She was an avid art collector, and inspired by Skansen and the Nordisk Museet, loved the idea of taking things from every day lives and preserving them for the future. Well, as “everyday” as you might imagine that to mean for a very rich and influential couple. I also got the impression there was something a little bit odd about the couple. They had separate beds, and he went to bed each night wearing a hair net and with a moustache crimper. He was apparently much better dressed than she was. Make of that what you will. She employed a companion called Miss Ede or something like that who looked after her day to day needs. There’s a wonderful photograph of the two women in their private gymnasium together. When I saw the photograph of these two very austere looking women doing exercises I just laughed, much to the amusement of our tour guide. The tour guide, by the way, was also quite interesting. She spoke English with a slight Eurovision touch, though I get the feeling she may have also lived in the United States for a while. She was very dressed in a very glamorous manner, and wore lots of jewelery. Put simply, I thought she was “fabulous”. She was very knowledgeable about the house, and you just got the impression she did the tours for personal interest sake, more than anything.
I went for a late-afternoon tour thanks to the Swedish public transport system again. Today, I ended up on the island of Lidingo, which I’d say was Stockholm’s equivalent to the “leafy North Shore” quite by accident. I thought I was heading back to Stockholm, but wasn’t. You get that I guess.
I moved into my new hostel tonight, Skanstull Vandrehem which is very nice. I especially like the free wifi.
I took a walk around the area and had a hamburger for dinner at an outdoor dinery. A bloke from Finland asked if I minded if he shared my table, and so of course I said, no, not a problem. We spoke about travelling, about how he had a son in Sydney and a daughter in New Zealand, and I mentioned to him that I’d been to Helsinki. He told me his son said Australia was a very beautiful place, but there was “something about the place that was not quite right”. He couldn’t exactly put his finger on what his son meant by this, though.
And now, of course, I’m sharing a room with a bloke from Sydney. He’s been travelling for about two months now, and has two more months ahead of him. “I got a bit tired at about the six week period”, he told me, emphasizing the importance of having a couple of days rest here and there, and balancing out the cheapness of hostels compared with the comfort of hotels.
We went out for a beer tonight. Well, four actually. A mate of his had recommended Cafe Opera as “the hip place” to go in Stockholm, though when we arrived at about 9.30, there was hardly anyone there. We wandered around for a while, decided it was pointless, and went instead to the tourist haven of Gamla Stan. After a couple of beers, we decided to give Cafe Opera another go. This time the place was a little busier, though not too much more so, and not exactly the hip and happening place to be on a Friday night. The crowd looked a bit ordinary. The clincher for us was the cover charge of 180kr (about $30). We looked the crowd up and down, decided there was little chance Madonna was inside, and so went looking for somewhere else to have a drink. We looked at two further bars, both of which had a cover charge in the price range of 150-200kr ($30-40), but neither of which looked exciting enough to justify money which could otherwise be spent on drinking. The coup de grace was the Irish pub which was charging 100kr (about $20) on the door. To my eyes it looked like any other Irish bar anywhere in the world, possibly full of Australian expats and backpackers. “They should be paying us to enter an Irish pub”, we both agreed. In Sydney, nowhere would dare charge such a high cover charge unless there was a special occasion or some entertainment was included. In Sydney, of course, the staff know that you just need to let an Australian into a bar and they’ll drink more than several cover charges in a flash. Finally, we found a resonably nice looking bar, Cafe Jarl which didn’t have a cover charge. The bouncer looked us up and down briefly, and ushered us in. We even managed to find a table, and the staff were very nice. The bar service, though, was extremely slow. It took AGES to get a drink. And when I finally did manage to get close enough for a drink a young Swedish woman jumped in front of me in the queue. She looked at me and smiled, in that, “I’m just a girl” kinda way, which of course meant absolutely nothing. I had, by this time, caught the eye of the barman who recognised what had occured, and asked me for my order at the same time. Then when the Swedish woman offered to show her drivers license as evidence she was of drinking age, I leant over and whispered in her ear, “You’re dreamin’ love”.
Of course the great thing about being a native English speaker in a country where it’s the second language is that you can say things you wouldn’t otherwise. She thought I was charming, when in fact I was totally sarcastic. And so long as you smile, all is okay.
If you had to classify the crowd, I’d instantly say “older yuppie”. Earlier in the night it would have been a restaurant, but by this time of the night (close to eleven o’clock) loud music was playing and there were many pickups to be had. But if you had to be honest about the makeup of the crowd, and what we all had in common, you’d have to say “non cover charge payers”. I’m still not sure about the make-up of the group at the table next to us, though. At first I thought it was three middle-aged (or older) gay guys out with a female friend. And then I noticed one of the blokes had a wedding ring on, and kept putting his arm around the woman. They also seemed to know quite a few people entering the bar, leading to the conclusion, “it’s a very Stockholm crowd”. Later in the night, the group sitting next to us got a little snap-happy with a disposable camera. In the midst of their snap-happiness, they took a photograph of me for which I duly smiled. So there you have it, long after I’ve left Stockholm, I’ll still be here, as “anonymous guy” in someone’s photo album.

It’s one of those beautiful autumn days, with just a slight chill in the air. As we approach winter, the leaves on the trees in my street have begun to fall. And yet, there’s still a warmth in the air, and so there’s an odd combination of people walking around in shorts and jeans, t-shirts and jackets.
It’s been a reasonably busy and social week, catching up for drinks on a couple of occasions. I joke with people at work that I have friends who are alcoholics and that I only have a drink with them to keep them on the straight and narrow. “So it’s like you’re providing a community service?”, joked one of my colleagues, adding “You should get an Order of Australia Medal for all the community service you do”.
Some of the things I planned to do this week, I didn’t, mostly through a lack of enthusiasm. I also had a sick day from work, hoping to head off a bug which has been making me feel lethargic all week. Work as usual remains busy.
Today and tomorrow are mostly days for house cleaning ahead of hosting my Eurovision bash tomorrow night which sounds like it will be well-attended with a fun bunch of people.
It’s no wonder I need to wear glasses.
At first, I thought it was just part of the aging process. Now I realise its because I spend too much time in front a screen. And today I watched a LOT of television.
It all started off with the Sun-Todays early in the morning, then a bit of “Meet The Press” or was it Laurie’s Interview? Insiders were okay today. I always like it when they have Fran on. A few hours of The Simpsons followed.
And then this afternoon I got caught up watching A-Pac, the new channel which has been set up for “public debate” or something like that.
With an interest in this kind of thing, I’ve found myself watching it a fair bit. They have lots of Senate Estimates stuff, lots of hours of Question Time, and such. The most amusing thing I’ve seen so far is New Zealand Parliament Question Time which, oddly enough, is quite interesting amusing for its honesty, unlike the very “staged” Question Time we have.
Today they had hours and hours of people giving submissions on Bob Brown’s bill about whether or not we should have a plebiscite for a republic. Bob was there, as was Cory Bernardi, the South Australian Liberal who got into trouble for something a while back, a Liberal bloke from Victoria fresh out of student politics (though quite smart and incisive in his line of questioning) and Doug Cameron.
Appearing before them were the likes of Major General Michael Keating on behalf of the Australian Republican Movement and David Flint on behalf of Australians for a Constitutional Monarchy. There were a bunch of other players with interesting things to say, though none of their names springs to mind, unfortunately.
It was interesting to watch how the politicians interacted with the people giving evidence. For example, one bloke made a comment about a suggested plebiscite question and you could see Bob Brown’s eyes light up. He kept coming back to that question throughout the rest of the proceedings, so it obviously had some effect.
There was also a lovely exchange between David Flint and Bob Brown when they compared notes about the friendship circles in which they travelled. “We obviously travel in quite different circles”, Flint commented when Brown observed that almost everyone he meets thinks Australia should become a republic soonish.
Overwhelmingly they thought it was wrong – in fact one said, “a bit sick” – to wait for the Queen to die before re-considering this question, as it’s about our destiny, not our relationship with a particular person.
Overwhelmingly I got the impression, if there’s to be a plebiscite or whatever at the next election, it will probably be something a little more than “do you think we should be a republic”. Quite a few people kept coming back to the 1977 national anthem/song competition which gave people a non-binding choice. Then, a few years later legislation made it all happen.
So, my guess is they’ll ask us something along the lines of “do you want a republic?” (yes/no), followed by “if so, do you want a) direct elect pres b) parliament elect etc”, and then there’ll be some sort of question or statement about how nothing is binding until there’s a further referendum where you’ll get to vote again.
That’s my reading of the evidence, and the response is given, anyhoo.
Of all those on the panel, only one, Cory Bernardi was happy with the current arrangements, being of the “if it ain’t broke” school of thought.
So that’s my Sunday… watching TV… getting four eyes.
It’s late at night and I’ve just been watching the film, “The Sum Of Us”, and once again I found it a teary affair. There’s one scene, in particular, that gets me every time I watch this film. And it got me wondering if this was a normal reaction? Well of course it is, as it’s a very moving scene, but sometimes I wonder if I cry a little too much. So I began thinking about what else from the worlds of film, music, and literature have brought me to tears in recent years. Here’s the first ten I could think of…
1/…”The Boy from Oz – I’ve watched the original television documentary, have seen Hugh Jackman perform live and I’ve seen the original production in Melbourne. The television documentary was very sad, especially when friends like Bette Midler remembered the life of Peter Allen. I also vividly remember the original production in Melbourne when Peter’s partner sang, “I Love You, I Honestly Love You”.
2/…”Tenterfield Saddler” – related to the previous, there’s the Peter Allen song about growing up in a small country town and moving away. Still remembering his roots, though conceding he can never go back he declares “There’s no place for George and his library or the son with a gun to belong, except in this song”. Other tragic lines include “it’s easier to drink than go crazy”.
3/…”Muriel’s Wedding” – I love this movie on so many levels, especially as “Porpoise Spit” was exactly the kind of town in which I grew up. The killer scene for me is when Joanie tells Muriel that her mother has committed suicide… “It’s mum, she’s dead, she took pills”.
4/…”The Winner Takes It All” – the ABBA song is incredibly sad from start to finish. Agnetha, resigned to the divorce, sings “seeing me so tense, no self-confidence”. Although the line has sometimes been mocked due to its perhaps uncomfortable rhyme, it’s the way she delivers the line that tells you she’s incredibly fragile. And I won’t begin to tell the story of hearing it on the PA system at Coles Redfern at about 9pm on the Tuesday night in the week after my ex and I broke up.
5/…”Brokback Mountain” – I don’t remember the exact moment I started crying, but I think it was probably when Ennis (the character played by Heath Ledger) delivers this line: “Because of you, Jack, that I’m like this. I’m nothing… and nowhere.” In the last half hour or so of the movie I cried several times. There’s something about this movie that touched some of those essential human frailties associated with denial and regret that plague most of us at some point.
6/…”Holding the Man” (book and play) – It was sometime in 1995, though I’m not exactly sure when, when I bought and read the book in an all-night session. In such a short period of time I had never experienced so much laughter and tears. And then late last year, I saw the play. By the play’s end I was also in tears.
7/…”Blue Sky Mining” – What I remember most about the first time I saw “Lemon Tart” was their spectacular version of “Blue Sky Mining”, a fairly big hit for “Midnight Oil” in the 1990s. On this night, in particular, Genevieve transformed what I thought was a fairly typical Midnight Oil rock and roll protest song about corporate intransigence into a beautiful ballad. I’d never really listened to the lyrics until Genevieve brought them to life. The killer line for me is… “And the company takes what the company wants, and nothing’s as precious, as a hole in the ground…”
8/…”Diana’s Funeral” – just one word… the card labelled “Mummy”.
9/…”Day In The Death Of Joe Egg” – Last week I went to see this terrific play which concerns the life of an English couple who have a teenage daughter with a severe disability. Partially because of a similar situation in my own family, I was at times quite teary, as the couple dealt with an incredibly difficult situation both with humour and humanity
10/…”The Sum Of Us” – There’s a couple of sad scenes in this movie, but in particular, it’s the scene where the two older women are separated, with one going into a nursing home, which makes me cry every time.
…and before all that there was “Beaches” and “Terms Of Endearment”.
Pathetic really, isn’t it? I dare you, dear reader, to ‘fess up about the films, books, music etc, that make you cry.
After an early evening nap, I headed back to the Amstel Tavern last night. The same barman from the other night was there again, and after chatting for a while, I found out he was actually Scottish. You would never know from his accent that he was from Aberdeen; I thought he was Dutch and had learned English from American television. Anyway, he seemed like a really nice bloke, and we chatted because, aside from me, there was only one other person in the bar.
“Are you choosing the music tonight?”, I asked him, receiving a positive reply. “I know exactly how old you are”, I then told him, as he had played music that mostly matched my own history and tastes.
When the bar closed, I went to the nearby Mix Cafe, which had a strange crowd (so I moved on), and then to The Red Spot Cafe (or something like that). On entering, I was almost instantly befriended by a group of five Spanish guys who spoke almost no English. Still, they were good fun to hang around with, as we shared the common language of European pop music. “Who needs Esperanto when you have schlager?”, I thought to myself.
As it turns out, the two bartenders were also singers, and in between pulling beers, they entertained the customers with their singing. “What do you think of them?”, one of the only two Dutch customers in the bar (and a friend of theirs) asked me in response to their first duet. I don’t know what was going through my mind, but the words, “They’re just like Kylie and Jason”, came out of my mouth in response.
And that’s when IT happened. In a bar comprising only two Dutch bartenders, two Dutch customers, five Spanish customers, and one Australian, it was time for a karaoke sing-along (in Dutch).
As it turns out, it was the final night of residency at the bar for Jason and Kylie, and we were encouraged to sing them a farewell serenade. The words (in Dutch) appeared on the television screen, and without even thinking twice, we all burst into song. I can’t begin to imagine how hilarious it must have been for the locals to watch the Spanish guys and the Australian bloke sing along to a Dutch-language pop song. “I’m singing in Dutch”, I kept thinking to myself in between moments of laughter. So funny.
Anyway, we went to another bar, had a drink, exchanged phone numbers, and I headed back to my hotel for a good night’s sleep ahead of today’s train journey to Berlin.
It shouldn’t come as too much of a surprise to discover I’m a little hungover today—not too bad, but enough for a bit of a sleep on the train. I was awake, though, for the “Big Ticket Drama” that happened involving a group of young Italians sitting nearby who had failed to validate their tickets with a start date.
Validation is necessary so you only travel for the amount of time you’ve paid for. There was a lengthy announcement in four languages before we left Amsterdam explaining the reasons why. And, it was explained, if you don’t have a valid ticket, there is a 50 euro travel fee/fine.
As it turns out, this group of kids had already travelled twice without validation, and when asked by the conductor why their tickets weren’t validated, they claimed not to have known it was necessary.
Anyway, as these things do, it all got a little messy, and one of the young guys started saying something under his breath in Italian. “Get out. Get off the train. You don’t insult me. I speak Italian too”, the conductor then told them. “Either you pay fifty euros or you get off the train now”, he added more firmly.
So the upshot of it all was they left the train, and the guy I was sitting next to (who bore a remarkable resemblance to Ian Thorpe) and I suddenly ended up with double seats. It was a win-win situation because one of the guys was using his tray table as a drum kit, which was starting to piss me off.
While on the train, I slept for a while, wrote most of this blog, and read a little of Schlager Bok, the Swedish-language book I bought in Stockholm several weeks ago. Having not spoken Swedish for about four weeks, I was a little rusty and had to consult my dictionary quite a bit. In the end, I gave up and just went back to sleep.
And so here I am in Germany, staying in a hostel in what was East Berlin for many years. Across the road is the Volksbühne, The People’s Theatre, arguably the country’s most innovative theatre. The hostel is clean, the staff are friendly, and it’s centrally located for some sightseeing tonight and tomorrow.

It’s funny being back in Germany after all these years. When I was last in Germany, I was seventeen years old and learning German at school. It’s amazing how much of what I learned then is still with me: the result of having had a great teacher, I suspect, or maybe just having learned it when I was young.

It was funny, though, being on the train, as the announcements and signs at the cafeteria suddenly went from Dutch to German. When the bloke behind the counter said “Bitte schön”, it was actually a bit of a shock. After spending a couple of weeks travelling in places where I understood none of the language, I suddenly found myself confronted (or comforted?) with something I did understand and could respond to. And of course, I still remember that all-important phrase: “Ich möchte ein Bier, bitte.”
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