Often when you go to the opening night of an exhibition, there’s a bunch of hangers-on who’ll stand around quaffing the wine and consuming the canapes, but who pay very little attention to the exhibition itself. That was not the case at launch tonight of “Diana – A Celebration” at Sydney’s Powerhouse Museum. Although I would sometimes include myself in the category of exhibition hangers-on, as soon as the exhibition doors were open tonight, I was inside very quickly.
But before we were allowed downstairs, it was time for speeches from a couple of Powerhouse Museum officials and former NSW Premier, Neville Wran, who famously danced with Diana many years ago. He spoke of the significance of Diana on a number of levels, declaring her a “phenomenon”. Most memorably, Wran reminisced about the famous quote from Sir Robert Menzies about Queen Elizabeth – “I did but see her passing by, and yet I love her til’ I die” (or something like that), declaring that, had Menzies lived to another generation, he probably would have declared the same about Diana. He also reflected on the nature of celebrity, declaring that anyone could be a celebrity these days, fewer could be legends, but that Diana was a “phenomenon”.
Although a colleague told he me thought Wran had delivered a “dreadful speech” because he had failed to talk much about his personal contact with Diana, I quite enjoyed it. In fact, I remembered a high school teacher many years extolling the virtues of Wran’s speech giving abilities at the opening of extensions to the Casino Hospital in Northern NSW in the early 1980s. A recent victim of throat cancer, my high school teacher noted that Wran was thereby forced to deliver a speech of utmost brevity, and thus delivered something quite memorable.
Diana – A Celebration
Most memorable for me, as we wandered through the exhibition launch was who was there. I couldn’t help but notice there were a lot of women between about the ages of 30 and 45 and a lot of gay men (including a very cute red-headed guy! – hello if you’re reading). What seemed to touch most people most was the ordinariness of some of the material including the school uniform, the diaries and other personal items. In many respects, these were far more touching, because of their sheer humanity, than were some of the more spectacular items, such as “the wedding dress”.
A lot less glamorous than it appeared on television, and faded with age, some of the lace on the dress actually looked like something you might pick up from a Splotlight store. The three of us who attended also smiled when we reflected on how incredibly awful some of her dresses were. Listening in to nearby conversations, it seemed there was a lot of interest in how large or small Diana was as a women, and the extent to which the dresses gave people an indication into what she was like as a person.
One of the women I was with reflected on how important some of the photography was, including the publicity photographs for this exhibition, in helping to create the “Diana” phenomenon. Those wonderful black and white photographs seemed to capture the heart and soul of Diana in a way many other photographs failed to, and I guess played a significant role in allowing the public to connect with her.
At times I felt a little teary walking around the exhibition, especially when I read the original text of her brother’s speech at her funeral, simply because of the humanity of her life. Other times I giggled at the silliness of it all, wondering why she was important at all. Although an important part of the lives of many people of my age for a variety of reasons, I wondered for a moment how this phenomenon would be remembered in fifty years time.
While the nation’s legislators struggle with what to do about same-sex marriage, there’s at least one major bank which thinks I’m still in a relationship which ended over a decade ago.
“Back in the 1900s and early 2000s” (I say this for dramatic effect), Damien and I had a joint bank account, with linked credit cards. After we went our separate ways as a couple, we also went our separate ways as a financial entity. Or so we thought.
Despite the fact we’ve both told the bank we’re no longer a couple, and despite having received at least two letters (yes, letters) apologising for the inconvenience and saying they would rectify the fault, I continue to receive a new credit card from them for this linked account every two or three years. The latest arrived in the bank yesterday.
“Can you just cut it up and promise you won’t go to Stockholm with it”, Damien joked to me in an email this morning.
It’s Saturday morning and it’s another fine day in Perth. The temperature is forecast to reach forty degrees this weekend which, I’m told, is not entirely unusual for mid to late March. Winter on the other hand, I’m told is fairly grey here. It’s an interesting climate to say the least. I woke up just before nine o’clock even though I thought it was much later. Curiously enough, my sleep pattern still seems to be a little “East Coast” as, as hard as I try, I just can’t seem to sleep in. Perhaps it’s the weather; maybe it’s the traffic noise. Anyway…
Since the last time I’ve written, I’ve become more involved in some more organised social activities.
Last Saturday, you may recall, I was DETERMINED to sleep in. I woke up quite early, but easily managed to go back to sleep until just before lunchtime. It had been a reasonably busy week at work, and I’d had a late night on the Friday, so I thought a good sleep in was quite reasonable. And besides, I didn’t really have anything planned for the weekend anyway.
Around lunchtime, however, I wandered over to East Perth proper. In common with many other Australian cities, Perth has decided to re-develop inner city living. The area itself reminds me, in some ways, of Darling Harbour. In other respects it is like a Gold Coast canal development. At the moment, however, it just feels incomplete. As I wandered around, no one was to be found. There were no sounds from the houses. And hardly anyone on the street. The brasserie where I had lunch was virtually empty. Nonetheless, lunch was good.
While there I also visited the Janet Holmes a Court Gallery. The current exhibition there features the work of Jarinyanu David Downs who was born near Lake Gregory around 1925, in country belonging to the Wangkajunga language group in the Great Sandy Desert region of Western Australia. Until his early twenties Jarinyanu followed a completely traditional lifestyle, closely engaged with desert country. He then left the desert to work mostly on cattle stations for the next twenty years. Jarinyanu’s painting career began in Fitzroy Crossing, in the late 1960’s, carving shields, boomerangs and coolamons. In the 1980’s he bagan painting mostly figurative works, using a combination of acrylic paints and natural earth pigments on canvas. This exhibition features paintings by Jarinyanu in which he explores his traditional ‘stories’ or Dreamings, often integrating references to christian stories into his work. My favourite piece was one about his mother and some of her stories.
Later in the afternoon I wandered home and began feeling a little sorry for myself. Just as I was wondering “why God have you brought me here to feel so lonely”, I received a phone call from a woman at the ABC, Verity, inviting me to join her and her friends for lunch on Sunday.
She’s a volunteer with the West Australian AIDS Council and was involved in a Long Table Lunch. The lunch itself was excellent and I had some really great conversations about everything from radio to adoption to art and architecutre. From there, I went to meet a couple of blokes who have been particularly friendly since arriving, Shawn & Lance, with whom I had a glass of wine or two. Likewise, we had some really great conversations about a range of issues. From there, it was home for dinner and then finally I had a drink or two at the pub I have mentioned previously, “The Court”.
On Wednesday I wandered down to Rydges CBD Bar. Located on street level (just near the historic His Majesties Theatre), the CBD Bar is half-restaurant, half-bar. It has a really nice open air feel. It’s also a little bit posh with high ceilings and modern timber furnishings. The reason? “Fruits In Suits” which is exactly as the name implies. Earlier in the afternoon, I’d asked someone from work, “Should I go, or is it dodgy”. At his suggestion I wandered down, although I would never have attended something like this in Sydney – it kind of reaks of Rotary. Nonetheles, I had a reasonably good time and met some interesting people. I spent the first half-hour though standing by myself until someone came over and asked, “Are you here by yourself”? etc.
Last night, I attended my first work “Social Club” event: drinks at a place called “The Lucky Shag”. Yes, that’s right! They’re very literal in their naming of events here in Perth! It’s a waterfront bar located on the banks of the Swan River. The river has a wonderful walking track for most of the way along it which meant I was able to have a very leisurely, cruisy walk almost all the way from home to there. The bar has a predominantly Western Australian wine list and serves beer by the pint. It seems like it’s a very popular spot on a Friday night, due to its proximity to the CBD and to its river views. We drank, played pool and chatted. On a couple of occasions a few people wanted to talk shop which I found a bit overwhelming, since I just wanted to relax and socialise, but I guess it was okay and I understand why they wanted to chat.
Tonight I’ll probably go and see a play either Jonah (at WAAPA) or Unidentified Human Remains (at Curtin University). UHR sounds pretty interesting and it contains nudity, but it is OTB (over the bridge) and I’m a little broke at the moment, so I guess I’ll make a decision later today about that.
I spent a fair bit of tonight re-visiting and reflecting on one of my all time favourite CDs, “Hounds of Love” released by Kate Bush in 1985.
As much as I love Kate for her superlative pop songs, including “Wuthering Heights” and “Babooshka”, I guess what I like most about her is her more avante garde and challenging work. I loved, and remember vividly, seeing her video clip on “Countdown” for her song “The Dreaming”.
‘Bang!’ goes another kanga
On the bonnet of the van.
“See the light ram through the gaps in the land.”
Many an Aborigine’s mistaken for a tree
‘Til you near him on the motorway
And the tree begin to breathe.
“See the light ram through the gaps in the land.”
Although I’m not a great fan of the artists that influenced her most, including Genesis, I really like the way she inhabits the edgier parts of pop music, a characteristic of “Hounds of Love”. What I also like most about her work is that for me every song can trigger a variety of emotions and memories.
Even now, for example, twenty years later, I remember vividly dancing at a nightclub in Brisbane to the extended remix (which I bought) of the CD’s first single, “Running Up The Hill”.
“And if I only could I’d make a deal with God and get him to swap our places, being running up the road, be running up that hill”.
Maybe it’s because so many of the songs on this album have such wonderful melodies and rhythms, I’ve never really paid the lyrics too much attention, although I know all of the words by heart.
And even now, I wonder sometimes, how much sense the lyrics make. Are they carefully crafted poems? Or are they, perhaps, words chosen for their sound over their meaning?
After all, there’s a fair degree of ambiguity in a fair deal of her lyrics. For example, in “Cloudbusting”, the second single, at one moment she’s singing, in the voice of a young child, “You’re like my yoyo that glowed in the dark, what made it special made it dangerous” and the next she’s declaring “your son’s coming out”.
Whatever the lyrics, most of the time I just want to sing and scream along with her. The strength of her performance, which sometimes borders on the primeval, is infectious.
In the midst of these great rousing songs that make you want to scream at the top of your voice, there are gentle, languid songs like “Dream Of Sheep” and “Mother Stands For Comfort” which she sings slowly and deliberately.
I also like the theatricality of this album, with the album’s second side (yes, records had sides back then) dedicate to telling the story of someone falling through the ice and drowning…
“It’s wonderful
Everything, so white.
The river has frozen over
Not a soul on the ice,
Only me, skating fast.
I’m speeding past trees leaving
Little lines in the ice,
Cutting out little lines,
In the ice, splitting, splitting sound,
Silver heels spitting, spitting snow
There’s something moving under
Under the ice,
Moving under ice – through water
Trying to get out of the cold water
“It’s me”
Something, someone – help them
“It’s me”.
“under ice”
Dramatic eh? Anyway, from there, the person dies and goes to somewhere that’s a bit like heaven, though you’re never sure as she includes references to astronauts and such.
Although it sounds like a bit of a loopy kind of CD, I really love it and would highly recommend it to you.
pinnIt’s three months, now, since I arrived in Perth, and this weekend found myself anxious to do a little more exploration. So yesterday I headed off to the Visitors Bureau in Perth looking for a one or two day tour to somewhere in the countryside. After browsing the brochures, I settled on a trip to “The Pinnacles”, located about 250km north of Perth. The twelve hour trip offered some picturesque scenery and day out of Perth for just $129.
I was picked up this morning by the driver and the Japanese interpreter who informed me there would be quite a few Japanese people on the tour and that she would be both a guide and a translator. She wasn’t wrong Narelle. After leaving Perth, we called in briefly to a national park where we looked at kangaroos, koalas etc. Great for the tourists, but maybe a little boring for me.
The Pinnacles, Western Australia
Thus for me, the first major stop was actually at the massive sandhills located just east of Lancelin, which is a small fishing town about an hour’s drive north of Perth. The sandhills – reminiscent of some of those featured in Mad Max – are, apparently popular with sand boarders, dune buggy drivers, motorbikers and four wheel drivers. Throwing caution to the wind, I was the first to sandboard down one of the slopes, and I made a fool of myself, falling off only about ten metres down the hill. The second time around, however, I was much better and it was great fun. Mind you, having to walk up the hill a second time, I quickly got “over it”.
A few more hours in the car, some lunch and then finally we arrived at our destination, The Nambung National Park, home of the Pinnacles. There are two main theories to explain these rather odd looking strucures. The first is that they are “slightly harder columns of limestone that formed around tree tap roots that penetrated deep into limestone formed within ancient sand dunes. Water is always active in limestone and calcite is thought to have been preferentially deposited near these roots. When the softer limestone was eroded away, the columns remained”. The other theory, no longer readily held that they “are the result of calcification of tree stumps from an ancient forest, once covered in sand and now exposed by shifting dunes”.
The experience was quite amazing. Some of the formations are up to 14 feet tall, others just tiny rocks on the ground. The combination of these strange formations, the desert sands, and the ocean closeby makes for an interesting, slightly eery place to visit. As we ambled (?) our way through the stone maze, many people took photographs, with people often interpreting the shape of the rocks to be reminiscent of turtles, churches, elephants etc. While I could see that in some, others were a long bow in interpretation in my view. But what a wonderful experience it was.
As I mentioned previously, most of the people on the tour were Japanese, with the exception of myself and a young English couple. Almost all of the commentary was in Japanese which didn’t worry me so much, since a lot of it was apparently about “Australian culture”, but I know the English couple found it a little overwhelming.
At one point our guide handed around some books about Australian wildflowers – one in Japanese, one in English – and so I kept the Japanese one and handed the English version back. I know, smartarse! Everyone browsed through the wildflowers. But when our guide showed a copy of “Women’s Day” with Mary Donaldson on the cover, and spoke for at least 15 minutes about the Royal Wedding there was genuine interest in the bus!
Coming back I began to get the giggles about the day – the Japanese commentary, the “Air Supply CD” etc – and then finally I lost it when at a road stop cafe a couple asked for “two lattes” and were given the response “would you like milk in them?” You gotta laugh.
I quite liked Sarah Dawn Finer before seeing her last at the China Teatern. But that’s all changed, because I now LOVE her.
I first discovered her through Melodifestivalen. She performed her “power ballad”, I’m Moving On with passion and strength. And in true Melodifestivalen style, there was a great moment in her performance when she was raised from the stage for the song’s show stopping end.
In addition, I came to love her song, “Stockholm By Morning” (in particular), thanks to a performance from Swedish television which I saw on Youtube. As the song’s name might suggest it’s about travelling the world, but coming home to the person you love who lives in Stockholm.
Sarah Dawn FinerSarah Dawn sings with guitarist
It was her opening number at last night’s show. “There’s nothing like playing to a home town audience”, she said at the beginning. Or words to that effect. Although she sings in English, she speaks in Swedish, and sadly far too quickly for me to pick up most of what she said.
I picked up stories here and there though. She spoke early in the show about how wonderful it was to play “China Teatern”, a theatre she mostly associated with her friend, Peter Joback who was sitting in the audience with his boyfriend.
In a show that went for about 100 minutes (there was no interval by the way), she sang most of the songs from her two CDs. She also threw in a lovely refrain of “Keep On Walking” by Salem Al Fakir from this year’s Melodifestivalen leading into one of her own songs.
Throughout the show she sang everything from quiet ballads to “rock chick numbers”, and even did a bit “head banging” during a guitar solo.
I was so impressed with her showmanship. She seemed very at ease with the audience, and genuinely appreciated their warm response at the end.
My personal favourite songs were, of course, “Moving On” and “Stockholm By Morning”, but I was also really impressed with her performance of “I Don’t Need Your Love Song”. After performing “Moving On” as an encore, she came back for a second song which she performed half in Swedish.
Sarah Dawn Finer signs autographs
After the show I rang – and woke – my friend Graeme who is a big fan of Sarah Dawn Finer to tell him about how terrific the show was.
And then I went out and had a drink. The strangest thing about going out for a drink by yourself in a country where English isn’t the first language is that you sometimes lack a little confidence to strike up a conversation.
That wasn’t the case last night, when I introduced myself and tried to strike up a conversation in Swedish to the bloke standing next to me. After all that, he was German. So we spoke in English and had a good conversation and a drink or three.
It’s about one o’clock in the morning and it’s light outside. Although I know the sun is out there somewhere, I can’t actually see it, due to the fog which has enveloped Narvik.
I’m staying in the top floor room of a guest house. “You’re in the old maid’s room”, the bloke who owns the house told me when I arrived. And as I look out of my window, I can see a couple of houses (one of them has a light on out the front) against a grey sky background.
I haven’t seen too much of Narvik yet, retiring to bed soon after I arrived at seven o’clock tonight. After the activities of the last few days, and today’s intense day of travelling I was exhausted. And, in stark contrast to the communal living of the youth hostel, I’ve found myself in a single room with an extremely comfortable bed which proved far too enticing.
As I walked around Stockholm last night it was just beautiful. Even at about 10 o’clock, the sun was shining, adding a wonderful gentle yellow glow to the city’s buildings. And when I left Stockholm early this morning, it was definitely “shorts weather”. Actually, it was even a little bit hot. “So this is the famous Swedish summer I’ve heard about”, I thought to myself as I caught the suburban trains to Arlanda Airport.
“Personally I’d take the Arlanda Express”, the young bloke at the counter told me at Stockholm Central when I asked him about catching the suburban trains this morning. “Does it take too long and is it too hideous for words?”, I asked him in return, to which he replied in the negative. He smiled in a friendly way when I told him I came in via the express and was just looking for another, a different adventure.
Although I’d read previously the Swedes can be a little stand-offish, I haven’t found this to be the case so far. In fact, I’ve found them to be incredibly welcoming and helpful most of the time. Thus, when I asked (in Swedish) a nearby woman on Platform 16 to confirm that I was on the right platform for Upplands Visby (the connecting route for Arlanda Airport) she replied with a smile and some helpful information.
Taken from the train between Kiruna and Narvik in Norway.
I suspect I was a bit of an oddity on the train also, as most non-Swedes would probably catch the express. Subsequently, I found people quite warm and helpful, giving me instructions along the way.
There was a woman of about 60 opposite me who looked at me, though, in an odd kind of way. Not negative, just confused about why a non-Swedish tourist who wasn’t an eighteen-year-old backpacker would be catching the suburban route. After a moment or so of looking me up and down you could see she has convinced herself I wasn’t a serial killer and gave me a smile.
At about this time, a middle-aged man with a Middle Eastern complexion (maybe Turkish) came walking through the cabin and dropped a brochure on neighbouring seats. The flyer explained that he had two children who both had leukemia and that he was in need of financial assistance. It wasn’t the first time I’ve seen people begging, and I’ve wondered how these people have slipped through the Swedish welfare net. I’ve seen no obvious evidence, so far, of on the street homelessness related to either mental illness or drug addiction, as we have in Sydney.
The Swedish woman looked at the brochure with a sneer and further caught my eye with a smile when the bloke said something to me (which I couldn’t understand), and I replied with an “I don’t speak English very well” response.
As you go further and further out of central Stockholm, it gets more and more like Sydney’s Western Suburbs. More like any outer suburban area really, as you see more and more working class and non-caucasian faces getting on and off the train. You also hit the factory belt and the countryside pretty quickly.
And it was also then that I really started to feel the warmth of the Swedish sunlight coming through the windows of the train. I could also feel it through the window on the aircraft on the flight from Stockholm to Kiruna.
Aside from spilling some milk on the young woman sitting next to me (“Inte problema”, she said to me when I apologised), the plane trip was without incident.
I noticed, however, that I was welcomed onto the plane with “wilkommen”. It’s not the first time I’ve been assumed to be German and I guess it won’t be the last. Clearly, I don’t look Swedish in the typical kind of way, and clearly, I look like a bit of a tourist, but I never assumed I looked German.
As we made our way towards Kiruna, it occurred to me that, in an Australian context, I was flying to “Western Australia” and that Kiruna was probably Sweden’s answer to “Karratha”. As you fly from Stockholm you see the landscape change dramatically, and as you fly into Kiruna you see what is essentially a mining town in the middle of an extremely attractive landscape.
The contrast between Kiruna – organised, industrial – and the nearby landscape is dramatic. With the melting of the snow, the landscape was lush and green. But even now in the middle of summer, you still see mountain tops covered in snow. Even the Swedes on the plane, who must have seen it a thousand times, were in awe at some of the sights.
That, however, was not the case for two nearby women as we travelled by train from Kiruna to Narvik. While I was “oohing” and “ahhing” at every minor change in the landscape, they were looking at trash magazines and were reading out every bit of minor trivia contained therein. Not being able to understand everything they said though, I listened more for tone and intonation. In Australia, they would have been Cheryl and Sharon, here they seemed a little more exotic. :)
I personally found the train journey quite remarkable. You start off with a fairly flat green landscape, progress into a spectacular lakes district, and climb the mountains to true alpine country, before finding yourself on the Norwegian coastline. I spent most of the trip with my head stuck out the window taking as many photographs as I possibly could.
It was really great to watch the vegetation change also. At the beginning, it’s all flat and Savannah like, where the trees are all about the same height. Then, in the lakes district, you start to see some of the typical alpine vegetation of conifers. And by the time you’ve reached the top of the mountain, the vegetation has largely disappeared and it’s mostly just rock. You see the occasional white flower, though, in the midst of it all. “Is that eidelweiss?, I thought to myself at one point.
Oh, and I loved how they did the border change. As you cross from Sweden to Norway you go into a tunnell, and, quite simply you see two flags next to each other. Voila! You’re in another country. Bloody EU – where’s my passport stamp?
In contrast to everyone else on the train, I was still wearing shorts when we arrived in Narvik. They were all rugged up for the winter and maybe some skiing, while I was here on a summer holiday. Peer pressure got to me, though, and I put a jumper on just minutes before arriving at the station.
I had a great feeling of elation in arriving in Narvik. “Wow”, I’m here”, I thought to myself, on the top of the world, on the opposite side of the world. The train station is fairly simple, almost run down, and the first pay phone I found didn’t work. But, like all train stations and airports, there was a real sense of joy in the air, as people met their friends and relatives.
“Are you from Narvik?”, I asked the bloke who owns the guest house. “No, but I’ve been here 50 years”, he told me, adding that his wife was from Narvik. On the way to the guest house, he pointed out the shops where I could buy food. And when I asked him if there was a simple, polite local greeting I could use in shops, he told me I should just speak English. “All Norwegians speak English. It’s just the English, the Americans and the Australians who speak only one language”, he smilingly said.
Anyway, it’s now 1.40 am, and the fog has lifted. I think it’s time to go back to sleep for a while.
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You know, I always disliked that wedding dress. Apart from that, though, we adored her. I was about 10 when Charles and Di got married and she was made princess; all the girls at school (including me) were obsessed with her. (No, I didn’t stay obsessed.)
I agree, it will be interesting to look back in another 50 years’ time. Was she the Marie Antoinette of her time – a phenomenon bigger than the person or the position?
I’ve stopped worrying about how anything will be perceived in 50 years tim. I won’t be here to worry about it!
What matters is the here and now and in the here and now, Diana, Princess of Whales (!), meant something to a lot of people around the world. The fact that this exhibition is here is a testament to the fact that she still does.
Perhaps we need to stop asking why? and how? the Diana phenomenon happened and just embrace it as another bizarre thing in this crazy thing called life on this crazy ball called Planet Earth.
There was a Kylie exhibition at the same museum that you took me to ages ago – I felt like I’d lived through every part of that exhibition – I felt a real emotional stake in the items on display. Meanwhile, most of the other people attending probably just thought “how camp!”
Diana touched and penetrated the defences of many people around the world. Kylie’s done the same for me since 1987.
I don’t know what people will say of Kylie in 50 years time but I don’t care. I only care about how I feel towards her.
I liked reading your Diana post – and I liked reading that you were teary. Good, honest stuff!
History mostly celebrates people, and I think that will be the case with both Kylie and Diana. I mean, just because the passing of time means we know Marilyn Monroe, JFK etc were root rats, doesn’t diminish them as historical figures. In fact, knowing more about them as humans makes them more interesting.
You know, I always disliked that wedding dress. Apart from that, though, we adored her. I was about 10 when Charles and Di got married and she was made princess; all the girls at school (including me) were obsessed with her. (No, I didn’t stay obsessed.)
I agree, it will be interesting to look back in another 50 years’ time. Was she the Marie Antoinette of her time – a phenomenon bigger than the person or the position?
I’ve stopped worrying about how anything will be perceived in 50 years tim. I won’t be here to worry about it!
What matters is the here and now and in the here and now, Diana, Princess of Whales (!), meant something to a lot of people around the world. The fact that this exhibition is here is a testament to the fact that she still does.
Perhaps we need to stop asking why? and how? the Diana phenomenon happened and just embrace it as another bizarre thing in this crazy thing called life on this crazy ball called Planet Earth.
There was a Kylie exhibition at the same museum that you took me to ages ago – I felt like I’d lived through every part of that exhibition – I felt a real emotional stake in the items on display. Meanwhile, most of the other people attending probably just thought “how camp!”
Diana touched and penetrated the defences of many people around the world. Kylie’s done the same for me since 1987.
I don’t know what people will say of Kylie in 50 years time but I don’t care. I only care about how I feel towards her.
I liked reading your Diana post – and I liked reading that you were teary. Good, honest stuff!
History mostly celebrates people, and I think that will be the case with both Kylie and Diana. I mean, just because the passing of time means we know Marilyn Monroe, JFK etc were root rats, doesn’t diminish them as historical figures. In fact, knowing more about them as humans makes them more interesting.