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My friend Michaela is at it again. After her shows on having babies, now she has one on inspiring teachers.
My friend Michaela is at it again. After her shows on having babies, now she has one on inspiring teachers.
“The thing I’m most proud about Number 96 is that it saved lives”, David Sale told us at tonight’s fortieth-anniversary screening of the legendary Australian television show. As the creator of the show, and as a gay man, he was speaking about the impact of the program’s character, Don Finlayson, on the large number of young gay men who watched the show, like me, as teenagers. Don was reputed, the first “openly gay character” (as we called it then, and sadly, still now) on Australian television, possibly the world. For me, as a ten-year-old or whatever I was, I found the character of Don absolutely fascinating. I don’t think I’d put a word to the way I felt at the time, but I certainly felt an affinity with Don. David Sale told us lots of people have since told him, seeing Don Finlayson as a mainstream character on Australian television who was gay, and not a deviant, not a freak, provided them with a lot of affirmation.

Tonight, as we celebrated the fortieth anniversary of “Number 96” being first shown on Australian television, I couldn’t help but notice Joe Hasham who played Don Finlayson was actually a bit of a hottie. At tonight’s screening, we saw the black and white Don, sans beard, and the colour television Don with a beard. “He looks like a Surry Hills hipster”, one of my friends commented. I don’t remember Don being all that cute. As a ten-year-old, I was more interested in the Chandler Boys, but hey, yeah, Don was pretty hot. Who would have thought?
I think I was eight or nine when I was first allowed to stay up and watch “Number 96”. Perhaps mum and dad knew something back then? This was in stark contrast to school friends who were forbidden from watching the show, as it had featured nudity, homosexuality, black magic and all manner of terrible things. Unlike many people who describe scenes of watching the program through partially open doors, mum and dad allowed me to watch the show without restriction. A friend tonight mentioned how her older siblings were also allowed to watch the show from an early age, as it allowed their parents to begin the open discussion about things like sex. Perhaps that’s what mum and dad also had in mind, or perhaps, due to their age, they were less hung-up about these things?

But to be honest, I don’t remember all that much sex on Number 96. Yes, I remember the full-frontal nudity scene with Deborah Grey (which our local station 11/8 blacked out the screen for), but mostly I remember Number 96 for its sensational plot-lines and for its comedy. As much as having Don Finlayson in the show was obviously important in my development as a gay man, my favourite characters were, in fact, the comedy characters of Dorrie, Herb and Flo.

So yeah, there was sex. But as tonight’s host, Andrew Mercado noted, there’s a fair bit of mythology about the program too. “Lots of people say they remember Abigail appearing nude on the program when in fact, she never did”, Andrew told us. The first “nude” was in fact, Vivienne Garrett who played the role of Rose Godolfus. Vivienne was at tonight’s screening, and she was great, as she shared some wonderful stories and memories of the program. There were some other actors from early episodes of the show who I really don’t remember, but of course, the big stars in attendance tonight were Elaine Lee and Elisabeth Kirkby.
Tonight we were shown an early black and white episode which I’d never seen before, and a late colour one, which I’d also never seen before. It was the episode where Maggie Cameron was revealed as the person responsible for the bombing of the building. What a great episode, and what a great actor Bettina Welch was.

It was great to see these actors, along with David Sale reminisce about what was a remarkable television show it was. The one question I wanted to ask, though time prevented, was how the actors lived with the show’s legacy. By appearing tonight, I’m assuming they were clearly happy and comfortable but was there a time when they were haunted by the memory? I guess we’ll have to wait for the show’s fiftieth anniversary. Judging by their presence tonight – Elisabeth is now in her 90s and apparently in good health – I wouldn’t be surprised if they’ll still be around. Or at least I hope so.
While baby-boomer television writers remain obsessed with the likes of Mel, Koshy, Karl and Jessica, the real television battle is now being fought between the hours of midnight and three AM.
There was a time when late night television consisted of the NBC Today Show, classic Hollywood movies, repeat drama on the ABC and the SBS test pattern. Not any more.
A few years ago, Channel 10 decided to break the mould with “Big Brother Up Late”. In the first year, they hadn’t really thought it through, resulting in endless hours of people asleep. Yes, snoring. To be honest, I don’t think they were inspired by Foucault and I don’t think they’d intended to deconstruct the medium, but somehow they did.
The following year they realised they needed a few tricks up their sleeve and so began to replay highlights from earlier programs and word games where contestants could win up to $1000. Since then, they’ve begun to introduce alcohol and late night parties as a means of enticing those late night viewers. By the time this year’s “Big Brother” had arrived, the housemates were fully worded up and appeared to be staying up late on purpose, in an effort to tap into the late night voting audience who, perhaps under the influence of a little too much alcohol, might actually vote to save or evict one of these tragic souls.
Recognising the value of the revenue that could be gained from asking lonely people to call or send an SMS when at their most vulnerable – and not quite desperate enough to SMS “flirt” or call Adult Matchmaker – Channel 10 last year introduced a program hosted by “Hot Dogs”, one of the most appalling Big Brother contestants ever. “Hot Dogs” went into recess when “Big Brother” made a return a few months ago, but now he’s back, along with a host of others. Along with a producer, a director, and maybe two cameramen (hey, this is a high budget production) tonight he was joined in the studio by “gay hairdresser Rob”.

But if the sight of a third rate celebrity asking you to participate via phone or SMS in a word competition is not your style, you could always tune over to Channels 7 or 9.
Oh hang on, they’re offering exactly the same at exactly the same time? Is this what Helen Coonan assumes is the free market offering what the audience wants?
Well, at least the Channel 7 program seems to offer more than just one presenter. As well as the camp guy saying hello to his friends who work as cinema ushers, there’s also a woman in a bikini asking people to call in to nominate ABBA songs in an effort to win $500. As an ABBA fan, I jumped on the phone straight away, only to be “rejected” as not making the short list. So yeah, I’d paid 55 cents for nothing. And so I tried again and again and again. Can you believe that “Dancing Queen” wasn’t on their list and that the top $500 winning song as the wonderful, yet obscure “When All Is Said & Done” from ABBA’s final album “The Visitors”?

Meanwhile, at Eddie Maguire’s Channel 9, it’s a REALLY low budget production with just one camera that I suspect the presenter is operating. I also suspect the presenter is answering his own calls as he loudly declares “Hello, welcome to Quizmania, who’s there”? And sometimes, no one is. Oh hang on, it’s Brodie, a Big Brother intruder who was quickly voted out a couple of years ago. Brodie is looking for a word that completes the clue for “DR_SS”. Although I suspect the word he is looking for is “dress”, I think it’s more accurately “dross” that should be front of mind.
The appearance of “Hot Dogs” and Brodie has destroyed my theory that all of these people hosting the shows were “Big Brother” rejects. Missing out, I thought, they’d tried for “Australian Idol” and also missed out. “X-factor”? Sorry, maybe next time. “Yasmin”? “Playing it Straight”? Hardly. And so they’ve ended up hosting word games and wearing far too much hair product on late night commercial television.
Yes, this is the future of free to air television. And in that future, “Hot Dogs” is about as good as it gets.

I’ve been watching BB this year with a sense of dejavu and then I suddenly realised tonight. It’s Melrose Place!
Back Row (L-R)
Emma = Amanda (the controlling bitch); Jake = Thomas (the beefcake who never says anything); Nick = Matt (the wimply gay one); Zoran = Michael (the childish, selfish one)
Front Row (L-R)
Andrew/Haley = Billy/Alison (the pathetic couple); Demet = Sydney (the loud, inappropriate one); Joel = Jo; Rebecca = Jane (the painful doo-gooder)
My photoshop skills aren’t that great, but you get the idea.
In some ways, I was a rather precocious child. Really? Are you sure about that? No way! Unlike other children of my generation, I was allowed to watch some of the more “adult” television programs screened on Australian. For example, I loved Number 96. As I wrote on the fortieth-anniversary screening of the show…
I think I was eight or nine when I was first allowed to stay up and watch “Number 96”. Perhaps mum and dad knew something back then? This was in stark contrast to school friends who were forbidden from watching the show, as it had featured nudity, homosexuality, black magic and all manner of terrible things. Unlike many people who describe scenes of watching the program through partially open doors, mum and dad allowed me to watch the show without restriction. A friend tonight mentioned how her older siblings were also allowed to watch the show from an early age, as it allowed their parents to begin the open discussion about things like sex. Perhaps that’s what mum and dad also had in mind, or perhaps, due to their age, they were less hung-up about these things?



Set in Sydney, “Number 96” was an incredibly popular television show. Inevitably, it wasn’t long before there was a Melbourne “equivalent”, “The Box”, set in the fictitious television station, “Channel 12”. Like “Number 96”, “The Box” had its fair share of scandal. But in contrast to the staid, rather boring lead gay character, “Don Finlayson”, “The Box” had “Lee Whitehead” who was wonderfully, outrageously camp. I loved his character. The contrast between the two shows was further illustrated recently in an email conversation I had with someone who noted the following:
Number 96 was written by gay men in Sydney, hence its strong female characters. The Box was written by straight men in Melbourne who’d all worked on cop shows – and the women are all doormats and sluts.
As an adult, I haven’t watched enough episodes of “The Box” to know if I agree with this. While there are lots of “Number 96” clips available online, there’s not a lot when you search for “The Box” on Youtube. In some ways it seems to be one of the “forgotten” shows of Australian television. For example, at the screening at Sydney’s Alexandria Hotel, which featured guest appearances by Judi Nunn, Tracey Mann, Lois Ramsay and Cornelia Francis, the younger member of the audience were more inclined to remember them for “Home & Away”, “Sweet and Sour” and “The Weakest Link”. This was further re-enforced when I told work colleagues about the screening the following day. But I still remember the show with fondness, even if specific memories of the show are a little weak.

It was a fun night. It was great to see such legendary Australian actors sitting comfortably in the midst of a bunch of 40-60-year-old Australian television geeks. And it was great to remember a time of Australian television when comedy and drama were so comfortably combined. And my favourite quote from the movie? It was when Mrs H (the tea lady) called one of the characters a “trumped-up little poof”. Very un-PC these days, but I’m determined to do my best to bring it back into the lexicon :)
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